Um roubo de drogas sai do controle, levando um policial a encarar o submundo de uma cidade corrupta para salvar o filho de um político importante.Um roubo de drogas sai do controle, levando um policial a encarar o submundo de uma cidade corrupta para salvar o filho de um político importante.Um roubo de drogas sai do controle, levando um policial a encarar o submundo de uma cidade corrupta para salvar o filho de um político importante.
Avaliações em destaque
I went into Havoc with some hope, but honestly, it was a huge disappointment. Right from the opening chase scene, I could barely keep watching. The camera work was absolutely terrible, with constant, aggressive shaking that made it nearly impossible to tell what was happening. It felt like they thought shaking the camera = intensity, but it just made everything look messy and annoying.
The lighting was awful too, CGI was shockingly bad. Most of the city night sequences looked like cheap video game cutscenes rather than a real movie. At times I honestly forgot I was watching a film and not some low budget game from a decade ago.
After the opening chase, I seriously considered turning it off. It felt like a bad video game come to life - unpolished, incoherent, and completely lacking any real atmosphere or tension even the car physics looked so bad and video game likish
Disappointing is an understatement.
The lighting was awful too, CGI was shockingly bad. Most of the city night sequences looked like cheap video game cutscenes rather than a real movie. At times I honestly forgot I was watching a film and not some low budget game from a decade ago.
After the opening chase, I seriously considered turning it off. It felt like a bad video game come to life - unpolished, incoherent, and completely lacking any real atmosphere or tension even the car physics looked so bad and video game likish
Disappointing is an understatement.
I really like Tom Hardy and Timothy Olyphant - both are incredible actors. But man, what a waste.
The cinematography was a complete disaster. Who at Netflix actually approved this? The camera work was all over the place, and that weird Sin City knockoff CGI style made it even worse. It was distracting, not stylish.
At times, it almost gave me Die Hard vibes - just a little. But without the sharp wit or the comedic relief that made Die Hard a classic, it ended up feeling hollow.
Seriously, with this kind of budget and cast, they had all the ingredients for something great. Instead, they threw it away on cheap visual gimmicks and chaotic direction.
What a waste of production. They really need to stop burning money and start making films that actually make people go, "Wahhh!" - not "What the hell was that?"
The cinematography was a complete disaster. Who at Netflix actually approved this? The camera work was all over the place, and that weird Sin City knockoff CGI style made it even worse. It was distracting, not stylish.
At times, it almost gave me Die Hard vibes - just a little. But without the sharp wit or the comedic relief that made Die Hard a classic, it ended up feeling hollow.
Seriously, with this kind of budget and cast, they had all the ingredients for something great. Instead, they threw it away on cheap visual gimmicks and chaotic direction.
What a waste of production. They really need to stop burning money and start making films that actually make people go, "Wahhh!" - not "What the hell was that?"
I was waiting for this movie to be released for as long as it has been announced, and now that the wait is finally over - it's definitely disappointing.
Clearly something must have happened to the original execution of this movie. It was quietly delayed for years and was released on streaming just as quietly. It's certainly no "Raid", it's more like a tired Jason Statham type movie. Some of the things in it are plain bizzare, such as the setting. This feels like Gotham or some alternative version of RoboCop's Detroit. The CGI is awful, it's so weird it us even present here in such copious amounts considering what the director is known for. The story is simple, yet indescribably odd. The lighting is also a weak point of this movie. The casting is superb and some of the fights are fine, but again, coming from Gareth Evans it's a bare minimum of what you'd expect. This isn't a terrible movie by any stretch and you can enjoy it for what it turned out to be, but you have to keep your expectations surprisingly low.
The highlight of the movie is probably the club fight with Gesaffelstein blasting, but that's as good as it gets. Overall, pretty passable.
Clearly something must have happened to the original execution of this movie. It was quietly delayed for years and was released on streaming just as quietly. It's certainly no "Raid", it's more like a tired Jason Statham type movie. Some of the things in it are plain bizzare, such as the setting. This feels like Gotham or some alternative version of RoboCop's Detroit. The CGI is awful, it's so weird it us even present here in such copious amounts considering what the director is known for. The story is simple, yet indescribably odd. The lighting is also a weak point of this movie. The casting is superb and some of the fights are fine, but again, coming from Gareth Evans it's a bare minimum of what you'd expect. This isn't a terrible movie by any stretch and you can enjoy it for what it turned out to be, but you have to keep your expectations surprisingly low.
The highlight of the movie is probably the club fight with Gesaffelstein blasting, but that's as good as it gets. Overall, pretty passable.
Shooting is cartoony, characters miss a whole lot but fire a lot of bullets with almost no precision, combat is visceral, satisfying and gory and in style of the director, very similar in the way it was shot to the legendary The Raid, camera follows the action closely but as the action itself is hectic so is the camera so a lot of the scenes move really fast and have quick cuts in between action pieces.
Story is predictable and you start to understand the whole narrative in the first 30 mins and characters are too one dimensional to even slightly care about them.
Tom Hardy gives a slightly better performance here than he did in Venom, his character is gruff, gritty and jaded and he manages to somewhat sell it, but he shines in his fight choreography which is simply put glorious and over the top.
Gun violence on the other hand seems too gratuitous, characters suffer multiple injuries yet somehow are still left standing and are able to one shot someone else. Precision is completely thrown out the window in some segments of the movie, in one scene a character is shot through a car window with a shotgun blast that barely scratches him and in the next a character riding a train is shot down multiples times from a big distance with a pistol.
The entirety of the traffic in the movie is for some reason almost completely computer generated, cars move unrealistically and really look out of place, ruining the immersion and making the whole viewing experience seem really cheap. Pistols sound epic but not in a realistic way as every pistol fired sounds like a cannon being shot and a lot of pistols in the movie seem to have rapid fire capabilities in one scene then suddenly becoming single shot in the next. Submachine guns firing sounds like miniguns.
You really have to suspend your disbelief when watching this movie as it's so hilariously unrealistic.
Story is predictable and you start to understand the whole narrative in the first 30 mins and characters are too one dimensional to even slightly care about them.
Tom Hardy gives a slightly better performance here than he did in Venom, his character is gruff, gritty and jaded and he manages to somewhat sell it, but he shines in his fight choreography which is simply put glorious and over the top.
Gun violence on the other hand seems too gratuitous, characters suffer multiple injuries yet somehow are still left standing and are able to one shot someone else. Precision is completely thrown out the window in some segments of the movie, in one scene a character is shot through a car window with a shotgun blast that barely scratches him and in the next a character riding a train is shot down multiples times from a big distance with a pistol.
The entirety of the traffic in the movie is for some reason almost completely computer generated, cars move unrealistically and really look out of place, ruining the immersion and making the whole viewing experience seem really cheap. Pistols sound epic but not in a realistic way as every pistol fired sounds like a cannon being shot and a lot of pistols in the movie seem to have rapid fire capabilities in one scene then suddenly becoming single shot in the next. Submachine guns firing sounds like miniguns.
You really have to suspend your disbelief when watching this movie as it's so hilariously unrealistic.
Ok, this action packed crime film is bloody, brutal, gritty, but the importance of bodycount makes you get rif off your head the rest of the story. No one cares about the intrigue which only a handful of us will follow. The action is really powerful, well made, but the camera work is also "too much", it may make you dizzy. The action scene in the night club is inspired from JOHN WICK, maybe more than the previous THE RAID films - directed by the same guy. And this scene is too long for me, I nearly felt bored. The ending is lousy. Yes, a forgettable film. Tom Hardy is just OK. Not more. I prefered THE RAID features; concerning GANGS OF LONDON, I have not watched yet - also made by Gareth Evans.
Tom Hardy Through the Years
Tom Hardy Through the Years
From his early appearances in "Band of Brothers" and memorable roles in Inception and The Dark Knight Rises to his latest work in "MobLand," look back at Tom Hardy's impressive career.
Você sabia?
- CuriosidadesCardiff Bay streets were transformed to resemble snowy American cityscapes for the production.
- Erros de gravaçãoThe characters use firearms that seemingly have unlimited ammunition, firing hundreds of rounds, even from handguns, without ever reloading.
- Citações
Lawrence Beaumont: Get him back.
Walker: And I never see your fuckin' face again?
Lawrence Beaumont: You heard me.
- ConexõesReferenced in Film Junk Podcast: Episode 990: Sinners (2025)
- Trilhas sonorasThe Mysterious Hiace
Written by The Low Mays & Bakerie
Performed by The Low Mays & Bakerie
Courtesy of CWA Records Limited
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- How long is Havoc?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Havoc
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração
- 1 h 47 min(107 min)
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1
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