Uma trabalhadora agorafóbica de Seattle descobre provas de um crime.Uma trabalhadora agorafóbica de Seattle descobre provas de um crime.Uma trabalhadora agorafóbica de Seattle descobre provas de um crime.
- Prêmios
- 7 indicações no total
Betsy Brantley
- Kimi
- (narração)
Avaliações em destaque
This was an entertaining hour and a half but its was missing something. There are some interesting characters, a nice enough plot line, a decent character reveal and an entertaining conclusion. Unfortunately, it felt a touch glossed over, simplified. A touch more complexity, a bit more depth would have made this something special. As it was, it's still worth a watch, but it won't wow you.
A less than 90 minute taut, exciting thriller from Steven Soderbergh. A perfect example of a film being effective with less is more.
No idea why this film isn't getting more credit. It's rare to find films with a small cast and single location done so well. More exciting than most films that cost millions of dollars more.
No idea why this film isn't getting more credit. It's rare to find films with a small cast and single location done so well. More exciting than most films that cost millions of dollars more.
I am a bit surprised that the overall rating (as of March 2022) is below 7 for this film.
I have no idea why that is because this is a good solid film.
Very much in line with Steven Soderbergh other films.
Keeping it simple. Good storytelling with thriller elements. You just know what you're getting with Soderbergh. Rounded characters, no Flash/bang CGI/visual effects to unnecessarily distract and a set of good actors in a well told story. It's like old film making techniques to tell modern stories.
It sort of reminded me of a modern version of Rear Window but with post covid lockdown as a backdrop and the use of modern information technology. It is substantially different to Rear window though.
This, I think, is the first Zoe Kravitz film I've seen. She's very good. Very believable.
What Soderbergh does, and I personally like this, is take modern topics of conversation and produces a story that weaves all that into a thriller of sorts.
He did this with "No sudden move" (corporate greed), "the Laundromat" (Panama papers), "Unsane" and "side effects" (the health sector), "High flying bird" (sport greed) and now with Kimi (data harvesting and big tech).
Sometimes he hammers home the point, but in this film, it's all laid out without being belligerent.
It's an intelligent technology based thriller (not techno thriller - which I associate with cyberpunk etc).
A great film to watch one evening. Good pacing and not too long.
There is a sexual scene in it, so if you are planning to watch it then You'll be alright if you have older teenage kids or non-prudish parents. If you can get past that, then you're onto a winner for a night's entertainment.
Thought provoking and much better than a lot of films out there right now.
Do watch if you get the chance.
I have no idea why that is because this is a good solid film.
Very much in line with Steven Soderbergh other films.
Keeping it simple. Good storytelling with thriller elements. You just know what you're getting with Soderbergh. Rounded characters, no Flash/bang CGI/visual effects to unnecessarily distract and a set of good actors in a well told story. It's like old film making techniques to tell modern stories.
It sort of reminded me of a modern version of Rear Window but with post covid lockdown as a backdrop and the use of modern information technology. It is substantially different to Rear window though.
This, I think, is the first Zoe Kravitz film I've seen. She's very good. Very believable.
What Soderbergh does, and I personally like this, is take modern topics of conversation and produces a story that weaves all that into a thriller of sorts.
He did this with "No sudden move" (corporate greed), "the Laundromat" (Panama papers), "Unsane" and "side effects" (the health sector), "High flying bird" (sport greed) and now with Kimi (data harvesting and big tech).
Sometimes he hammers home the point, but in this film, it's all laid out without being belligerent.
It's an intelligent technology based thriller (not techno thriller - which I associate with cyberpunk etc).
A great film to watch one evening. Good pacing and not too long.
There is a sexual scene in it, so if you are planning to watch it then You'll be alright if you have older teenage kids or non-prudish parents. If you can get past that, then you're onto a winner for a night's entertainment.
Thought provoking and much better than a lot of films out there right now.
Do watch if you get the chance.
Started pretty good, good actress, but story would have been a lot more interesting and exciting if the baddies had been professionals in stead of the bungling idiots at the level of 'Home alone'.
Things would have been scarier and more entertaining if the baddies knew what they were doing.
Things would have been scarier and more entertaining if the baddies knew what they were doing.
Kimi is a computer assistant similar to Alexa. Angela Childs (Zoë Kravitz) works for the company to monitor individual Kimi recordings. With her agoraphobia, she is unable to go out like going to the dentist for needed dental work. She thinks that she has discovered a crime in one of the recordings.
Director Steven Soderbergh delivers a well-made film. For the first half, I thought this was Soderbergh doing COVID filming with Kravitz doing mostly solo scenes. I wouldn't mind that. I appreciate somebody making it work and it fits the character. That's why I don't like the office section. It doesn't fit the character. She should try to go out and fail. It heightens her vulnerability if she can't leave. This could have been Soderbergh's Rear Window. As it stands, the start is a bit slow but it's a fine thriller.
Director Steven Soderbergh delivers a well-made film. For the first half, I thought this was Soderbergh doing COVID filming with Kravitz doing mostly solo scenes. I wouldn't mind that. I appreciate somebody making it work and it fits the character. That's why I don't like the office section. It doesn't fit the character. She should try to go out and fail. It heightens her vulnerability if she can't leave. This could have been Soderbergh's Rear Window. As it stands, the start is a bit slow but it's a fine thriller.
Você sabia?
- CuriosidadesBetsy Brantley (voice of Kimi) is the ex-wife of the director Steven Soderbergh.
- Erros de gravaçãoWhen Yuri is supposed to be entering her phone number using the numeric keypad the keys he hits don't match her phone number. Then, when entering text he randomly types in the same small central area of the keyboard really fast using all his fingers.
- Citações
Angela Childs: And trust me, I know bad: I used to moderate for Facebook.
- ConexõesFeatured in Chris Stuckmann Movie Reviews: Kimi (2022)
- Trilhas sonorasOxytocin
Written by Billie Eilish and Finneas O'Connell
Performed by Billie Eilish
Courtesy of Darkroom/Interscope Records
Under license from Universal Music Enterprises
Principais escolhas
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- How long is Kimi?Fornecido pela Alexa
Detalhes
Bilheteria
- Faturamento bruto mundial
- US$ 63.155
- Tempo de duração
- 1 h 29 min(89 min)
- Cor
- Mixagem de som
- Proporção
- 2.00 : 1
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