Após a morte de seus pais adotivos, um garoto de quatorze anos embarca em uma perigosa aventura para encontrar seu pai biológico.Após a morte de seus pais adotivos, um garoto de quatorze anos embarca em uma perigosa aventura para encontrar seu pai biológico.Após a morte de seus pais adotivos, um garoto de quatorze anos embarca em uma perigosa aventura para encontrar seu pai biológico.
K.J. Baker
- Rebecca Waterson
- (as Kimberly S. Baker)
Avaliações em destaque
Lush cinematography and a great script make for an excellent movie. The characters are believable and seem real. The film was made in Mississippi and showcases much of the natural beauty that the state offers. The wardrobe is interesting and fits the script well. The characters' hair and makeup are expertly done.
I have ADHD and this movie was so well made that it kept my attention focused the entire time. The storyline is interesting and keeps you wondering what is going to happen next. The movie is full of great actors such as David Duchovny, Oakes Fegley, Larry Pine, Kernesha Steele and many more.
I have ADHD and this movie was so well made that it kept my attention focused the entire time. The storyline is interesting and keeps you wondering what is going to happen next. The movie is full of great actors such as David Duchovny, Oakes Fegley, Larry Pine, Kernesha Steele and many more.
Here is a script which opens with an unexpected scenario which elicits the "usual" sorts of expectations going forward. Now let's go to the end--after the credits roll--the very end of film and then think back over everything that's transpired. All expectations are turned inside out and upside down. Just as you start thinking you know where it's going there's just enough of spin to set you off balance with a surprise. It's not a perfect film --but it is one that makes you think a lot about human nature. And by the end there's a LOT to think about regarding human motives, intentions--and love. An unexpected pleasure for those who appreciate the unexpected instead of formula scripts. Oakes Fegley--yeah, he carries the film very well.
This one will tear your heart out. It waits until the end, though. I like how they managed to build it up, and keep you guessing, until the very end when they just slam it down on ya in the most unexpected way. I mean, I went into this knowing that it was going to be sad and tragic, but it ended up being so much more than I could've ever imagined. The ending is genuinely shocking.
It starts out pretty disgusting. It fools you into thinking this is going to be a different kind of movie than it turns out to be. I wouldn't say it was perfect. There were moments where it just rushed and skipped over a whole lot, and it felt a bit jarring when it did that. Also, there are some parts which were a little bit of stretch, like what happens to his grandfather. It's just a movie, though. Overall, it turned out pretty good.
I felt that Mr. X Files did a decently convincing job. It certainly didn't seem like the sort of role he would play. I thought he felt a little bit off, but did an adequate job. Considering how much of a mess he managed to avoid, I think it was a good performance. The woman playing the wife, though. She should go back to waiting tables. Fortunately, this experience was brief enough, and the rest makes up for it.
The men who played his not-the-father did a really good job, all of them. The scenery and set design was all very immersive and believable. The ambiance of his surroundings played a strong role in how I felt about the situation. I grew up around some of that, and thought it all felt really convincing. I would say they got it pretty accurate, alright.
Oakes, however, did the most amazing job. He's always been such a good actor, and really good at endearing himself to the audience, and making you care about him. He can break your heart with just his facial expression, alone. Or, he can make himself so incredibly charming with his smile. He has some real talent, and he did a phenomenal job in this film. He kept me captivated from beginning to the very end. I can't wait to see more movies starring him. I sure hope they make some, soon.
If, like I did, you're thinking you might find this movie boring, then let me assure you that it was never a dull moment. It had car chases, armed robberies, and police escapes throughout. The whole thing is very scenic, and at times hideous, and other times beautiful. I kinda felt like Oakes was a little too pretty for this role, but I'm NOT complaining. He sure got really good looking in a hurry. I remember watching that interview he did after the Goldfinch and being blown away by how much he changed. Well, he did not disappoint.
I highly recommend this movie as one that'll keep you guessing until the very end, and leave you surprised and awestruck. The ending really caught me off guard. I'd like to see you try and keep those tears inside. Yeah, you just try it. I found that I couldn't possibly steel myself against all that. It turned out to be quite a story. I'll bet you'll enjoy it a lot more than you think you will.
It starts out pretty disgusting. It fools you into thinking this is going to be a different kind of movie than it turns out to be. I wouldn't say it was perfect. There were moments where it just rushed and skipped over a whole lot, and it felt a bit jarring when it did that. Also, there are some parts which were a little bit of stretch, like what happens to his grandfather. It's just a movie, though. Overall, it turned out pretty good.
I felt that Mr. X Files did a decently convincing job. It certainly didn't seem like the sort of role he would play. I thought he felt a little bit off, but did an adequate job. Considering how much of a mess he managed to avoid, I think it was a good performance. The woman playing the wife, though. She should go back to waiting tables. Fortunately, this experience was brief enough, and the rest makes up for it.
The men who played his not-the-father did a really good job, all of them. The scenery and set design was all very immersive and believable. The ambiance of his surroundings played a strong role in how I felt about the situation. I grew up around some of that, and thought it all felt really convincing. I would say they got it pretty accurate, alright.
Oakes, however, did the most amazing job. He's always been such a good actor, and really good at endearing himself to the audience, and making you care about him. He can break your heart with just his facial expression, alone. Or, he can make himself so incredibly charming with his smile. He has some real talent, and he did a phenomenal job in this film. He kept me captivated from beginning to the very end. I can't wait to see more movies starring him. I sure hope they make some, soon.
If, like I did, you're thinking you might find this movie boring, then let me assure you that it was never a dull moment. It had car chases, armed robberies, and police escapes throughout. The whole thing is very scenic, and at times hideous, and other times beautiful. I kinda felt like Oakes was a little too pretty for this role, but I'm NOT complaining. He sure got really good looking in a hurry. I remember watching that interview he did after the Goldfinch and being blown away by how much he changed. Well, he did not disappoint.
I highly recommend this movie as one that'll keep you guessing until the very end, and leave you surprised and awestruck. The ending really caught me off guard. I'd like to see you try and keep those tears inside. Yeah, you just try it. I found that I couldn't possibly steel myself against all that. It turned out to be quite a story. I'll bet you'll enjoy it a lot more than you think you will.
I just watched this movie Adam the first 2024 and expected so much more than what I saw.
It was extremely boring to watch this poor boy Adam go through his journey to find his father and ending up finding his mother.
The movie ends with a very shallow ending leading the viewers hanging.
N then t ends at 7 minutes and the Epilogue is after the credits and should be before the credits, cuz viewers don't watch credits n by putting the Epilogue after the credits no one will wait or will ever see them.
It seems like all 2024 movies are retro but if ur gonna do retro then do it right not like this very sad version.
All movies have a happy ending and you messed it up for sure!
Maybe you need to hire me cuz I'm a freelance screenwriter artist n work for GOFOBO n IMDB.
Think about it u need me cuz you're failing at this point!
Good luck n I'm deleting this video now...not worth the gigabits on my computer.
It was extremely boring to watch this poor boy Adam go through his journey to find his father and ending up finding his mother.
The movie ends with a very shallow ending leading the viewers hanging.
N then t ends at 7 minutes and the Epilogue is after the credits and should be before the credits, cuz viewers don't watch credits n by putting the Epilogue after the credits no one will wait or will ever see them.
It seems like all 2024 movies are retro but if ur gonna do retro then do it right not like this very sad version.
All movies have a happy ending and you messed it up for sure!
Maybe you need to hire me cuz I'm a freelance screenwriter artist n work for GOFOBO n IMDB.
Think about it u need me cuz you're failing at this point!
Good luck n I'm deleting this video now...not worth the gigabits on my computer.
Oakes Fegley, a name familiar to many Person of Interest fans despite his brief three-episode stint as Gabriel Hayward, has carved out a surprisingly successful film career since then.
Adam the First starts off promising enough, but it took an unexpected turn that left me scratching my head. The film abruptly veers into Christian territory, transforming what could have been a compelling narrative into something that feels a bit preachy. While I appreciate stories with religious themes, I'm not a fan of films that come across as overt propaganda, regardless of the political or religious viewpoint.
It's not uncommon for American and Canadian actors to appear in such films, and it seems even the beloved David Duchovny couldn't resist. However, his presence is disappointingly minimal, barely justifying his name in the credits. It's as if he had a personal connection to the project and simply wanted to lend his support, because his impact on the film is negligible.
Fegley, on the other hand, delivers a commendable performance, showcasing the talent that has propelled him to success. He manages to shine even when the script falters, bringing a depth and authenticity to his character that transcends the film's shortcomings.
Despite its missteps, Adam the First isn't a complete disaster. The cinematography is visually appealing, capturing the natural beauty of the Mississippi setting. The film also boasts a few genuinely touching moments that resonate emotionally, even if they are overshadowed by the heavy-handed religious messaging.
In the end, Adam the First is a mixed bag. It's a film with potential that ultimately falls short due to its overemphasis on religious themes. It's a shame, because Fegley's performance and the film's visual appeal deserve better. If you're looking for a thought-provoking drama, you might find something to appreciate here, but be prepared for a dose of Christian messaging that might not be to everyone's taste.
Adam the First starts off promising enough, but it took an unexpected turn that left me scratching my head. The film abruptly veers into Christian territory, transforming what could have been a compelling narrative into something that feels a bit preachy. While I appreciate stories with religious themes, I'm not a fan of films that come across as overt propaganda, regardless of the political or religious viewpoint.
It's not uncommon for American and Canadian actors to appear in such films, and it seems even the beloved David Duchovny couldn't resist. However, his presence is disappointingly minimal, barely justifying his name in the credits. It's as if he had a personal connection to the project and simply wanted to lend his support, because his impact on the film is negligible.
Fegley, on the other hand, delivers a commendable performance, showcasing the talent that has propelled him to success. He manages to shine even when the script falters, bringing a depth and authenticity to his character that transcends the film's shortcomings.
Despite its missteps, Adam the First isn't a complete disaster. The cinematography is visually appealing, capturing the natural beauty of the Mississippi setting. The film also boasts a few genuinely touching moments that resonate emotionally, even if they are overshadowed by the heavy-handed religious messaging.
In the end, Adam the First is a mixed bag. It's a film with potential that ultimately falls short due to its overemphasis on religious themes. It's a shame, because Fegley's performance and the film's visual appeal deserve better. If you're looking for a thought-provoking drama, you might find something to appreciate here, but be prepared for a dose of Christian messaging that might not be to everyone's taste.
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- Trilhas sonorasFifty Percent
Written by Alan Bergman, Marilyn Bergman, and Billy Goldenberg
Performed by Dorothy Loudon
[sung as a Karaoke song and sang by the character, "Adam's Mother"; originally from the musical, "Ballroom"]
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- Adam the First
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- Faturamento bruto mundial
- US$ 5.437
- Tempo de duração1 hora 43 minutos
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