O Destemido

One of the best movies i've seen what concern martial arts. Just superb. The choreography is classic. Fighters fly on wires, strike with fast hands, kick high, hold impossible poses and pull on a variety of weapons. Also fights I've never seen before, what makes it all original. They are truly breathtaking: brilliantly composed and shot.

Action from the beginning to the end in this modern fighting movie with some Asian tragedy. The locations are beautiful. The story is very simple, but who cares? (If you look for a movie with a good story, i could recommend you "house of flying daggers"). This is a movie where you find some beautiful and stunning fighting scenes. Kungfu fans would love to see this movie.

Tagline: Yuen Woo Ping tries hard and manages to entertain in an uneven manner...

It's been too long since The Blade's Vincent Zhao last cinematic venture. The lad for all his worth was groomed to be Jet Li's successor. For whatever reason, he disappeared off the radar and wandered into the wilderness of mainland television. Zhao lacks the on-screen charisma or likable good looks of Jet Li, but there is no doubting of his martial arts ability and his physical presence is comparable to Donnie Yen. Many would probably have forgotten that Zhao's career got off to a storming start by simply existing under the shadows of Jet Li in roles like Wong Fei Hung and the villain in Fong Sai Yuk, before embarking on the cult classic lead role in The Blade. Impressive resume one might assume. So instead of rambling on about past laurels, Zhao makes a stunning return and one might just assume, his career is on the rebound.

The movie goes like this: Beggar So (Vincent Zhao) is army general, but gives up the position for family life. Beggar So gives all his status to his adopted brother (Andy On) and lived a life of an ordinary person. Until one day, Andy On returns home and killed Zhao's father (Leung Ka-Yan) in avenging On's own nemesis. The result is Beggar So escaping alive with his wife waiting for an opportunity to strike back.

Director Yuen Woo Ping is obviously in top form and there are a number of action sequences that are original enough for a mention. The fight in the snake well between On and Zhao is both innovative and fun. Hong Kong no longer has a huge luxury of upcoming kung fu star. While Vincent Zhao isn't exactly in his twenties, but he is still young enough to relaunch a career and with a bit of luck, he may even be able to match the reinvention successes of a similar counterpart in Donnie Yen. Sure, Zhao can't act and when he tries, more than often he is overacting in the famous Yen's style. It remains to be seen if Zhao is given a better material, he will be able to embrace it as his own.

As usual, Zhou Xun is a wonderful actress of both quality and presence. While not exactly a conventional beaut, Xun is one heck of an actress that makes the unnatural natural. She have been constantly stealing the show in numerous epics starring as side characters, but in all honestly her acting ability is second to none in the current HK cinema. In fact, when considered on a whole, Xun is given a paper thin role with nothing to work with, yet somehow she manages to impress, engage and express.

Moving on to Andy On, he is certainly a case of missing in action. For the past decade, since his terrible debut in Black Mask 2, Andy On has showed himself to be a decent supporting actor. In fact, he was the best thing in 2003's Star Runner, decent showdown against Jackie Chan in New Police Story. However since then, he has been almost unnoticeable in all circumstances. Perhaps, True Legend is what you call, a re-launch of young Andy's career. While he does have some screen presence to a certain degree, his acting is too one dimensional and his villainous turn is neither memorable nor effective. The kid got martial arts potential; let's just hope he is not suitability wasted away.

All in all, True Legend is a welcome additional to modern day HK martial arts cinema. While the 3rd act may seem like a remake of Fearless and the film suffers from some obvious coherence and uneven issues. Namely the frequently fast forward style of editing, making days goes by as fast as years. Director Yuen Woo Ping does compensate this by some blood crunching action display and even if it is a carbon copy of Fearless in the third act, there is no doubt that Yuen is simply taking a leaf out of his previous efforts. One may wonder if the film simply ended in the 2nd act, it may well be more coherent, but for me, it would have left me half-baked. So honestly, True Legend really isn't that bad and in fact, it is quite a decent film with some good parts in between. A welcome return for Shaw Brothers and to a larger extent Mr. Vincent Zhao...(Neo 2010)

I rate it 7/10

• www.thehkneo.com

I am basing my 9 stars for two reasons. First, the choreography is top notch. Second the cinematography is top notch. Simply put, this a very beautiful movie to watch. As for the story and plot...it's an action movie with a fairly simple story. It was designed to entertain with action and composition so the story is not the main vehicle which it uses to engage the viewer. If you are looking for extremely beautiful images, super insane kinetic choreography and fight scenes, you have come to the right place. The fights are on par with and perhaps even surpass Crouching Tiger, or Hero. Woo Ping just keeps improving on his choreography. I don't know how he does it, but he does it in every new movie. This is a definite purchase on bluray for my collection.

"True Legend" ("Su Qu-Er") was actually a nice surprise. I had been putting watching it off for some time now, but that turned out to be a mistake on my side.

The story in "True Legend" is about Su Can (played by Wenzhuo Zhao) who serves as a general, but leaves his army life behind to open up a martial arts school. His adopted brother Yuan Lie (played by Andy On), envious and always standing in the shadow of Su Can, end up killing their father and taking Su Can's son captive. Su Can and his wife Yuan Ying (played by Xun Zhou) end up at a secluded mountain, where they live with Dr. Yu (played by Michelle Yeoh) while Su Can is struggling to regain his fighting abilities and battle for his mind. Tensions are high and the stakes even higher, as the two brothers end up face to face.

Actually the story was rather interesting, although the movie had a tendency of lingering on certain parts a bit too much, where it ended up being somewhat of a drag to watch; especially on the mountain training scenes and the tavern epiphany scene.

What really impressed me about this movie was the sword fighting scenes and the martial arts scenes. They were amazing to look at. Very well choreographed and executed. Given this being a Mandarin martial arts movie, expect a lot of wire action in the movie. Personally, I don't mind that, but of course that is a matter of preference.

And as with most other epic Chinese movies in the same genre, there is a lot of really breathtakingly beautiful scenery to be seen in this movie. Lots of nice details everywhere.

"True Legend" is a great epic movie that hold elements from movies such as "Hero", "Ong Bak" and the like. It works very well when combined, and there is a lot of action from start to end.

If you enjoy Asian movies, especially the epic ones with lots of sword fights and martial arts, then it is very likely that you will enjoy "True Legend" as much as I did.

Wenzhuo Zhao has just reduced a rebel province, but he turns down the chance to be the new governor, so he can marry Xun Zhou and open a martial arts school. Some time later, his foster brother, Andy On decides to beat Zhao to a pulp and take his nephew so he can keep him safe. The happy couple wind up on a mountain with Doctor Michelle Yeoh, and while he heals, has training episodes with Jay Chou, the God of Wushu. Eventually, there's a big fight with On, and Miss Zhou winds up dead.

It's supposed to be about the founder of the 'Drunken Fist' form of martial arts. If that sounds familiar to western audiences, that's because DRUNKEN MASTER was a breakout hit for Jacky Chan. The director of this film, Woo-Ping Yuen, had a small role in that film, and decided to make an utterly serious drama about it, with evil foreigners beating the tar out of Chinese, and jazz bands playing "Sweet Georgia Brown" sixty years before it was written. Chou appears to be having some fun in his dual roles -- the second is "Drunken God". Otherwise it's seemingly endless fantasy fighting and unhappiness.

There also something that annoys me about the Chinese fantasy films I've seen over the past couple of years: you can see the fact it is computer generated. Reality has a roughness that lends it verisimilitude, and the fantasy sequences wind up looking like cutscenes from a computer game.