Pobres Criaturas

Clearly a lot of people enjoyed this grotesque movie, but it wasn't for me. Some of the scenes in it made me feel sick, and maybe they were supposed to, but it seemed unnecessary. Don't even get me started on how pretentious the movie was.

I also found this movie very frustrating because the acting was good, the sets and costuming were good, and some scenes used striking cinematography. These things all made me feel like I should've liked the movie, but I don't. It could have been put to much better use.

The sex and nudity is beyond gratuitous. I'm usually not bothered by sex scenes in movies, but for this particular film it felt perverted. Maybe the director has a weird fetish.

Ultimately, this film made me want to crack my own head open and pour bleach over my brain. It's one of those movies I'd like to block out. I don't think I'll ever watch anything else by Lanthimos.

This is a very unusual movie. I enjoyed watching it, even though it felt awkward at times (as promised by the creators and many reviewers). In my opinion, many users who gave it a 1/10, missed the point. For sure, it is a movie for very mature and sophisticated audiences. It contains a lot of ugly truths about the world, so don't watch it if those bother you. (Don't watch it with teenagers, either, wait until they are 20 or 21.) I appreciated the creative direction, cinematography, and Emma Stone's acting talent. The plot covers multiple aspects of privilege and abuse in thought-provoking ways. On a very high level, you could say that it has some similarities to Barbie, but a very different approach. It is almost the anti-Barbie. The contrast between these two 2023 movies is definitely worth a class discussion in some graduate course of film criticism.

I watched the movie without really knowing what to expect. The trailer seemed interesting, I thought the idea was pretty original.

Some characters I could never really warm up to, but maybe that was supposed to be the point. I loved the father-daughter dynamic between Bella and Godwin.

Overall it feels a bit like a fever dream, never knowing what is real and what is just imagination. The cinematography is stunning, very colourful and just beautiful sets and I enjoyed the originality of the camera angles too. The cast did an amazing job, especially Emma Stone really carried the movie, portraying Bella as strange but likeable.

My view is that you should watch this movie with a mind open to fantasy, sexuality and ignorance.

It is a fun movie to watch. The cinematics are imaginative and fantastical. In contrast, the plot is in stark opposition to the magical scenery which, gives this film an interesting allure.

Mark Ruffalo gives it 100% and I give him a 10.

Emma Stone is amazingly venerable and strong. Of Course.

Willem Dafoe looks horrid, but he is a necessary evil in his role.

There is a good amount of sexual content but it is done is a very, matter of fact, way. There is nudity of men and women so if that is not what you want to see, you may want to pass.

Yorgos Lanthimos's latest offering, "Poor Things," is a cinematic rollercoaster that throws absurdity, social commentary, and dark humor into a blender and hits puree. It's a film that will leave you bewildered, amused, and maybe a little bit grossed out, but undeniably entertained.

The story centers around Bella Baxter (played with delightful naiveté by Emma Stone), a Frankensteinian creation brought to life by the eccentric Dr. Godwin (Mark Rylance). Reborn with the brain of a drowned child and the body of a young woman, Bella is thrust into a world that both fascinates and confuses her. Her childlike innocence clashes hilariously with the societal mores of the 19th century, leading to a series of outrageous situations that push the boundaries of good taste and propriety.

Lanthimos, known for his penchant for the bizarre, doesn't shy away from the grotesque in "Poor Things." Bodily fluids flow freely, sexual encounters are depicted with a bluntness that borders on the pornographic, and violence erupts with unexpected ferocity. Yet, amidst the chaos, there's a darkly comedic undercurrent that keeps the film from becoming merely shocking. Lanthimos uses humor to highlight the absurdity of social norms and the hypocrisy of those who uphold them.

The film's visuals are equally striking. Robbie Ryan's cinematography blends dreamlike beauty with unsettling distortions, creating a world that feels both familiar and alien. The production design is sumptuous, with meticulously crafted sets and costumes that transport us to a fantastical version of Victorian England.

"Poor Things" is not a film for everyone. Its offbeat humor, graphic content, and unconventional narrative will likely alienate some viewers. However, for those willing to embrace its strangeness, the film offers a unique and thought-provoking experience. It's a wild ride, but one that ultimately leaves you pondering the nature of humanity, the meaning of life, and the absurdity of the world we live in.

**Here are some additional points to consider:**

* The film has been praised for its performances, with particular acclaim for Emma Stone's portrayal of Bella.

* Some critics have found the film's humor to be too crass or mean-spirited.

* The film's pacing can be uneven, with some scenes dragging and others feeling rushed.

* Despite its flaws, "Poor Things" is a visually stunning and intellectually stimulating film that is sure to spark conversation.

**Overall, I recommend "Poor Things" to fans of Yorgos Lanthimos's work and those who enjoy offbeat comedies with a dark edge. Just be prepared for a wild ride.**