Projeto 1619: Uma Viagem Pela História da Escravidão

So far the reviews here are pathetic. I doubt some reviewers have even watched the series. As a public school teacher of 25 years, I will note the following: 1) The 1619 Project is not "critical race theory". That is ridiculous.

2) The original series, the book and the TV series all have the same gaol: to present a reframing of American history from the point of view of black Americans, the descendants of slaves. It is a work of journalism, not a Ph. D thesis in US history. It succeeds in this goal, which is why many schools have added it to their curriculum.

3)Many white Americans are still in denial that systemic racism even exists today. That is their misfortune. /Ignorance of reality does not change reality. The legacy of slavery and white supremacy infects every aspect of our society. People of color know this all too well.

4) Hopefully as more people watch the series, it will enlighten and provoke, and open some minds. Then again, maybe not.

It's okay, and even welcomed to ruffle some feathers when it comes to a political documentary. But in doing so you must master the art of having your message reach all (or at least most) people. A quick glance at the reviews here tell you just that, there is a wild distortion in praise and hate, and the feedback on the reviews themselves are controversial. Wherever you stand on the issues presented in the documentary, it's obvious they only meant to capitalize on centuries of pain and suffering rather than make a clear documentary that tells the unifying message of freedom, for this documentary is message of hate. If they really cared about bridging the racial divide that has grown in recent years, they wouldn't have been so hate-fueled and one-sided. A good investigator is decisive, but a greedy propagandist is divisive.

I'm not surprised of the low rating. The truth stings for certain people - we know who they are. Anyway, the film's strength lies in its unapologetic approach to reframing history through the lens of African Americans' lived experiences. By presenting archival material alongside contemporary interviews, the movie connects past injustices with present-day racial inequities. Its blend of historical rigor and emotional resonance compels viewers to confront uncomfortable truths about the systemic forces underpinning American society.

The visual storytelling is powerful, with sweeping imagery of significant landmarks juxtaposed against intimate moments of reflection from interviewees. Nikole Hannah-Jones' narration is both authoritative and deeply personal, grounding the historical scope in human experience. The film excels in capturing the resilience and contributions of African Americans despite centuries of systemic oppression, offering a narrative that is as inspiring as it is sobering.

The 1619 Project is a necessary and bold piece of filmmaking that challenges America to reckon with its past. It is not merely a history lesson but a call to action, urging viewers to consider how historical injustices inform present-day realities. While polarizing for some, it is undeniably a vital contribution to the ongoing dialogue about race, identity, and justice in America.

Not sure why people are stating this is historically inaccurate. It's very accurate. It is what it is people. We have a shameful past. If you want to disagree with some of the causation that is one thing, but we cannot disagree with historical fact on how this nation was founded. Obviously this is going to point out things that our nation is and should be shameful for. This does not mean we are our ancestors, but we do need to reconcile our history and how this nation was built on the back of slavery and how our laws were impacted by it. I encourage everyone to embrace this for what it is. It's not an admission of guilt personally, it's an admission of our countries history.

Most of the low reviews for this series come from people who seem to not even have watched it. You can tell this, because instead of offering actual insight regarding its content, they fall back on played-out "arguments," pointing out that the first US slaves were sold by other Africans--as if those people had a hand in US policy for the next 400 years.

Or, the letter ostensibly signed by 4 historians, arguing inaccuracy with a claim the creator made regarding the Revolutionary War. Again, even if she was incorrect in that assertion--which she admittedly overstated and subsequently revised--it does not change the fact that slavery was, in fact, a major component to the US economy, and it doesnt necessarily discredit the claims of the rest of the series. This is a point that was made in a Politico article by Leslie M. Harris, who strenuously argued against the Revolutionary War statement and who noted that the letter was "just as misleading" in some of its own claims.

The actual series itself is informative, engaging, and entertaining; however, given its content, the knee-jerk opposition it faces from the racist, the oblivious, and the downright stupid is wholly unsurprising.