Três Homens e um Destino

This one's not your average revenge flick. The Cost dives deep into the messy space between justice and vengeance, and it doesn't offer easy answers. Directed by Matthew Holmes and co-written with Gregory Moss, it's a tense, stripped-back drama with strong performances and a steady, unsettling pace. It's not quite a thriller, not quite a drama-more like a moral gut-punch. The story unfolds slowly but deliberately, pulling you further into the characters' fractured sense of right and wrong. The soundtrack adds to the simmering tension without ever taking over. If you're into Aussie films that take risks and leave you thinking, this one's well worth a watch.

Matthew Holmes delivers a truly powerful examination of the psychology of revenge in this tense thriller. It begs the viewer to question their own moral fortitude and whether or not they believe in an eye for an eye.

Holmes has yet again assembled a team of artists around him that seem to know exactly how to achieve his vision and do it justice. The performances are gut wrenching, the cinematography is slick and superb, the soundtrack is haunting, and the screenplay is en pointe. This is a film that shows that you don't need hundreds of millions of dollars to make something that looks it.

What makes The Cost especially powerful is that, unlike so many other revenge films, it doesn't glorify violence, nor does it lionise those who use violence in retribution. It questions how far is too far? When our characters find themselves questioning their choices it rings true, and we even find ourselves bouncing back and forth over what we would do in that situation.

The squeamish might find this one a difficult watch, but The Cost rewards the perseverance of the viewer with a deeply moving exploration of the human psyche.

Wow! Loved, loved, loved! What a film! What an experience it was. From the very first scene to the very end you will be on the edge of the seat, your perception of what is right and wrong will swap places. Extremely thought provoking masterpiece. You will leave the cinema and will keep thinking about the film for days. What would I do in this situation? How far would you go to serve the justice? Who is a real bad character in the film? Highly recommended.

Meeting the cast and everyone involved in the production was a true highlight of my night. Thank you for creating one of my favourite films.

How far would you go to get even?

What lengths would you go to exact revenge, and at what price would you be willing to pay for it or believe it would administer you satisfaction and justice?

These are some of the questions, not answers, that The Cost poses in its challenging and often unsettling narrative.

Written and directed by Australian producer Matthew Holmes and co-written with Gregory Moss this is a worthy addition to the Australian movie landscape and a tense and tight-scripted film to round off 2022. With convincing performances throughout, The Cost seems to have been well casted and carefully thought-out to indeed deliver a thought-provoking experience that will stay with you at least on the drive home and probably longer.

I found it hard to place into a genre and that can be a positive thing for a film sometimes, reflecting the originality of the piece - or at least the will to do so.

Violence collides with conscience here and with a twisting and turning narrative, The Cost packs a punch right to the end, with a brooding soundtrack that fills the film throughout and at feels apt at all times.

I had the chance to see it at the Adelaide premiere and supporters of Australian film, and of course anyone with an openness to be challenged (and a little unsettled), would find here in this film enough meaty content to chew on pre or post Christmas lunch, depending if you have the chance to see it in cinemas or streaming online.

My first experience with a film from Matthew Holmes, though I've heard good things about The Legend of Ben Hall.

The one thing I liked a lot about this film is that it left us debating. I saw this with a bunch of friends, and the way the story plays out and ends in a somewhat open way caused some fun discussion between us.

Though I can understand complaints about a predictable story, I don't think that necessarily takes away from the film. The story is still told in an engaging and gripping way and the cast delivered strong performances.

I really liked how Aussie Clayton Watson was in the role as the farmer Brian, and the tension in the campfire scene was one of the better moments of the film.

I'd definitely be keen to check more out from Matthew Holmes.