A Casa no Bayou

Interesting little horror thriller, about the BAD things people do to each other. I found Isaac very unnerving and a bit charming at the same time. This feels like an old school style horror movie, like Burnt Offerings or The Other (both 70's gothic horror) I found it overall kinda satisfying except for Toby?? :( That bothers me ALOT.

If you like old school gothic horror, then you may well enjoy letting Isaac and Grandpappy take you for a ride in their beat-up ol truck. :O. Not gonna win any Oscars but it's creepy and unnerving and half way decent acting. I found the Mom's acting to be the worst of all but still worth a watch, if you can get past her robotic emotions.

I love a good/bad horror movie and this was that. I had some moments where I genuinely wondered WTF was going on, but all and all, I had fun watching it and I'd absolutely watch a sequel. Was it great? No. Were there some really odd moments? Absolutely. But it was absolutely worth the watch on whatever channel I randomly DVRed it from.

Not necessarily in a bad way, a very odd movie, but kept my attention easily to the end. I liked it. This is probably the shortest review I have ever left... I found it worth a watch.

I love the way this movie accelerates everything with Issac and the horror that trembles along with him! A House on the Bayou has some reality drama acting that was definitely the downfall otherwise the movie is dope. For a huge horror fanatic this was just right if you don't take it to seriously.

I happened to love Hemlock Grove's Season One and I loved and still love It Follows. A House on the Bayou is my favorite kind of horror. Like Hemlock Grove and It Follows, it's mostly unpredictable, it's strange, initially situations seem to escalate out of nowhere but they do go somewhere, there's a dark enigmatic character (Jacob Lofland) and there's a moral lesson at the core of the story. The dialogue is weird at times (Every time someone said Grandpappy, I laughed out loud because it's not 1930 and ridiculous Hollywood writers are so out of touch with the South. No one talks like that in the 21st Century). You don't know what the hell is going on most of the time because just when you think the script is going left, it goes right. And I loved the unsettling tone. I loved the cast. Jacob Lofland's Issac was my favorite. I couldn't stand the daughter. The moralistic message, script, acting, score, tone and direction complemented each other. There's never a dull moment and the runtime flew by. I enjoyed getting lost in this movie's strange Louisiana country mansion and its equally eerie parish.