Uma ex-viciada testemunha um assassinato. Ela é forçada a cooperar com o assassino para salvar a vida de sua filha. Ela precisa lutar contra o tempo, a polícia e o submundo do crime para sal... Ler tudoUma ex-viciada testemunha um assassinato. Ela é forçada a cooperar com o assassino para salvar a vida de sua filha. Ela precisa lutar contra o tempo, a polícia e o submundo do crime para salvar a única pessoa que significa algo para ela.Uma ex-viciada testemunha um assassinato. Ela é forçada a cooperar com o assassino para salvar a vida de sua filha. Ela precisa lutar contra o tempo, a polícia e o submundo do crime para salvar a única pessoa que significa algo para ela.
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Avaliações em destaque
This is a bad movie. I tolerated about twenty minutes before choosing to turn it off. Like I've said, it's grade B, and I wasn't in the mood to watch a grade B movie. So, I turned it off.
By far, the biggest problem, with this movie, is the writing. It's extremely amateur. It's not hard to tell, based on the dialog, as well as how unrealistic everything is; pertaining to the events that take place. It seems as if it were written by someone who's in high school. Perhaps the writer wrote it, while in high school, and then, years later, got enough money to actualy produce it. However, the source material was never critiqued and re-written, and the project was never reassessed. Otherwise, a choice probably wouldn't have been made to move forward with production.
I'm writing this review in order to provide honesty. It's what reviews are supposed to be about. I'm giving my honest review, so that moviegoers can know the truth about this film, and can assess whether or not they want to invest any time watching it.
If you're looking for a grade B movie, then this may be what you're looking for. However, if you're looking for polished entertainment --the kind of stuff that we're used to, then I don't recommend wasting your time with this movie. You'll, likely, be disappointed.
Samuel Bartlett, Ferdinando Dell'Omo and Andrea Iervolino wrote a script and storyline that started out okay, but then fell into a slump about halfway through and never recovered. The movie trotted on in a monotonous pacing without really going anywhere. And it felt like I was sitting through a long sequence of filler to make the movie run for 87 minutes. There wasn't much story progression to the narrative in general, and that made sitting through "Paradox Effect" rather tedious and boring actually.
And you don't really care much about the characters in the movie either, as the character gallery is flaccid and one-dimensional.
While Harvey Keitel is on the movie's cover, he is but a name to lure in the audience, as he is not in the movie all that much. I am not particularly much a fan of Olga Kurylenko, but she actually carried the movie well enough, make it a bit more bearable to sit through the monotonous narrative.
I found "Paradox Effect" to be a disappointing movie, and it is definitely not a movie that I will ever return to watch a second time. There are far better action thrillers out there, but if you enjoy the genre perhaps give director Scott Weintrob's 2024 movie a chance.
Sitting through the 87 minutes was a bit of a test, as there wasn't all that much story progression, and without much of anything overly interesting happening, it just wasn't anything to write home about.
My rating of "Paradox Effect" lands on a generous four out of ten stars.
So, please call me, Olga, and I will personally write you a decent action movie script. One where no one dares utter the cliché, "no! YOU drop it." Because everyone knows the real Olga Kurylenko would take the shot in a heartbeat, and waste the cowardly bad guy hiding behind his quivering hostage with deadly accuracy.
I'm American and tend to only like American films, but I saw The Courier a year or two ago and Olga was great and the film was far better than it should have been. Gary Oldman brought his game and I thought Harvey would do the same here.
The plot was weak and I found it hard to care about any of it or the people involved and of course, everybody was stupid and made the wrong choice leading to the overall mess that this movie was.
No idea what the budget was, but this movie was so bad, Matt Damon couldn't have saved it.
First, let's discuss the title. At no point is there an actual paradox of any sort or any related "effects" of said nonexistent paradox.
I've been "in love" with Olga for several years. I don't know if she is no longer being offered good roles or if she is making really poor choices but this one is bad either way.
Harvey Keitel used to be pretty cool. His zenith was obviously as Winston, aka the Wolf in Pulp Fiction. This role is both minor and lame. How far has his career fallen that he would consider taking this role in such a stupidly written movie?
One of his many poorly written lines goes something like "in life you are given three choices. Two are made for you." Pure stupidity. If the choice has been made for you, it isn't a choice. Never mind that what follows is both stupid and unnecessary, the statement is idiotic to begin with.
All around, this movie fails on so many levels. I'm not sure why I even give it 5 stars.
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Title Card: It is impossible to suffer without making someone pay for it -Friedrich Nietzsche
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Detalhes
Bilheteria
- Faturamento bruto mundial
- US$ 64.703
- Tempo de duração1 hora 27 minutos
- Cor