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A Danish/English horror movie that delves into several fears: an overbearing partner's parent, a potential dark history of the partner, and evil spirits known as dybbuks. Although the writer and director, Gabriel Bier Gisalson, brings emotional depth to the story in his directorial debut, the film doesn't quite deliver and becomes drawn out by the end.

The relationship between Danish actress Maja (Josephine Park) and London academic Leah (Ellie Kendrick) starts out strong, with charming chemistry between the two women. However, things take a turn when Leah has a seizure and her pushy mother, Chana (Sofie Gråbøl), becomes involved in their relationship. Chana's strange behavior and interest in Jewish iconography creates a sense of unease that slowly builds as the story progresses.

The film attempts to set its horror within Jewish mythology and Ultra-Orthodox life, but this creates an exposition overload that distances the viewer. The strongest aspect of the film is its rumination on the universal worries of a relationship, particularly the fear of a partner changing who they are and leaving heartbreak. The acting, particularly by Sofie Gråbøl, adds to the disturbing dynamic of the story. Although "Attachment" has its moments, it becomes slow and too drawn out to be a fully successful horror movie.

Attachment offers a refreshing angle in the horror genre by combining queer romance with Jewish folklore, something rarely seen onscreen. Director Gabriel Bier Gislason crafts a story that's as much about cultural identity and maternal control as it is about demonic possession.

Josephine Park and Ellie Kendrick have genuine chemistry, and their relationship feels warm and lived-in, grounding the film emotionally. The Copenhagen-to-London shift brings an intriguing change in tone, with Sofie Gråbøl's portrayal of the overbearing mother adding an undercurrent of unease that grows steadily.

However, while the film handles its characters with care, the horror elements feel subdued. The mythology is fascinating but not fully explored, and the tension never quite peaks. It's more eerie than terrifying, and the pacing falters in the final act.

Final verdict: Attachment is heartfelt and thematically rich, with strong performances and cultural nuance. But as a horror film, it plays things a little too safe-leaving it more touching than terrifying. A modest success with a unique voice.

I have to admit that "Attachment" was a much better film than I expected, although ultimately it wasn't as exceptional as I was hoping it'd turn out to be. At 1hr and 45 minutes, 20 minutes less would have been a vast improvement.

The movie starts in the Netherlands, where Maja and British student Leah meet in a library. Sparks fly and before you can say, "Lesbian U-Haul Joke," the two move back to Leah's London home with her mother, who seems a little crazy and overly overprotective. Enter Jewish folklore, body transformation and peanut allergies and an eventual satisfying ending.

It's quite well acted with excellent production values, and really, time management and editing is my only real complaint. That and the actress who plays Maja' sinus issues. But I started getting antsy halfway through the third act, wondering when they were going to start wrapping things up. Then once we got to the climax, it just seemed to go on far too long. It's really too bad, because it had the makings of something special, with a couple you were rooting for to make it. Instead it just became dull.

I would love to see a better edited version of this film. But for now the best I can do is a 6.

This slow-burn possession horror film is a bit too slow in my opinion. I was completely engaged in the story and the characters up to a certain point, and I can appreciate that the love story is between two 30 something lesbians suffering typical Millennial problems of aimlessness or living with one's parents - there's a lot going on here which seems to be completely metaphorical.

Chana the mother character was amazing, the actress deserves some kind of award for how smoothly she pulled off her role in secrecy.

But ultimately by the last twenty minutes or so I really wanted to fast forward through the predictable climax.

Good lord that poor cat lady.

"Attachment" tells the story of two women whose relationship becomes entangled with the mysterious past of one woman's mother. The film explores the Kabbalah, a Jewish belief system, adding a unique dimension to the story.

The movie is a refreshing departure from traditional horror films that rely heavily on gore and special effects. Instead, "Attachment" builds tension through its clever storytelling and masterful cinematography. The result is a movie that is both touching and suspenseful.

The relationship between the two women is at the heart of the movie, and the performances by the actresses are top-notch. As the story unfolds, we are drawn into their world and become invested in their journey.

One of the most impressive aspects of "Attachment" is its use of Kabbalah. The film deftly weaves this mystical belief system into the story, adding a layer of depth that elevates it beyond typical horror fare.

Overall, "Attachment" is a well-crafted and thoughtful film that is definitely worth watching. It may not be a traditional horror movie, but it is certainly a memorable one. Highly recommended.