The Palace
- 2023
- 1 h 40 min
AVALIAÇÃO DA IMDb
5,5/10
4,1 mil
SUA AVALIAÇÃO
Um drama ambientado na véspera do Ano Novo de 1999 em um luxuoso hotel suíço, onde as vidas dos funcionários do hotel e de vários hóspedes se entrelaçam.Um drama ambientado na véspera do Ano Novo de 1999 em um luxuoso hotel suíço, onde as vidas dos funcionários do hotel e de vários hóspedes se entrelaçam.Um drama ambientado na véspera do Ano Novo de 1999 em um luxuoso hotel suíço, onde as vidas dos funcionários do hotel e de vários hóspedes se entrelaçam.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 1 vitória e 1 indicação no total
Ema Mur
- Russian Girl
- (as Ema Kovac)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
A riff on Knife in the water ... though do not compare those two! So no pun intended as always. Polanski has not lost his touch. Whatever one may think of him personally (I won't go into his legal issues, you either know about them, can look for them and/or do not care) ... he is a really good director! The cast he assembled speaks for itself.
The comedy is something you have to like, but the Hotel Manager is absolutely fantastic! Then you have John Cleese who is able to perform ... in many ways! Even without text ... as his comedy tour says (title): watch me before I die - I am paraphrasing here ... but you get the point.
That said, there is a lot of mayhem going on ... and it all has the absolute highlight at the end ... cgi "joke" ... but that should not matter ... had a few laugh out loud moments myself ... you can have quite a lot of fun with it.
The comedy is something you have to like, but the Hotel Manager is absolutely fantastic! Then you have John Cleese who is able to perform ... in many ways! Even without text ... as his comedy tour says (title): watch me before I die - I am paraphrasing here ... but you get the point.
That said, there is a lot of mayhem going on ... and it all has the absolute highlight at the end ... cgi "joke" ... but that should not matter ... had a few laugh out loud moments myself ... you can have quite a lot of fun with it.
Realizing that he himself would soon go into oblivion, he probably said his last word to this rotten and two-faced world, in which not a hint of decency and principles remained.
Almost all the characters and their actions are clear who they represent in the real world, although in some places there is a little fog. Quite a funny, superficial grotesque look at what has happened to the world in the last 30 years.
But Polanski's characteristic subtle style is weakly visible here; rather, this is the work of two other Polish screenwriters, as the main "traction" horses; he was on this list rather as a consultant and architect of the general line; he most likely has not had the strength to create everything himself for a long time . Everything is too rough, especially the ending. It does not shock at all, but rather saddens, recalling Polanski's old works.
The subtle, complex acting and skirmishes that you expect from Polanski's films are practically absent here.
Is it worth watching? Against the backdrop of that endless wave of sludge and bad taste, Hollywood certainly, perhaps his last venture in his life, deserves it. The trouble is that he does not present deep thoughts, everything is too superficial. For the sophisticated public, everything quickly becomes boring, but for the inexperienced it is rather pointless.
The sophisticated public on the planet understands perfectly well what the remnants of the former civilization are moving towards quite quickly, but the unsophisticated public is more and more busy with animal survival and has no time for self-reflection and assessment of the situation in the world.
It is clear that this creation will certainly be hated in the USA (and this is mutual from Polanski personally) and quite strongly in Europe. That is why the rating is intentionally low and there are no large number of ratings. The majority of the population has neither critical thinking nor the self-sufficiency of outlook to independently shape their destiny and evaluate what is really happening around them - they are shaped by it, skillfully forcing them to follow the indicated track leading straight to the abyss, like horses rushing in blinkers...
Almost all the characters and their actions are clear who they represent in the real world, although in some places there is a little fog. Quite a funny, superficial grotesque look at what has happened to the world in the last 30 years.
But Polanski's characteristic subtle style is weakly visible here; rather, this is the work of two other Polish screenwriters, as the main "traction" horses; he was on this list rather as a consultant and architect of the general line; he most likely has not had the strength to create everything himself for a long time . Everything is too rough, especially the ending. It does not shock at all, but rather saddens, recalling Polanski's old works.
The subtle, complex acting and skirmishes that you expect from Polanski's films are practically absent here.
Is it worth watching? Against the backdrop of that endless wave of sludge and bad taste, Hollywood certainly, perhaps his last venture in his life, deserves it. The trouble is that he does not present deep thoughts, everything is too superficial. For the sophisticated public, everything quickly becomes boring, but for the inexperienced it is rather pointless.
The sophisticated public on the planet understands perfectly well what the remnants of the former civilization are moving towards quite quickly, but the unsophisticated public is more and more busy with animal survival and has no time for self-reflection and assessment of the situation in the world.
It is clear that this creation will certainly be hated in the USA (and this is mutual from Polanski personally) and quite strongly in Europe. That is why the rating is intentionally low and there are no large number of ratings. The majority of the population has neither critical thinking nor the self-sufficiency of outlook to independently shape their destiny and evaluate what is really happening around them - they are shaped by it, skillfully forcing them to follow the indicated track leading straight to the abyss, like horses rushing in blinkers...
I thought that the movie was building up to something good, a lot of characters with different stories and I keep wondering if it was supposed to be funny because nothing made me laugh.
It kept on building nonsense, but I kept hoping for the punch line. You know, Blake Edwards style when all of the sudden everything gets tied up into a slapstick hilarious mess.
More than an hour into the movie I realized that, this was as good as it gets. Not a comedy, not drama... nothing!. But I watched it until the end just curious to know how they would fill the plot holes, and the movie ends just full of plot holes.
A dog fu**** a pinguin on the back... The End.
It kept on building nonsense, but I kept hoping for the punch line. You know, Blake Edwards style when all of the sudden everything gets tied up into a slapstick hilarious mess.
More than an hour into the movie I realized that, this was as good as it gets. Not a comedy, not drama... nothing!. But I watched it until the end just curious to know how they would fill the plot holes, and the movie ends just full of plot holes.
A dog fu**** a pinguin on the back... The End.
The movie was never boring, and i never felt grabing a smartphone.
If the movie is for you, depends on your type of humor - it's just as in the trailers, if you are just happy with this type of simple and stereotypical humor, the movie might very well be worth watching. It's not bad, and its certainly not for feminist's. But if you'd like to take your (old) father to the cinema once more, you'll both be happy.
You can't compare it to a masterpiece like grand hotel budapest.
But if i'd see the movie in free tv somewhere in the future again, i'd certainly watch it.
If you see it as a last movie from polanski, with his high age, it's neither a masterpiece and its certainly not a failure either.
I for myself liked it. See it for yourself, just don't put your expectations too high.
If the movie is for you, depends on your type of humor - it's just as in the trailers, if you are just happy with this type of simple and stereotypical humor, the movie might very well be worth watching. It's not bad, and its certainly not for feminist's. But if you'd like to take your (old) father to the cinema once more, you'll both be happy.
You can't compare it to a masterpiece like grand hotel budapest.
But if i'd see the movie in free tv somewhere in the future again, i'd certainly watch it.
If you see it as a last movie from polanski, with his high age, it's neither a masterpiece and its certainly not a failure either.
I for myself liked it. See it for yourself, just don't put your expectations too high.
No rating is possible for this. The Palace is a deliberate, intentional trash, vulgar kitsch realised with impeccable skill.
It takes a special kind of filmmaker to make people sit through a parade of ugliness(in its most "unpoetic" way) and vulgarity, and even make them have a little bit of fun in-between. In my case, a packed house, not a single walk out, although the urge was strong, particularly during the first half. That's due to the filmmaking talents of the director. He couldn't help but be good even in a film intentionally off-putting.
One cannot help, but find a certain kind of repulsive beauty in the fact that a 90 year old director of Rosemary's Baby, Chinatown, The Tenet, works that will live for as long as the art of cinema itself lives, chose this to be his possible swan song, the ending of this movie to be the last scene of his filmography. The Palace is a juicy middle finger from Polanski to everbody and everything, including, and most importantly, his own self.
No rating, but certainly worth a watch. The rating is impossible, because for what the film tries to achieve, it achieves with great skill and tremendous success. Low or high scores only signify people's opinions of an idea of such a movie, not the movie itself. The Palace sitting at 0% on Rotten Tomatoes is a great representation of this. Polanski got our lovely critics exactly where he wanted them, made them part of the joke. A bold, thorough critic, if he saw through Polanski and his intentions with The Palace and wanted to turn it all on its head, would destroy the film in his review, but in the end give it a 100% without explanation. Alas...
It takes a special kind of filmmaker to make people sit through a parade of ugliness(in its most "unpoetic" way) and vulgarity, and even make them have a little bit of fun in-between. In my case, a packed house, not a single walk out, although the urge was strong, particularly during the first half. That's due to the filmmaking talents of the director. He couldn't help but be good even in a film intentionally off-putting.
One cannot help, but find a certain kind of repulsive beauty in the fact that a 90 year old director of Rosemary's Baby, Chinatown, The Tenet, works that will live for as long as the art of cinema itself lives, chose this to be his possible swan song, the ending of this movie to be the last scene of his filmography. The Palace is a juicy middle finger from Polanski to everbody and everything, including, and most importantly, his own self.
No rating, but certainly worth a watch. The rating is impossible, because for what the film tries to achieve, it achieves with great skill and tremendous success. Low or high scores only signify people's opinions of an idea of such a movie, not the movie itself. The Palace sitting at 0% on Rotten Tomatoes is a great representation of this. Polanski got our lovely critics exactly where he wanted them, made them part of the joke. A bold, thorough critic, if he saw through Polanski and his intentions with The Palace and wanted to turn it all on its head, would destroy the film in his review, but in the end give it a 100% without explanation. Alas...
Você sabia?
- CuriosidadesWhen suggesting to use a bandaid for Bongo's nose, Hansueli suggests he would look like "that actor" in "that movie". He's speaking of Jack Nicholson in Roman Polanski's Chinatown (1974).
- Erros de gravaçãoChampagne, especially a $12,450 bottle of Bollinger 1938 vintage champagne, would never under any circumstances be served at room temperature.
- Citações
Arthur William Dallas III: Can I have that blowjob now?
- ConexõesFeatures Lou Bega: Mambo No. 5 (A Little Bit of...) (1999)
- Trilhas sonorasMambo No.5 (A Little Bit Of...)
Written by Dámaso Pérez Prado, Lou Bega and Zippy Davids
Performed by Lou Bega
Principais escolhas
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- How long is The Palace?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Central de atendimento oficial
- Idiomas
- Também conhecido como
- Палац
- Locações de filme
- Palace Hotel, Gstaad, Suíça(main location)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- € 21.000.000 (estimativa)
- Faturamento bruto mundial
- US$ 972.161
- Tempo de duração
- 1 h 40 min(100 min)
- Cor
- Mixagem de som
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