AVALIAÇÃO DA IMDb
7,2/10
9,8 mil
SUA AVALIAÇÃO
Kato, o dono de um café, vai para seu apartamento no andar de cima após o trabalho. Quando ele vai tocar seu violão, o próprio Kato aparece na TV e começa a falar. "Eu sou o seu futuro eu. D... Ler tudoKato, o dono de um café, vai para seu apartamento no andar de cima após o trabalho. Quando ele vai tocar seu violão, o próprio Kato aparece na TV e começa a falar. "Eu sou o seu futuro eu. Dois minutos no futuro!".Kato, o dono de um café, vai para seu apartamento no andar de cima após o trabalho. Quando ele vai tocar seu violão, o próprio Kato aparece na TV e começa a falar. "Eu sou o seu futuro eu. Dois minutos no futuro!".
- Prêmios
- 6 vitórias e 3 indicações no total
Avaliações em destaque
Don't let the rating fool you, this is not a hidden gem, BUT it is decent no-budget film making with a fairly unique concept, and with a better script, could have ecome a cult classic.
Solid concept, okay execution, fun characters, but repetitive and ruined by an ending that blows apart continuity. This movie should have had a much different ending, it had it's problems for sure, like why do the monitors have such long cords? How convenient! But that's not really a plot hole. Also, if you know anything about time travel theories, even from the beginning, this one has huge problems, but they could have been remedied with a solid ending, instead the ending literally makes it worse and throws it's own internal logic out the window. Up until the last 10 minutes I could buy into the premise, but wow, did it just become incredibly stupid in the last 10 minutes, and not in a good way.
Still, if you are used to Japanese or Korean cinema, this is pretty typical fair acting-wise for a comedy, ultra goofy. I liked the characters, I thought that they were fun, and well-developed for an ensemble movie based on a high concept. It definitely plays the concept for laughs, but it actually gets pretty serious at some points, it has some deeper themes about destiny and predetermination, but again, it generally chucks those out the window by the end. It really does become a somewhat disappointing mess by the end, I still enjoyed it, but its sad because it could have been a hell of a lot better. I think for the most part they did a good job with a pretty tricky concept, other than the last 10 minutes. I would love to see this remade with a better script and a much different ending, this could be great, but instead, it is just barely above average.
Solid concept, okay execution, fun characters, but repetitive and ruined by an ending that blows apart continuity. This movie should have had a much different ending, it had it's problems for sure, like why do the monitors have such long cords? How convenient! But that's not really a plot hole. Also, if you know anything about time travel theories, even from the beginning, this one has huge problems, but they could have been remedied with a solid ending, instead the ending literally makes it worse and throws it's own internal logic out the window. Up until the last 10 minutes I could buy into the premise, but wow, did it just become incredibly stupid in the last 10 minutes, and not in a good way.
Still, if you are used to Japanese or Korean cinema, this is pretty typical fair acting-wise for a comedy, ultra goofy. I liked the characters, I thought that they were fun, and well-developed for an ensemble movie based on a high concept. It definitely plays the concept for laughs, but it actually gets pretty serious at some points, it has some deeper themes about destiny and predetermination, but again, it generally chucks those out the window by the end. It really does become a somewhat disappointing mess by the end, I still enjoyed it, but its sad because it could have been a hell of a lot better. I think for the most part they did a good job with a pretty tricky concept, other than the last 10 minutes. I would love to see this remade with a better script and a much different ending, this could be great, but instead, it is just barely above average.
Director did an excellent job filming how time travel would look like if we can peel into the future 2min intervals. Sequence started off very simple, and gradually added layers and increased complexity, filming everything very smartly. Worth your time if you're interesting in sci-fi and time travel.
A wonderfully clever almost Spike Jonze-esque indie film shot on a minuscule budget but with an overabundance of ideas.
A part time musician and cafe owner discovers that his tv is a window to 2 minutes into the future and he starts communicating back and forth between his past, present and future selves, his friends get involved and eventually multiple layers of story start playing parallel simultaneously in different parts of the future, present and past (it's complicated). All this is done with virtually no cuts. There may have been a few hidden ones here and there but even then the amount of planning and mental gymnastics to make this movie work at all, let alone as close to flawless as it is, is a testament to the ingenuity of the entire crew, both in front and behind the camera. I can't emphasize enough how cleverly this was made. When the movie starts and you get the premise you may think (I certainly did) "ok. This is cool but I could probably do that too with a few rehearsals" but then it gets so thoroughly complex and layered I laughed out several times in admiration.
Apart from the behind-the-scenes wizardry the movie never gets bogged down in high concept nonsense, instead it uses its clever SF premise to tell a small, fun and relateable story about this group of friends who happen upon a time-travelling tv.
Beyond the infinite two minutes was pure cinematic joy, I'm glad I got to check it out at this year's Nippon Connection and I'll order the bluray as soon as it becomes available.
A part time musician and cafe owner discovers that his tv is a window to 2 minutes into the future and he starts communicating back and forth between his past, present and future selves, his friends get involved and eventually multiple layers of story start playing parallel simultaneously in different parts of the future, present and past (it's complicated). All this is done with virtually no cuts. There may have been a few hidden ones here and there but even then the amount of planning and mental gymnastics to make this movie work at all, let alone as close to flawless as it is, is a testament to the ingenuity of the entire crew, both in front and behind the camera. I can't emphasize enough how cleverly this was made. When the movie starts and you get the premise you may think (I certainly did) "ok. This is cool but I could probably do that too with a few rehearsals" but then it gets so thoroughly complex and layered I laughed out several times in admiration.
Apart from the behind-the-scenes wizardry the movie never gets bogged down in high concept nonsense, instead it uses its clever SF premise to tell a small, fun and relateable story about this group of friends who happen upon a time-travelling tv.
Beyond the infinite two minutes was pure cinematic joy, I'm glad I got to check it out at this year's Nippon Connection and I'll order the bluray as soon as it becomes available.
Kato (Kazunari Tosa) lives above the cafe he owns, a small space in a small life. One evening, he returns home from work to find that his image is on his computer and, even more, he's talking to him! It turns out that Kato-in-the-computer is Kato two minutes into the future, and that the television monitor in the cafe shows the same scene two minutes in the past. Before too long, Kato and several friends are literally playing with time, trying to figure out how to profit from this bizarre form of clairvoyance - before things begin to spin out of control....
This short (70 minutes) film is quite as goofy as the premise suggests, with a very loopy heart to it. Filmed on a smart phone by a first-time group of players and crew, using quite minimal sets, I was laughing within about five minutes of the opening, always a good sign. This year, Montreal's Fantasia Film Festival is mostly online again due to the pandemic, which is a shame - this is exactly the kind of film that our festival-goers embraces with open arms. Having to watch it on a smaller screen at home isn't quite the same, but I'm very pleased to have been able to see it at all - and FantAsia 2021 is off to a good start!
This short (70 minutes) film is quite as goofy as the premise suggests, with a very loopy heart to it. Filmed on a smart phone by a first-time group of players and crew, using quite minimal sets, I was laughing within about five minutes of the opening, always a good sign. This year, Montreal's Fantasia Film Festival is mostly online again due to the pandemic, which is a shame - this is exactly the kind of film that our festival-goers embraces with open arms. Having to watch it on a smaller screen at home isn't quite the same, but I'm very pleased to have been able to see it at all - and FantAsia 2021 is off to a good start!
Endearing, fast-paced, and very short Japanese movie about a man who discovers a TV in his cafe that shows images from two minutes in the future. How or why? Doesn't matter. Just go with it.
Some of his friends soon discover it and begin playing around with it, devising ways to look further into the future by pointing the screen that shows the future and the screen that shows that past at each other. Confusing but very fun and low-key time travel shenanigans ensue.
It's made to look like one shot but you can usually tell when they cut. Still, most shots appear to last at least three minutes, and some as long as five or more, so there still would have been an admirable amount of brainpower and coordination required to pull off some of these sequences, especially because multiple screens are involved.
It's the kind of movie that you realise you just need to go with the flow with, and once you do, it becomes a lot of fun. The low budget and restricted setting (it takes place in a cafe and a couple of small apartments on the floors above) don't impact how enjoyable and engaging it is for its short but sweet runtime.
It's hard to complain too much about some of the rough technical aspects (and to be fair, I didn't even realise they shot it on a phone while I was watching), and the acting is good for this kind of movie, but nothing amazing. Still, it's more than worth watching for the premise and creativity found within, and for being a unique and even inspirationally low budget movie with a very high concept.
Easy to recommend, and sure, I know the year is very young, but it's my favourite film I've watched in 2022 so far.
Some of his friends soon discover it and begin playing around with it, devising ways to look further into the future by pointing the screen that shows the future and the screen that shows that past at each other. Confusing but very fun and low-key time travel shenanigans ensue.
It's made to look like one shot but you can usually tell when they cut. Still, most shots appear to last at least three minutes, and some as long as five or more, so there still would have been an admirable amount of brainpower and coordination required to pull off some of these sequences, especially because multiple screens are involved.
It's the kind of movie that you realise you just need to go with the flow with, and once you do, it becomes a lot of fun. The low budget and restricted setting (it takes place in a cafe and a couple of small apartments on the floors above) don't impact how enjoyable and engaging it is for its short but sweet runtime.
It's hard to complain too much about some of the rough technical aspects (and to be fair, I didn't even realise they shot it on a phone while I was watching), and the acting is good for this kind of movie, but nothing amazing. Still, it's more than worth watching for the premise and creativity found within, and for being a unique and even inspirationally low budget movie with a very high concept.
Easy to recommend, and sure, I know the year is very young, but it's my favourite film I've watched in 2022 so far.
Você sabia?
- CuriosidadesYamaguchi uses a camera no bigger than a Tamagotchi. He told the Guardian "You can get close to the cast - like, five centimetres away - and take a really good picture". The camera was strapped to the back of a smartphone, which was used as a handheld monitor so Yamaguchi could watch the footage back as he followed the actors.
- ConexõesFeatured in Horrible Reviews: Best Movies I've Seen In 2022 (2023)
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Detalhes
- Data de lançamento
- País de origem
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- Também conhecido como
- Beyond the Infinite Two Minutes
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Bilheteria
- Faturamento bruto mundial
- US$ 450
- Tempo de duração1 hora 10 minutos
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- Proporção
- 1.78 : 1
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