Juntos

Lot of overly exaggerated acting by the two leading actors who played the couple. There's nothing to make you interested for this bored-you-to-death British movie. The couple in this movie were not likable at all. I even spotted the guy who played the husband who looked at the camera very often. When they sat at the counter eating mushrooms, his mouth didn't shut tight when chewing, so the noises came out of his mouth were just too overwhelmingly loud and annoying.

There's absolutely nothing worth you to invest over 10 to 15 minutes of your awakening time to watch this lame movie. Just another very typical British movie, totally unnecessary.

Rivetting confessional fish-bowl one-house production, wonderfully delineated characters (you'll love to hate 'he', but ... well, it's McAvoy, and he'll help you accept the lines that come out of his mouth, even if you disagree with 'him'). Quick-shifting dynamics (never boring: I'm amazed at all the reviews who say so: duh, it's lockdown, perhaps you're not able to relate to these characters and the situation they're in, so jog on) as the relationships react to the emergency outside, what's happening to their family and friends outside, and how this changes them - then, how the characters grow, change, despair, and attempt to cope. The child is very subtly played: the adults are trying to cope, but this means a lot of self-care, and there's not a lot of reserves left to then look after another person.

Lots of empathy and self-examination, and that sense of 'much of this could have been mitigated by effective leadership' vs 'I wish I was brave enough to tell you how much I care'. Highly recommended. Thank you to all involved in making this. When we're all a bit more ready to reflect on what's been eroding our society for the last two years, this film will help us come to terms with what just happened.

What a great idea to document a time in our lives through fiction but in real time.

I laughed and cried throughout the whole thing. It showed so much of the everyday lives of all of living through this pandemic and touched on so many issues. Absolutely gorgeous acting and very funny. Would make a great play.

James McAvoy and Sharon Horgan are brilliant in this exploration of lockdown dynamics. Writer Dennis Kelly uses the camera, and therefore the audience, as a kind of silent therapist for the characters, a married couple who may be are or may be not at the end of their relationship. There are some bravura solos and duets, carefully charted by director Stephen Daldry. The whole thing is both highly artificial and entirely natural, a real triumph for all concerned. I had a couple of reservations about one of Horgan's monologues -- the writing, not the performing -- in that it felt a bit more like a newspaper column than a speech, but that apart I was grateful for the sheer quality of what I was watching. It's a relief to be treated as an adult.

Sharon Horgan and James McAvoy acting together, with a screenplay by Dennis Kelly (who worked on the script for Utopia), and directed by Stephen Daldry. What a line-up! I am trying to watch it, but the constant acting to camera, and angrily moaning about the relationship, is wearing. Everything else is excellent - camerawork, sound, lighting, physical direction, costumes, make-up, editing, and everyone else in the team doing a superb job. I just wish the script was less about complaints, and there was no speaking to camera. It is like being harangued.