The Gallows Pole

I love Shane Meadows and mostly everything that he has done. If there is one tip i can give you, it'll be give it time. It gets better as the episodes go on.

There are rumours that Shane loves ad libbing and improvisation and you can see it in parts, but it's typical Meadows dialogue and always has that feeling of it could kick off at any second but if you give it time, it'll grow on you.

All we need is Woody, milky and Lol to turn up and it'll be the icing on the cake.

Gritty, grubby and sometimes a bit too sweary, it's definitely one that you have to give time. Maybe one day we will see the return of This is England, but until we do, this'll do.

It might seem strange to some that in the rancid poverty and disease of the 18th Century, people didn't act, talk or swear in the same manner as Laurence Oliver in the Hays Code of the 1940's, but it seems logical that the mostly uneducated, underprivileged classes, now even worse off thanks to The Industrial Revolution might conceivably be quite annoyed, most of the time.

Downton already exists as a TV show, which is fine, but is written from exactly the other end of the same principle. Also best not to dignify the argument that there were " people who wouldn't have been there" as we cannot all hear dog whistles. Best to just check the facts there.

Having said that, it's a little bit too Steven Knight for me, it's certainly a placeholder episode and naturally slower for it. It's good to see the old TIE crew finally back, and the pace will definitely pick up come episode two.

The cinematography, especially at the beginning, should win awards.

Well - this seems to have split people! Lots of 1/10's, lots of 10/10's!

1/10 or 10/10? I'd suggest neither mark-giver is really worthy of any attention?

It's an informative, well-delivered and infectious depiction of the real story of the Cragg Valley Coiners - a community of cottage weavers who, deprived of their trade during the early years of the industrial revolution, turned to a much simpler, though criminal, way of making money.

The nature of the crime is clearly played out as the local squire gets aboard - coin-cutting. Now, we may know similar modern parallels, but this was simply edging the gold from guineas to make more guineas. Incidentally, the Cragg Valley Coin Cutters cause a major problem to the British economy at the time.

Wooden acting? Give me a break. Shane Meadows is a master at allowing improvisation. I love it. It's intended, btw.

Prior to this everything Shane Meadows has touched has been gold. Unfortunately bringing his oft-repeated style of improvisational dialogue into a period drama is a misfire.

I do have an issue with a period drama that doesn't quite stick to the period it's supposedly portraying. The trouble with actors improvising as a character from another time is that they won't always be able to stay 100% in that character without occasionally slipping and using modern parlance, which happens quite often here.

I managed two out of the three episodes and really could not continue to the last one. The pacing is at a snail's pace which is borne out of unnecessarily-long scenes of constant 'natural' talking which if given a proper script would've tightened it up and made for sharper dialogue thus giving it an energy instead of the sleep-inducing borefest it quickly became.

Shane Meadows brings us the tale of the Cragg Vale coiners in a strange tonal mash of modern improv and psychedelic folk horror. It's an intoxicating brew but the three-part first series is bizarrely paced and seems to shudder and stall like it thinks it has Vince Gilligan levels of set up time to waste. The cast are mostly great and I adore Thomas Turgoose. The 18th C mixed with retro garage psych music is also exactly my jam but the use of artificially generated artwork in the title sequence sticks deeply in my craw (and seems rather against the themes of the show) so it very much is a project of two halves for me.