AVALIAÇÃO DA IMDb
6,3/10
3,1 mil
SUA AVALIAÇÃO
Mesmo que o amor de Shaista por Benazir seja palpável, as escolhas que ele deve fazer para construir uma vida com ela, têm consequências profundas.Mesmo que o amor de Shaista por Benazir seja palpável, as escolhas que ele deve fazer para construir uma vida com ela, têm consequências profundas.Mesmo que o amor de Shaista por Benazir seja palpável, as escolhas que ele deve fazer para construir uma vida com ela, têm consequências profundas.
- Indicado a 1 Oscar
- 15 vitórias e 9 indicações no total
Avaliações em destaque
The movie itself is beautiful - a concise portrait of broken hopes, ending in an ultimately resilient note of fighting against an additional adversity: addiction. Shaista has an innocent, cheerful twinkle in his eye that becomes duller over time, until we see him a "grown" man. Grown into accepting his circumstances, into abandoning his youthful dreans. For all of us who grew in the Global South, the portrayal feels real beyond words.
But there's one thing I can't get over, and it's the fact that the movie and its producers don't serm to have made it a point to actually help Benazir and Shaista. It's one thing to record their troubles as faithfully as possible, without intervening, but was it necessary to keep them in obscurity after the film came out? The official website for the movie doesn't even profile them, or offer any ways to help them out. There's no GoFundMe, no mention of what happened to them after the film, not enough credit to them as the living, breathing protagonists of this story.
I don't know about Shaista and Benazir, but if I had a movie made about how difficult my life is, and that movie got all the way to the Oscars, and that success didn't make my life a bit easier at least, I'd feel cheated. Their reality was shared, but was it improved? It certainly was improved for the makers of the film, and so it should have been for its subjects. I'm not sure if they helped them in ways not shown in the documentary, but from what is visible they could have done much, much more. Otherwise this film takes a prentended tone of impartiality that just feels outright exploitative.
Where are Benazir and Shaista, whose voices and faces were seen accross the world; whose story was sold and rented, now?
But there's one thing I can't get over, and it's the fact that the movie and its producers don't serm to have made it a point to actually help Benazir and Shaista. It's one thing to record their troubles as faithfully as possible, without intervening, but was it necessary to keep them in obscurity after the film came out? The official website for the movie doesn't even profile them, or offer any ways to help them out. There's no GoFundMe, no mention of what happened to them after the film, not enough credit to them as the living, breathing protagonists of this story.
I don't know about Shaista and Benazir, but if I had a movie made about how difficult my life is, and that movie got all the way to the Oscars, and that success didn't make my life a bit easier at least, I'd feel cheated. Their reality was shared, but was it improved? It certainly was improved for the makers of the film, and so it should have been for its subjects. I'm not sure if they helped them in ways not shown in the documentary, but from what is visible they could have done much, much more. Otherwise this film takes a prentended tone of impartiality that just feels outright exploitative.
Where are Benazir and Shaista, whose voices and faces were seen accross the world; whose story was sold and rented, now?
While it is important to talk about the situation in Afghanistan, it has so much more potential than what this short film portrayed.
I feel like I missed something crucial, because there is a wide gap that is unfilled. In the end, you get the picture, but it would have been better to witness what had happened.
Overall, this film does not show the grave issues of what it means to live there in these troubled times, hence 6/10.
I feel like I missed something crucial, because there is a wide gap that is unfilled. In the end, you get the picture, but it would have been better to witness what had happened.
Overall, this film does not show the grave issues of what it means to live there in these troubled times, hence 6/10.
This is a 22 minute documentary that briefly tells an ordinary love story of an Afghan couple that was displaced by the American invasion. The husband struggles to find work-he tries to join the Afghan army-and various other struggles in life. Despite its shortness the love between the husband and wife come through in stark terms. As does the sheer struggle their lives have been-the film is not political but it's hard to not see the American failure made manifest in this film.
Jesus I hope they are still alive. Americans need to think long and hard before we use the military ever again.
Jesus I hope they are still alive. Americans need to think long and hard before we use the military ever again.
What a warm and expressive face he has. I was very moved, and loved them both. Wish the film were longer and that we could know how they are doing today. They put faces to my worries during the years we were there and after we left Afghanistan.
A beautiful movie with a strong story from the depth of the Afghan Society. It amazingly showcases the struggle of a young Afghan boy who despite manny challenges never forgets to love his family and keep working for his dream. Now that Afghanistan lost his National Army it matters even more to remember all those youths who fought for their country for the last 20 years.
This film would be a great lesson for manny, must watch.
This film would be a great lesson for manny, must watch.
Você sabia?
- CuriosidadesGulistan and Elizabeth founded Mirzaei Films to be an indigenous window into modern-day Afghanistan, making films that are recognized for their intimacy, rare access, and how they challenge perceptions of Afghanistan.
- Trilhas sonorasSpirit
Written by Jean-Michel Blais and Cfcf (as Michael Silver)
Performed by Jean-Michel Blais and Cfcf (as CFCF)
Publishing by Arts & Crafts Music Inc. and Warp Publishing d/b/a Raise Your Hands Music
Principais escolhas
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Detalhes
- Data de lançamento
- País de origem
- Centrais de atendimento oficiais
- Idiomas
- Também conhecido como
- Три пісні для Беназір
- Locações de filme
- Kabul, Afeganistão(location)
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração
- 22 min
- Cor
- Mixagem de som
- Proporção
- 1.78 : 1
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