Dentro

It started off intriguing, suspenseful, and interesting, but then it started to become stale, repetitive, bland, with improbable circumstances, absence of logic, and riddled with plot and technical issues.

And after a slowly paced 100 minutes of an incredible performance by DaFoe - the only reason I kept watching, the ending is not worth the ink the convoluted lazy screenplay was written with. It's all filler with very little substance, and merits no rhyme or reason this film was even made. It just all fades away as a waste of DaFoe's talents, and my invested time to watch this nonsense with hopes of some sort of grand finale.

Classified as a psychological artsy-type thriller, there's been many films like this done before and much better. As the second only film directed, produced and (co-)written film by Vasilis Katsoupis, his work was impressive, especially his camera shots, close-ups and angle choices. He captured the very best of DaFoe's talents. But Katsoupis could only do so much with Ben Hopkins' screenplay. Had Hopkins put more structure to the story, better plot development, and given us a more concrete conclusion, this film could've easily been more compelling than contrived. Sadly the results as-is, are a huge disappointment and I can't recommend this at all. It's a very generous 5/10, all going to DaFoe and Katsoupis doing their best with the terrible script they had to work with.

First off I really enjoyed this movie. It held my attention the whole time and Willem Dafoe did a great job at keeping my focus.

Movies in a single location with minimal cast are incredibly difficult to pull off but I think this one managed it.

The cinematography was spot on and the photography was there too. The acting made sense the script didn't feel forced and possibly the best atmospheric soundtrack in a very long time with use of tones rather than music tracks.

Now don't get me wrong I'm not fanboying all over this as there were a number of issues that arose but you'll have to watch it to make your mind up about them.

This movie will no doubt be boring to anyone who's a fan of say Michael Bay or Vin Diesel as it isn't an action packed joy ride.

For people who like something a bit weird but focused I'd definitely recommend it.

As the headline states, I expected more from this film since it's basically a one-man-show starring the extremely charismatic and talented Willem Dafoe. Based on the premise of the man trapped on the inside, I made the assumption that we would spend 90 minutes on the edge of my seat. With such a great setup and potential for suspense, this film's low energy, and plodding pace were a huge letdown. There were an excess of long, low key, environmental shots, which may have been intended to be "artistic", but had little artistic impact, and only contributed to the movie's slow pacing and rhythm. Personally, this is a movie I MIGHT watch at home, but definitely not worth a watch in the theater.

"Inside" holds great potential in its opening act, successfully capturing the viewer's attention with its intriguing premise. However, as the narrative progresses, it falls short of expectations, leaving the audience disillusioned. The proficient acting of Willem Dafoe serves as a beacon of hope, pulling the audience back into the story with his unpredictable character choices.

Regrettably, the film takes a sharp turn in the third act, as the plot unravels into complete incoherence. The final act takes place in a "Smart Home," and despite claims of the film being a work of art, the storyline fails to elicit any interest or excitement from the audience, ultimately resulting in a lackluster experience.

The potential displayed in the beginning is ultimately not realized, and the film leaves much to be desired. While the standout performance of Dafoe offers a glimmer of hope, the nonsensical and tedious nature of the latter part of the film leaves a lot to be desired.

In the pandemic-era film "Inside", Willem Dafoe's impressive range and versatility are on full display as he plays the character of Nemo, an art thief trapped in a luxurious Manhattan penthouse after the security system malfunctions. The film alternates between being a survival thriller and a twisted exercise of the mind, exploring themes of isolation, anxiety, and the need for human connection. While the movie touches on these deeper themes, it also delves into the idea of art and its inseparable bond to the human will. Nemo's inherent urge to create and express is showcased as he sketches on shreds of paper or creates his own mural while trapped in the penthouse. The freedom of the New York City skyline, just beyond the panes of unbreakable glass, is a cruel tease, making art a soothing balm in his confined world. Dafoe's physical and psychological transformation is both harrowing and fascinating to watch. Though Nemo's character may be a tad too opaque, the audience is submerged into his experience, feeling the palpable sense of confinement and being cut off from the outside world.

At its core, "Inside" poses thoughtful questions surrounding the purpose of art, keeping its answers vague enough for the audience to wrestle with. And while there are brief moments of cheerfulness, such as when the "Macarena" song by Los Del Río plays while the refrigerator door is left open for 20 seconds, the overall feeling of the movie is dark and dour. Overall, "Inside" is a pandemic-era film that explores the deeper themes of isolation, anxiety, and the need for human connection through the lens of art and survival. Dafoe's impressive range and talent at display together with the exploration of the human will to create and express make it a must-watch. There is no creation without destruction!