AVALIAÇÃO DA IMDb
4,7/10
3,6 mil
SUA AVALIAÇÃO
Um motorista de Uber e aspirante a fisiculturista é introduzido em um culto libertário de masculinidade e perde o controle da realidade quando seus desejos reprimidos são despertados.Um motorista de Uber e aspirante a fisiculturista é introduzido em um culto libertário de masculinidade e perde o controle da realidade quando seus desejos reprimidos são despertados.Um motorista de Uber e aspirante a fisiculturista é introduzido em um culto libertário de masculinidade e perde o controle da realidade quando seus desejos reprimidos são despertados.
- Prêmios
- 4 indicações no total
Avaliações em destaque
It has the feel of Fight Club but by far has lost itself in a film that you wait for a punch but it never comes. There was no surprise at the ending, the acting could be a ten but the storyline spares none of the performances , I'm a huge fan of both Jesse Eisenberg and Adrian Brody that brought about the most disappointing of all. I even wish I could say the film had any kind of potential but no go. Brody's performance as god was a stick man with a soft guy with nothing else overcomes the soft guy personality. If you watch this prepare yourself for a let down and maybe spare yourself the disappointment and watch something more promising!
Original, dark, dramatic thriller with a raw punch and an Eisenberg performance as never seen before
In dark dramatic thriller "Manodrome" troubled East-Coast blue-collar gym-rat Jesse Eisenberg (excllent - and ripped, as never seen before) struggles to cope mentally & financially with losing his job while girlfriend Odessa Young is nine months pregnant - and his psychological state sure ain't calmed by falling in with Adrien Brody's mysoginistic cult (with the likes of Ethan Suplee) that sparks him into rapidly spiralling volatility & violence. In his first US film, South African writer/director John Trengove packs a raw punch, with originality (while drawing inspiration from great movies like "Taxi Driver" & "Fight Club"). It'll not be for all, but is well worth seeing.
Eisenberg and Brody are great actors, and are also great here. Eisenberg portrayed a complex, unpredictable uncomfortable character. It's not like fight club, not about toxic masculinity. It's about a deeply disturbed and shy man who's life is not under control and he gets involved with this group who are supportive and feel themselves outcasts from society, but seems he doesn't even connect with them too well. It's not bloody or excessively violent, though it is a bit dark in places and a few people are shot.
To be honest, it felt very original, but also quite risky from the director. The main character is obviously struggling with some inner demons, but we never find out what that is, and though there are strong hints, the film in many ways felt in-conclusive. In some ways this was good - it's like life; we rarely find easy solutions. There were some unexpected turns of event in the film, and there is a sense of underlying theme of men caring for and feeling the suffering of other men, and the struggle that men have in a society controlled by women's desires and needs. However, it didn't feel like a single story in the end, but more like a snapshot into some messed up kids life as he struggles to deal with his feelings of worthlessness. If it a good movie? It's different, I think it's something that could be studied in a film class, but fundamentally I think many people will find it a little depressing, inconclusive and unsatisfying. I'm glad I watched it, but you're not going to finish the film feeling upbeat or happy.
To be honest, it felt very original, but also quite risky from the director. The main character is obviously struggling with some inner demons, but we never find out what that is, and though there are strong hints, the film in many ways felt in-conclusive. In some ways this was good - it's like life; we rarely find easy solutions. There were some unexpected turns of event in the film, and there is a sense of underlying theme of men caring for and feeling the suffering of other men, and the struggle that men have in a society controlled by women's desires and needs. However, it didn't feel like a single story in the end, but more like a snapshot into some messed up kids life as he struggles to deal with his feelings of worthlessness. If it a good movie? It's different, I think it's something that could be studied in a film class, but fundamentally I think many people will find it a little depressing, inconclusive and unsatisfying. I'm glad I watched it, but you're not going to finish the film feeling upbeat or happy.
John Trengrove's "Manodrome" is an incel-era update of "Fight Club," a story of an average guy whose inner demons are unleashed when he meets a group of men trying to reclaim their perceived place in the world. "Manodrome" weaves modern themes like the emergence of toxic incels across the internet into a tale of a loner who becomes emboldened by the wrong people, echoing "Taxi Driver" as much as the Chuck Palahniuk classic but failing to tie any of its hot-button issues into a coherent statement or character study. It's a hollow provocation with about as much to say about the human condition as an internet troll who learned a few buzzwords this morning and wants to spew them at somebody to feel superior. The cast gives their all, but the film ultimately has nothing to offer.
Jesse Eisenberg at his most physical preformens. Adrien Brody is really an actor of a generation, and for me Odessa Young is a Revelation. But alongside some powerful scenes and well crafted disturbing imagery, it seems that the creator of the film hasn't quite decided where to take the story. And here it falls short of similar masterpieces like Gone Girl or Power of the Dog.
I saw the film at the Haifa Film festival. It was interesting to see the reaction of the audience, including one husband who, ironically, how couldn't stand the film any longer and informed his wife that he would meet her outside. You'll see which scene it happened in.
I saw the film at the Haifa Film festival. It was interesting to see the reaction of the audience, including one husband who, ironically, how couldn't stand the film any longer and informed his wife that he would meet her outside. You'll see which scene it happened in.
Você sabia?
- CuriosidadesRiley Keough, who produces the film, was originally attached to play Sal, but she decided to solely produce the project before production began and Odessa Young replaced her.
- Erros de gravaçãoThe breastfeeding baby appears to disappear as soon as the mother demands her Uber to stop. It's clearly visible that she is only holding a blanket.
Principais escolhas
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- How long is Manodrome?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- 崇陽俱樂部
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração1 hora 35 minutos
- Cor
- Proporção
- 1.85 : 1
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