O Senhor dos Anéis: A Guerra dos Rohirrim
Título original: The Lord of the Rings: The War of the Rohirrim
Em Rohan, um ataque surpresa de Wulf, um senhor Dunlendino astuto e implacável em busca de vingança pela morte de seu pai, força o rei Helm Mão-de-Martelo e seu povo a fazerem uma última res... Ler tudoEm Rohan, um ataque surpresa de Wulf, um senhor Dunlendino astuto e implacável em busca de vingança pela morte de seu pai, força o rei Helm Mão-de-Martelo e seu povo a fazerem uma última resistência ousada na antiga fortaleza de Hornburg.Em Rohan, um ataque surpresa de Wulf, um senhor Dunlendino astuto e implacável em busca de vingança pela morte de seu pai, força o rei Helm Mão-de-Martelo e seu povo a fazerem uma última resistência ousada na antiga fortaleza de Hornburg.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 2 indicações no total
Miranda Otto
- Éowyn
- (narração)
Luca Pasqualino
- Wulf
- (narração)
- (as Luke Pasqualino)
Lorraine Ashbourne
- Olwyn
- (narração)
Shaun Dooley
- Freca
- (narração)
Benjamin Wainwright
- Haleth
- (narração)
Yazdan Qafouri
- Hama
- (narração)
Laurence Ubong Williams
- Fréalaf
- (narração)
Michael Wildman
- General Targg
- (narração)
Janine Duvitski
- Old Pennicruik
- (narração)
Bilal Hasna
- Lief
- (narração)
Jude Akuwudike
- Lord Thorne
- (narração)
Billy Boyd
- Shank
- (narração)
Dominic Monaghan
- Wrot
- (narração)
Alex Jordan
- Lord Frygt
- (narração)
Bea Dooley
- Young Héra
- (narração)
Elijah Tamati
- Young Wulf
- (narração)
Resumo
Reviewers say 'The Lord of the Rings: The War of the Rohirrim' is lauded for its unique animation style and strong voice acting. The music and score are praised, yet the story is criticized for being simplified and rushed. Character development is seen as lacking, and animation consistency is questioned. Pacing and length are contentious, but the film's expansion of Middle-earth is appreciated.
Avaliações em destaque
This movie is based on a one-page story (mostly) about Helm Hammerhand from Appendix A of the LoTR book (which is a pretty nice read btw). The book's dialogue and events are actually kept to quite an extent, with only minor alterations in detail. The film does an especially good job capturing the epic character of Helm Hammerhand, as depicted in the books. However Hera, introduced in the movie, is not in the books at all and some of her deeds are actually done in the original work by her cousin, Fréaláf.
What many people like about Tolkien's universe is its pre-industrial, simple world, where this simplicity highlights the theme of human nature/values and the moral order of the universe. In the 'classic' movies there is a lot of wisdom hidden in everyday conversations, like "All we have to do is decide what to do with the time given to us" (LoTR) or "It is the small things, everyday deeds of ordinary folk that keep darkness at bay" (Hobbit), which I would say are timeless truths about our world, and these are lines I think about sometimes even after the movie ends.
However, this movie has nothing to add in this front. It introduces modern issues (feminism), into Tolkien's world in a way that feels both foreign and forced, ultimately undermining both Tolkien's vision and the cause of feminism it seeks to support. It's not as bad as RoP, but still shows. Of course it's not about that women can't do any of the things depicted in the movie, or that the book should be followed exactly. It's just that it's not guided purely by the love of Tolkien's work and legacy, and it really shows.
But besides that, it's not a terrible movie. I would say it's worth a watch.
What many people like about Tolkien's universe is its pre-industrial, simple world, where this simplicity highlights the theme of human nature/values and the moral order of the universe. In the 'classic' movies there is a lot of wisdom hidden in everyday conversations, like "All we have to do is decide what to do with the time given to us" (LoTR) or "It is the small things, everyday deeds of ordinary folk that keep darkness at bay" (Hobbit), which I would say are timeless truths about our world, and these are lines I think about sometimes even after the movie ends.
However, this movie has nothing to add in this front. It introduces modern issues (feminism), into Tolkien's world in a way that feels both foreign and forced, ultimately undermining both Tolkien's vision and the cause of feminism it seeks to support. It's not as bad as RoP, but still shows. Of course it's not about that women can't do any of the things depicted in the movie, or that the book should be followed exactly. It's just that it's not guided purely by the love of Tolkien's work and legacy, and it really shows.
But besides that, it's not a terrible movie. I would say it's worth a watch.
The difficulty with spin-offs is always that they are based on an original work which brings the problem of how to make them stand on their own? Usually it requires that they are cohesive and artistically distinct and unique. Making an anime based on the Peter Jackson's trilogy seemed like a mad idea but it certainly tackles this problem well.
The director Kenji Kamiyama is best known for his recent directive work on the Blade Runner anime spin off as well a the classic sci-fi Ghost in The Shell Stand alone complex -series (which is also a spin off from an original anime film). He has also worked on classics such as Akira and Princess Mononoke (which is certainly the most important reference point for War of the Rohirrim) in smaller roles. The animation style in terms of anime is generic (safe for western audiences) with a mix of 3D graphics with drawn animation at times. The quality varies a lot from one scene to another and on can see that the there was a limited time frame available for some specific scenes. Given that this is an anime film, it would've needed some more dynamism and creativity how it was used. The film very much follows the Jackson's story board formula with some anime tropes but I think the possibilities of an anime style were underutilized here. If one decides to make an anime film, it does not really make it any better for any audience if the end result seems a bit too subtle. The score from Howard Shore brings the epic feel of the original PJ trilogy, though otherwise the universe here feels a bit different as a more high fantasy setting.
The story is based on a short appendix text from Tolkien himself so it's a very universal classic storyline, though very predictable. Aside from the main character, there are really not other interesting ones. The designs are very interesting though. I also liked the English voice acting overall.
The film manages to be its own thing with it's style and story, but it is hampered down by being too safe for western audiences, as well as some of the sub-par production. I'm not sure to who was this made for? A lot of Tolkien fans are nerds who are familiar with anime so being too safe here with the style does not really make sense here. Making the animation more bland does not make it more appealing for audiences who would not like it anyway, and makes the overall film less memorable and more like a generic action animation. It's not a bad film but not a very memorable either.
The director Kenji Kamiyama is best known for his recent directive work on the Blade Runner anime spin off as well a the classic sci-fi Ghost in The Shell Stand alone complex -series (which is also a spin off from an original anime film). He has also worked on classics such as Akira and Princess Mononoke (which is certainly the most important reference point for War of the Rohirrim) in smaller roles. The animation style in terms of anime is generic (safe for western audiences) with a mix of 3D graphics with drawn animation at times. The quality varies a lot from one scene to another and on can see that the there was a limited time frame available for some specific scenes. Given that this is an anime film, it would've needed some more dynamism and creativity how it was used. The film very much follows the Jackson's story board formula with some anime tropes but I think the possibilities of an anime style were underutilized here. If one decides to make an anime film, it does not really make it any better for any audience if the end result seems a bit too subtle. The score from Howard Shore brings the epic feel of the original PJ trilogy, though otherwise the universe here feels a bit different as a more high fantasy setting.
The story is based on a short appendix text from Tolkien himself so it's a very universal classic storyline, though very predictable. Aside from the main character, there are really not other interesting ones. The designs are very interesting though. I also liked the English voice acting overall.
The film manages to be its own thing with it's style and story, but it is hampered down by being too safe for western audiences, as well as some of the sub-par production. I'm not sure to who was this made for? A lot of Tolkien fans are nerds who are familiar with anime so being too safe here with the style does not really make sense here. Making the animation more bland does not make it more appealing for audiences who would not like it anyway, and makes the overall film less memorable and more like a generic action animation. It's not a bad film but not a very memorable either.
The lesson here is that it is dangerous to monkey around with Tolkien. Unless you have something that will enhance the story, without mangling it, you will make a lot of people very angry, and angry people don't put their bums on cinema seats.
It is also not a good idea to make the characters do absurd things every 30 seconds or so. The audience are not going to react well to being faced with ridiculous, or improbable situations all the time. They will grumble to their friends about them, and those friends will decide not to bother seeing it.
I am a big anime fan. I think it's fantastic, and I watch a lot of it. It is NOT a good idea to have a film like this directed by an anime director. Anime has a different perspective to story telling. Another reviewer said that he found it strange that people just stand around when someone is in danger. Quite often that is the way that anime scenes are filmed. One defender, one attacker, or even when there is only one defender, and there are a lot of attackers. One attacker at a time, like they are taking turns.
Héra's costumes were frequently a little wrong for the same reason. The style was out of character with the universe it was in. There were also some ragged areas of the animation, where it looked like something from a decade or two ago.
I won't be watching it a second time.
It is also not a good idea to make the characters do absurd things every 30 seconds or so. The audience are not going to react well to being faced with ridiculous, or improbable situations all the time. They will grumble to their friends about them, and those friends will decide not to bother seeing it.
I am a big anime fan. I think it's fantastic, and I watch a lot of it. It is NOT a good idea to have a film like this directed by an anime director. Anime has a different perspective to story telling. Another reviewer said that he found it strange that people just stand around when someone is in danger. Quite often that is the way that anime scenes are filmed. One defender, one attacker, or even when there is only one defender, and there are a lot of attackers. One attacker at a time, like they are taking turns.
Héra's costumes were frequently a little wrong for the same reason. The style was out of character with the universe it was in. There were also some ragged areas of the animation, where it looked like something from a decade or two ago.
I won't be watching it a second time.
The War of the Rohirrim unfortunately feels like it was made 30 years ago.
We'll start with its biggest negative, which to me is the animation. I knew what to expect, having seen the trailer, that they'd opted for a simplistic style as the source material is around 80 years old, but that is no excuse.
Scenes like riding were poor, facial animations non existent, groups of men running just a faceless mass, but even how they chose to build each scene felt lazy to me. There is one scene for example, where our lead is being chased by a mumakil (giant elephant), where instead of showing our character running with the elephant gaining pace, they opted to have a close up of our characters feet with the noise of the elephant getting louder. It truly just felt like they didn't have the budget to show what they needed to show.
And on top of that, our story is just ok, nothing special, but a lot of the lines were very cheesy, with many unnecessary callbacks to the original trilogy. The middle act felt a little stretched out too, they probably could have shaved 20 minutes or so off.
Helm Hammerhand was a great character, our lead was your stereotypical strong female, no problems there, with no other characters particularly standing out.
It's positive for me was the music, but as they reused the scores from Howard Shore, it's almost something they couldn't get wrong,
It's a shame really, I love LOTR, both the films and the books, so to have something which feels generic and lazy, feels so far gone from the usual love that goes in to making anything based in Middle Earth.
What I would love, is a film using top of the line animation like Arcane for example, and I just hope this film doesn't stop future projects like that coming together,
Overall, worth a watch, but do not expect to be blown away.
We'll start with its biggest negative, which to me is the animation. I knew what to expect, having seen the trailer, that they'd opted for a simplistic style as the source material is around 80 years old, but that is no excuse.
Scenes like riding were poor, facial animations non existent, groups of men running just a faceless mass, but even how they chose to build each scene felt lazy to me. There is one scene for example, where our lead is being chased by a mumakil (giant elephant), where instead of showing our character running with the elephant gaining pace, they opted to have a close up of our characters feet with the noise of the elephant getting louder. It truly just felt like they didn't have the budget to show what they needed to show.
And on top of that, our story is just ok, nothing special, but a lot of the lines were very cheesy, with many unnecessary callbacks to the original trilogy. The middle act felt a little stretched out too, they probably could have shaved 20 minutes or so off.
Helm Hammerhand was a great character, our lead was your stereotypical strong female, no problems there, with no other characters particularly standing out.
It's positive for me was the music, but as they reused the scores from Howard Shore, it's almost something they couldn't get wrong,
It's a shame really, I love LOTR, both the films and the books, so to have something which feels generic and lazy, feels so far gone from the usual love that goes in to making anything based in Middle Earth.
What I would love, is a film using top of the line animation like Arcane for example, and I just hope this film doesn't stop future projects like that coming together,
Overall, worth a watch, but do not expect to be blown away.
Story is good. I mean its Tolkien. But animation is so bad. So many problems where they mix 2D and 3D. Textures are horrible. Fake Depth of field, characters floating in the air while walking. Directing mediocre. Voice acting mediocre. Such a shame for such good story. All in all solid 6. If it appeared 20 years ago would be 8 probably. But as Art Director my self I cant over look such rookie mistakes regarding art style, cutting corners by reducing action of a characters and there movement. Comparing to modern Japanese anime this is super bad. As someone who does art, and review art in daily bases this is amberesing for such big budget movie.
Você sabia?
- CuriosidadesA unique approach was used to create the film's traditional 2D animation: the actors performed every scene of the film using motion-capture technology, which was translated into 3D animation within Unreal Engine's real-time game engine; this 3D environment was used to determine the film's camera angles and movements, and this was translated into the final 2D animation.
- Erros de gravaçãoFollowing the encounter with the Orcs, the animation of Helm's waving hair appears behind his ear.
- Cenas durante ou pós-créditosThe Warner Brothers Animation logo briefly appears with Japanese kanji, to homage the film's anime style.
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- How long is The Lord of the Rings: The War of the Rohirrim?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- El Señor de los Anillos: La guerra de los Rohirrim
- Locações de filme
- Musashino, Tóquio, Japão(animation studio)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 30.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 9.158.572
- Fim de semana de estreia nos EUA e Canadá
- US$ 4.552.109
- 15 de dez. de 2024
- Faturamento bruto mundial
- US$ 20.758.572
- Tempo de duração2 horas 14 minutos
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1
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