Hellbender

Usually movies where everyone is involved with everything aren't good.

Ex: the movies where the writer, director, producer, and main actor are all the same person.

This appears to be an exception to that rule

This is a movie that needs a bigger budget treatment. If mixed with some 60s or 70s European horror, it would have been an EASY 10.

THINK Suspiria. As I was watching I was getting those vibes. These people need more funds because they used minimalism and made it work. I'm hungry for more!! (but only the berries please)

If you want a minimalist witch movie with great music, this is it!

"It's all in the pumping blood"

A low budget independent quality horror film by the Adams family. I loved the visuals, cinematography, atmospheric setting, elevated music and a well defined sound. I'm impressed by how they showed many meteorological seasons flawlessly and believable explanations for the secrets of witches and dark magic.

It's such a shame that indie horror films like this struggle to find proper budget they deserve. Imagine the possibilities if this film had a decent budget for VFX.

On it's surface, it's a decent supernatural "coming of age" story of a young girl, raised in isolation by her doting mother, who slowly learns of her true nature. It's a slow burn, with steadily increased tension as the pacing ramps up to a suitably bloody and chilling close. Extremely nice camera work and visuals and decent acting, even with some fairly clunky dialog. The soundtrack - with songs performed by the characters - are impressively good for the genre. But the real standout aspect of this film is that the three female leads and one secondary male character are an actual family: The father, John Adams, wife Toby Poser, and daughters Zelda and Lulu Adams. John, Toby and Zelda are listed as writers/directors. John composed the songs which apparently Zelda and Toby performed (though I'm not certain on that part, it could have been dubbed). This is a real family effort, and they are to be admired for it. I can only imagine what fun this crew has making these movies, and hope they continue. They have a real knack for the genre, and are a lot of fun to watch.

This movie had such a great setup. I was completely drawn in and invested in the lead character. The problem was that it felt like between the first few scenes and the ending, the writer was struggling for ideas. The story doesn't really move along. Then, when the final act begins, we jump ahead to a conclusion that didn't really get to develop. It feels more like a left turn; even though we are given hints that this is how it will turn out, the story doesn't logically connect the dots from here to there. I liked so much about this movie, with one standout being the awesome choice of songs. But in the end, the story let me down.

Hellbender is a micro budget horror film that is the very definition of a mixed bag, and most of this stems from the fact that the filmmakers reached far beyond what their budget permitted.

The performances range from great to terrible. The cinematography ranges from competent to atrocious. The editing ranges from effective to irritating. The dialogue ranges from emotionally resonant to laughably stupid. And, the visual effects range from extremely convincing to embarrassingly unconvincing.

Still, what keeps this movie elevated above its low-budget flaws is its story. It's tragic and it's executed in a way that I haven't seen before. And that alone is something worth praising from the rooftops.

Aside from some character motivations that were too muddled and confusing, I loved the two lead characters and how they were portrayed. This is a coming-of-age story that concludes in the exact opposite way that one would traditionally expect: with every parent's worst nightmare.

There is a great deal about Hellbender that does not work, but there is just a bit more that does. And the climactic final scene legitimately gave me chills.

I love supporting tiny indie films. Go watch it if you can.