Ladrões

I went into Caught Stealing with some hope, but came out disappointed. The plot was dreadful - bleak, depressing, and dragging to the point where I actually nodded off in the cinema (which is extremely rare for me). That alone says a lot about the pacing and engagement.

The ending didn't feel satisfying either; it wasn't even lazily wrapped up, just left hanging in a way that felt frustrating rather than thought-provoking.

On the positive side, Matt Smith delivered an excellent performance during his brief screen time - easily the highlight of the film. It's a shame he wasn't given more to do.

Overall, I can't recommend this one. Five stars is generous, purely because of Matt Smith and a few scattered moments, but the film as a whole felt like a slog.

Darren Aronofsky is one of those few filmmakers whose movies consistently resonate with me, largely due to their deep exploration of human emotions and complex character arcs.

'Black Swan', 'The Fountain', 'Mother', or even 'The Whale', each one of the films is a testament to his mastery in this particular aspect.

However, I was genuinely taken aback by his newest and most adventurous venture, 'Caught Stealing'.

It not only marks a significant departure from his typical style, sadly, it lacks the emotional depth and resonance I have generallg come to expect from him.

Main protagonist feels underdeveloped, and the supporting characters does not fare any better either in terms of engagement.

Whilst I appreciate that directors have the freedom to experiment and venture outside their comfort zones I personally would have preferred to see Aronofsky lean into his strengths with this one.

Although there are moments where his inherent skill for first building and then sustaining tension shines through, the overall emotional impact is surprisingly weak.

Stakes, despite the escalating chaos and rising body count, comes across as superficial, surface level as a result any intended emotional resonance is largely muted, and that's primarily due to the film's unwavering inclination towards dark comedic elements.

I really believe it could have benefited from a more conventional approach.

I caught an advanced screening of Caught Stealing (2025) in theaters this evening. The storyline follows a California transplant living in New York who agrees to watch his neighbor's cat while the man is away caring for his sick father. Soon, a series of strangers begin showing up at his apartment, demanding to know his neighbor's whereabouts, and subjecting him to brutal beatings and torture in the process. What are they after-and can he find a way to help them before he, and everyone he knows, ends up dead?

This picture is directed by Darren Aronofsky (Requiem for a Dream) and stars Austin Butler (Elvis), Zoë Kravitz (The Batman), Matt Smith (House of the Dragon), Liev Schreiber (Scream), and Regina King (The Harder They Fall).

The story is clever and unpredictable, often feeling like a Guy Ritchie crime caper-but rooted deeply in a gritty, authentic New York setting. The cast delivers elite performances, and the plot is packed with sharp twists and turns. The cinematography and camera angles are equally impressive, enhancing the tension and style throughout.

The action is top-tier: abrupt fight scenes, thrilling car chases, sudden bursts of gore, and intense shootouts that all land with impact. Even the subplots, particularly those tied to the chases and crashes, are smartly executed. The ending is immensely satisfying, and the soundtrack is brilliant.

In conclusion, Caught Stealing isn't perfect, but it's an unpredictable and worthwhile rollercoaster of violence, intensity, and action. I'd score it a strong 7.5-8/10 and strongly recommend it.

Saw this in theaters in France, movie came out earlier there.

A good crime thriller! Personally it's not something we haven't seen before, there are tons of good crime movies, but honestly the characters, cinematography and the humor, not forget the performances make this movie stand out.

It's extremely violent tho, gritty and darker than advertised, and if you're fan of Aronofsky's work, this will certainly not disappoint you. It's an amazing film and he really captures his own style. No matter the genre.

For me the best crime we've gotten this year.

Caught Stealing is definitely a departure for Darren Aronofsky but in the least exciting ways. It's full of familiar tropes and story beats we've seen before but Aronofsky just doesn't do much of anything to differentiate it or raise the script above feeling so generic. It's entertaining here and there but overall there wasn't much of a personality on display.

Because I kept waiting for the film to come into its own and give me a hint as to why Aronofsky was drawn to this story and it honestly just never came. Every new character feels increasingly more one-noted and the whole plot that the Austin Butler character gets dragged into is disappointingly straight forward. Austin Butler is great and I liked the fact that the movie never lost sight of this being a truly normal character totally out of his depth and they never took a convoluted jump with his skill set which I appreciated. He has a self destructive nature that I never really felt came to ahead and where they leave him off didn't really feel that set up to be a satisfying conclusion Honestly it felt like it was trying to set up a sequel that I doubt is ever going to happen.

It's a really stacked cast over all but the colourful characters the trailers teased never really come about on screen and ended up feeling like a massive waste of some amazing talent. Zoe Kravitz has great chemistry with Butler but her character just fizzles out of the narrative after a while and she just ends up feeling like the standard girlfriend archetype. Matt Smith doesn't get much to do after an intriguing set up and Regina King is let down by the writing of a character who feels like she belongs in a different movie. Liev Schreiber and Vincent D'Onofrio end up feeling like the only ones who get real characters to play and the script actually capitalises on their potential. The energy of the whole film just shoots up every time they're on screen and a development surrounding those two characters raised the third act up quite a bit higher for me.

While not perfect the first half is where the movie most captivated me. It really does effectively put you in this period and it's where the chemistry between Butler and Kravitz is on full display and the film is all the better for it. It's got a lot of that signature Aronofsky griminess and the violence is a lot more effective than I expected it to be. But as soon as it's revealed what all these characters are fighting over it just never truly regained my interest. The pacing slows down as the few characters I like have their appearances cut down and there's very few surprises. It's well directed but the visuals are surprisingly flat and the pacing just lagged on more and more as the runtime went on.

Caught Stealing isn't a bad movie but it's middling in the most disappointing ways and sometimes that's so much worse. I kept waiting for the movie to do anything to set its self apart and not only did it never come but the more it went on the more surprised I was to see this many people of this calibre attached to something so without its own identity. I don't mind familiar beats but this film doesn't do anything interesting with them and nothing about the craft on display improves the final product. A departure for Aronofsky without a doubt but not a satisfying one.