Dead Hooker in a Trunk

The biggest problem with Dead Hooker in a Trunk is a technical issue -- I couldn't hear half the dialogue in this movie, and the Blu-ray offers no subtitles. Whether the soundtrack was mixed way too loud, or the boom mic was too far away, or there was background noise, or whatever the case, sound is this movie's weakest trait. And maybe there's a really good movie in here somewhere, I don't know. I'm sure this was one of many issues in having a $2500 budget. Maybe you can't hire a competent sound guy. Your buddy gets the job (CJ Wallis is credited for all sound/mixing/music, he also played Goody Two Shoes, one of the leads). Two things I do appreciate, however, are (1) An ambitious movie on a tight budget, and (2) Badass chicks. So, 5 stars for me.

What exactly have the Soska Sisters done? They were supposed to be the next big thing in horror. American Mary is a stellar movie, but I think Katherine Isabelle in the lead should at least share some of the credit. That movie and this one were both written and directed by the twins. It seems since then they're just hired guns on feature films, which strikes me as odd considering the success of American Mary. Nothing since has been written by them, and this includes a sequel to a bad horror movie (See No Evil 2), and a modern day remake of a David Cronenberg film (Rabid). This, to me, says "slumming it." Can they not get the backing for another one of their own creations? I would much rather see what they have in store creatively next.

Edit: Surprise, looks like I need to see On the Edge (2022), witten and directed by Jen and Sylvia.

DHIAT's so-called "originality" did not distract me from its oddly paced, and often disengaging, story-telling. It seemed as if the Soska Sisters abandoned all, if any, logic in their script to boost its own bizarreness and eccentricity. Movies don't exactly demand realism (nor do I), but in this case it resulted in a laughable story that just felt too unbalanced to offer room for its humor to surface. In other words, they tried too hard. Whether they tried too hard to be witty or weird, humorous or homage-y, the Soska Sisters didn't know which direction to take their debut so they ended up taking all of them. Their decision made DHIAT a tangled and stupid effort. The dialogue was so stereotypically and poorly written, it literally had me finishing the sentences the actors were saying. (Ever heard that about a Tarantino flick?? Yeah, so don't go comparing them with QT) The acting, at times, was convincing… But how hard is it to act like a whore, a nerd or a religious douche? I guess I understand why people really like it though; it's a (moderately) violent homage to Grindhouse films, that actually has a pretty fun sub-plot about a masked serial killer that's worth mentioning. The Soska Sisters did their best considering their budget and will be welcomed with open arms in the horror community. Personally, I think they will be receiving a bit more than they deserve.

Spiritual awakening in the scenic byways of western Canada...but only sort of.

Less extreme horror exploitation than a null-budget anarcho-punk statement from identical twin sister auteurs Jen & Sylvia Soska (a.k.a. Twisted Twins), DEAD HOOKER IN A TRUNK is the visual equivalent of lo-fi riot grrrl garage rock—mashing up Robert Rodriguez, Harmony Korine, Nick Zedd, Amos Poe, and Eli Roth, with an occasional whiff of Greg Araki.

The movie has to be taken on its own terms. In keeping with a homage to no wave and grindhouse esthetics, the Soskas apparently consider continuity to be cisgender heteronormative fascism imposed by imperialist capitalist elitism: exterior shots filmed before & after a snowstorm are spliced together; one character's severed limb randomly appears re-attached; it seems that a lead role had to be reinvented on the fly when the actress cast for the part didn't show up on set and the only available substitute was the cameraman. Some viewers can roll with this; others can't.

Still, the script is energetic, brutal, funny, often quite sparkling, albeit the actors mumble and stumble through any dialogue more complicated that "F*&K!"

The plot? There's a dead hooker in the trunk: roll camera and--ACTION!

More specifically: Geek, her severely hungover twin sister Badass, and Badass' equally hungover punk-rawk pal Junkie are giving Geek's friend Goody Two-Shoes a lift home from his Christian youth ministry when, en route, they discover that someone's stashed drugs and a corpse in the boot of Badass' car.

So...call the police? It's not like they had anything to do with it, right? Well, that's another problem--

BADASS: "Last night is really fuzzy..."

Thus the quartet, uncertain whether they're psycho-killers, have to find an informal way to ditch a cadaver in suburban Vancouver in broad daylight in winter--and pious Goody Two-Shoes demands they do so while respecting the dignity of the deceased. Plus, they're all being hunted by the real murderer or murderers.

Complications, mayhem, mutilations, homicides' 'n' hijinx, along with gratuitous everything and a cameo appearance by God, ensue.

It all hangs together—often barely—by dint of the Soska sisters' relentless fan-sensibility attitude.

Four very different friends, including two sisters, find themselves in an epic predicament when, after a night of partying, they discover a dead hooker in the trunk of their car. While trying to find out just who she is and how she got their, the group encounter several crazy situations, including a serial killer who is hot on their trail.

The film is a breath of fresh air in its originality; it sheds all genre clichés to offer an unpredictable, and for the most part entertaining ride. The film blends several genres, one minute acting as a brutal grindhouse slasher, the next a buddy road trip comedy. I works and it's an accomplishment in itself that a film that attempts to be so many different things never loses focus. Despite this, the film is not as effective as it could have been. The characters are underwritten and unlikable. Their reactions to the situations they encounter are often inappropriate or unrealistic to the point of being distracting at points (after having an eyeball knocked out, exactly how long can one go with no medical attention and a piece of duct tape over the socket?) Still, Dead Hooker in a Trunk is a creative, ambitious first feature from the Soska sisters. With a tighter script and a bigger budget, they certainly could be forces within the genre.

FrightMeter Grade: B-

Dead Hooker in a Trunk (2009)

* (out of 4)

Badass (Sylvia Soska), Geek (Jen Soska), Junkie (Rikki Gagne) and Goody Two Shoes (C.J. Wallis) discover a dead hooker in their trunk and that's about it. The Soska twins directed, wrote and stars in this movie that seems to have gotten some pretty glowing reviews but I'm a little confused as to why because I found the film incredibly hard to get through. The film isn't a complete disaster so I'll start off with the only good thing. I think the vision of the film was actually quite good and it's hard to believe that this thing was shot for just a couple thousand dollars. I give the sisters credit for certainly having an eye because they've made this film look quite professional and that there is saying quite a bit considering how most low-budget horror films look. With that said, the rest of the film was pretty much dreadful with the story being the most annoying thing. I'm not really sure what the point of the film was except to come off like a Quentin Tarantino movie and mix countless genres together with quick dialogue, over-the-top violence and other bizarre matters. The problem here is that none of it works as the story never makes a bit of sense and the characters are all just annoying to the point where you're hoping they all die. The movie has one drawn out sequence after another and sometimes we get some graphic gore but more often than not it's just dialogue full of F-bombs. The performances aren't the greatest in the world but they are slightly better than we typically see in this type of picture. I know many are calling this a "terrific homage to grindhouse pictures" but I found the film to be far from that. I guess people will have to make up their own minds but while the Soska girls show talent here, the final result is quite horrid.