Hitler's Grave

not just the best movie from 2011, but in my opinion this incredibly brave picture puts its words where its mouth is and makes one wonder how in the world have we all been hiding behind scripts and mainstream life of movies for so many years.daryush Shokof and his films prove to me that soon we would be witness to a whole new kind of scripts, and concepts in the world of movie making. he sets standards for all not to follow the rest of the film producing companies as if we needed food from them. he showed a whole crowd of movie goers in recent years that there is really a chance to do different type of films and stand proud to have had done them , even though it could mean that his films will never be screened. well, for me Hitler's Grave does all it wants to do in the name of movies and breaks one strongest taboos in the world that the time has come to live in religion free societies. i give this one of a kind picture a loud 10

i just saw this great and brave film in LA.it is really a simple movie with a heart of gold, and done masterfully by Shokof whose Asudem and Seven Servants brought my attention to the works of this very interesting artist.it seems that he makes movies with really tight budgets but the concepts never let you feel the essence of the filmmaking qualities to give away as he quiet powerfully blends all the necessary elements together in order to deliver the film as an original work no matter what the film is all about anyway.Hitler's Grave has all those ingredients to make it a winner as the sleeper of the year. i never heard of the movie until it was brought to my attention through a simple mail . i saw it and the powerful story, start scenes and follow up drama grabbed my feelings and pinned me down to the seat till very last second.some actors are openly not up to the situations but others such as the lead actress; and or Vadim Glowna, and almost all the other major positions are right on the dot.most specifically is the concept of the film and the script that in my opinion stand out to be a righteous contender for the Oscars this year.the bravery of it both can place this very courageous film that is sincerely a world apart from all other Iranian films i have seen so far in all these years.it delivers a realistic, balanced and way too open of an ending that one is challenged to believe it is all possible to end of with such a concept in our world of conflicts these days and be a believer that it is also the right way to think. i loved this movie and have much more respect for this grand thinker every time i see a new work from him.see this film wherever you get a chance while it will stay with you for some time before you long for another Shokof film.

why should movies be still made? why should people watch them anymore?9 out of 10 American films are just dead boring from start to the end but the work because we are now used to them. like the movies are a simple casual usual part of everybody's life. like getting up in the morning and .well i don't know .may be drink a glass of water.it is boring to know that we sleep, then wake up and eat, but it is essential. its just how the movies have become. even though they are mostly boring but we have accepted them as essential, until one sees films by certain filmmakers like Shokof. i knew i was about to see something different, funny, brave, and challenging in the mere meaning of all those words when i saw Hitler's Grave. Shokof makes his best movie (in my opinion) if we consider this to be his first film ever to appeal to a widest group of people globally, but that is not why i loved this film. it is because Shokof proves to the viewer that the best of the artists can or should also be able to be casual, easy, simple, and most importantly clear in form and explanation. the story is provocative when a Moslem girl from Iran goes to deliver two promises in Berlin. she has made the promises to her brother just minutes before he dies out of injuries received by the Iranian Thugs in prisons of Iranian Regime and during the recent presidential election mass uprising. she should first find Hitler's grave and then onto the second monumental promise. the movie confronts much serious issues in the whole world in relation to Europe, religions, philosophy, mysteries of life on Earth, and....so much more but you would never once find this mandatory to read in between the lines cause the whole thing is extraordinarily constructed and executed to the end. Vadim Glowna plays the role of the Rabbi magnificently and has a magical moment when he tells the beautiful Taies Farzan (plays the role of the girl wonderfully and well crafted)the secrets about life on Earth; we people on earth have clubs of mystery lovers and goes on saying we make mysteries about things to create stories bigger than life; what really happened to Marilynn Monroe? who really killed Kennedy?what truly happened to Michael Jackson.. the script is fresh, lines are remarkable, actors are all on the point and deliver their best i have seen from any of them. Taies Farzan and Pierre Kiwitt should play a pair again. they look fantastic together, and Pierre delivers greatly. Björnsson is flawless, and all over , this movie works because it stays with the core senses of human values, and does not try to be over the viewers intellect. Shokof's best movie gets a 10 from me. i wish this amazing artist all the best with this one. destined to succeed.

j have seen five movies from this master of arts and originality, and was ready to see another unique movie by shokof when i sat to view this powerful film . contradicting all my expectations from shokof movies, this one Hitler's Grave, was all but arty shokof film with his point of construction scenes and telling unique stories out of this world. Hitler's grave is so simply powerful that it convinces the best of movie makers out there to just get a camera (no matter what as long as it shoots pictures), know your kraft, but tell a story which again is nothing like you have seen before. a woman (wonderful Taies Farzan does the job flawlessly) promises her dying brother to fulfill 2 promises at his death bed. the first is to go to Berlin and find Hitler,s grave, and the second keeps the audience hanging in there to the last second. the story is grabbing and told masterfully, the actors are all wonderful.the curiosity of Germany in 2010 and the people answering with strange feeling to the ever tense questioning Atossa (taies farzan) is in itself a movie all great and worthwhile to see. there are many complicated issues handled with pure cinema skills by shokof to keep the film easy for all viewers to watch. it is funny as he always could be, dramatic as one has never before seen in shokof films, and so classically dedicated to keep in line while telling the story that one can simply forget there is ever a giant director telling a story of monumental proportions. the film has it all from jokes, to purest love instincts and sorrow, and joy, and music, and last but not least shoko,s perspectives of setting the shots so one would be able to tell, this is a shokof film most definitely. Hitler,s grave is a movie for all. from intellectuals to the school kids who just now fall in love and have had their ears, and noses full from stinking smell of the world bitter taste of racism (which again is a theme in almost all shkof film), and arrogance of the European societies which separates them from the rest of the world and is their greates handicap to be able to make world wide popular cinema. now for all its reasons this film and the director has done it in Germany and could perhaps show how interesting a film can be even if it is made in Germany.sorry, i mean no harm but to just criticize the bitter reality why most European films and most definitely German films do not connect with the world audience. take a look at shokof,s Hitler,s grave and you will understand why.

daryush shokof makes a commitment to break taboos every time he gets a chance making a movie.however, with Hitler,s grave he has done more than just making a movie.i rather say a most subtle film i have seen from him yet.it is a story that not only touches different layers of current world conflicts (Moslems and the Jews)but, directs us to a window of opportunity so smoothly that one can simply and easily agree there is nothing wrong with having no religion. this is actually what the film preaches above all the other statements about the world famous"infamous Iranian regime". he is very successful to tell the story with wit and passion, as Taies Farzan delivers her role equally at her best but so do almost all other wonderful actors in the film (except for some new comers and or relatively extra type of cast that do disturb very nice scenes on occasions,"the police officers at the synagogue are just simply not up to their roles). Vadim Glowna is great. Pierre Kiwitt does a good job and the complete story works like a half classic old movie that you do not want to miss. a solid 10 for this very refreshing new film by shokof