Santuário

The only reason I viewed this was because I've become sort of fascinated by the films that Christopher Abbott takes on. He is not remotely interested in the norm in his many indie films. I've also been impressed now and then by Margaret Qualley. I have now mentioned the entire cast of this film and for an hour and a half we watch these two strange people go at each other. He is a very rich man who has a kink about being dominated and she is a dominatrix. He wants to end these paid for "get-togethers", but she has other ideas. A lot of this is very unpleasant to view and I almost turned it off, but I'm glad that I didn't as it's an odd film, sort of a clever one, that only really provides some satisfaction because of its very final scene which out of the blue put a big smile on my face. That didn't really make it a very good film, but it did make it more interesting, sort of after the fact.

Sanctuary has only two actors, and the entire plot occurs inside a hotel room (and very occasionally in the corridor outside the room) over one night. Rebecca (Margaret Qualley) is a dominatrix; her client is Hal (Christopher Abbott). They are engaged in a BDSM relationship. The plot is very twisty, and the motivations of the two characters are not revealed to us until the last few moments of the movie.

The performances of Qualley and Abbot are exceptional. There is a deep sexual chemistry between them that is palpable throughout the entire movie. They are complex and flawed characters, and why they behave the way they do is often unclear. This is the intriguing mystery that is the focus of the story.

The direction of Sanctuary by Zachary Wigon is very skilful; he knows how to create a sense of danger within the tightly controlled experiences going on in the claustrophobic hotel room. I found the movie engaging, and I kept guessing until the movie's end. There is hardly any music, and what there is complements the film's tone perfectly. The cinematography is excellent, and the intimate, claustrophobic space of the setting is used to significant effect.

The BDSM theme of the story is a metaphor for the power dynamics that go on in relationships; this symbolism is subtle but effective. Power in relationships is complex, shifting back and forth between individuals who often use it to control others. Sanctuary suggests that power dynamics in relationships are complex and are influenced by gender, wealth, and social status and can have both positive and negative consequences.

Sanctuary is slow-paced, and the controlled chaos that finally leads to what is going on in the relationship can be frustrating. But the delayed gratification is worth it, and the story's last moments are satisfying. The dialogue is witty and engaging, and the banter between the two characters reminded me of some of the old-fashioned screwball romantic comedies we used to watch.

Sanctuary is a well-made film, and it was engaging. However, the circular nature of the dialogue and the late reveal at the end made the journey there often frustrating. This is the biggest problem with the movie; it would have been easy to give up well before the end. I'm glad I persevered, but the movie's enjoyment is mostly in retrospect. I suspect many viewers may give up before seeing the worthwhileness of the film and the point of it all in terms of the theme of power dynamics in relationships.

Sanctuary is for those who enjoy character-driven dramas and twisty plots. However, the slow pace and limited setting may not be for everyone. Additionally, the BDSM theme may not be suitable for all audiences.

Nice actor showcase film. Both performed well, with Margaret showcasing her depth as a "screen takeover" actor. A rare thing to be seen. She fully dominates the role (both literally and figuratively).

It's an up and down ride of domination and submission, game or no game. Freedom or going with the narratives you're assigned in life.

It's also a love story of sorts, maybe not the healthiest, but that's how it goes sometimes in life. The acting really saves the issues with the overall dynamic and plot I had, and some unbearable scenes (the music/yelling scene I had to mute).

Overall it's a claustrophobic actor showcase film with only 2 characters. I found it engaging and packed with tension and great acting. 6.8/10.

Pointifully performative and bitingly funny-- as a rom-com *Sanctuary* is less of a character study and more of an intense single discussion between Christopher Abbott, Danita Battle, and he prying eye of the viewer. This does feel like a more twisted Netflix or Apple TV date night movie and while the cast carries the film, it does so through both the best of times and the worst of times. While the film's opening is gripping and sexy, and the ending emotionally powerful, very little happens between minute 30 and minute 85.

To make matters less convenient, the actors and filmmakers make it painfully obvious in the first 20 minutes that the Dom is in love with Hal and feels the need to demonstrate her value without telling her Sub, "I love you." That would ruin the power dynamic. The result, is a story that feels drawn with a few aimless scenes. I would expect this from a movie with 30 minute long scenes.

Films like this seem to rest in the strength of their cinematography, acting (mostly closeups), and the dramatic tension in the dialogue. Director Zachary Wigon, and writer Micah Bloomberg can relax because of the good acting and editing on display here (many movies do); however *Sanctuary* may have had stronger foundations and really stuck the landing if they didn't.

When is a game not a game? When it's real life? Is real life though, not a game? Aren't we all playing games all of the time in some way or another? Games, roles, responding to the situation, never quite sure what's real or not.

How much of this film was a game? Was their game, just part of a larger game? Is play the only way to be who you really are? Assuming a role to be the person you want to be and having another along for the journey?

In the early stages of the film I wondered why they cast Margret Qualley. She's pretty, and a very good actor, but this role is beneath her and she's not especially sexy, so she can't pull off the role of the dominatrix properly. Then it dawned on me: she wasn't playing a dominatrix, she was playing his girlfriend, playing a dominatrix.

There were some truths in there, not all of which we will ever know, as the interplay between role and reality was clever and vague, but we can guess at many them and still come to the same end conclusion.

I look forward to watching this again in the future and seeing if I can work any more of it out.