Eismayer

It takes balls to make a movie about a gay couple in the Austrian army knowing that it's such a niche audience.

It takes even bigger balls to do what Eismayer did. In real life.

And it takes the biggest balls ever to be Mario Falak. To live openly as a gay man in the Austrian military at that time.

Respect to all!

Now, about the movie. Well... nothing special to be honest. Very low budget. Very bare bones, minimalistic production. Nothing fancy here. It's just good! After all, it's the story that matters the most, not the production.

However, as others have pointed out already, the movie leaves a lot of info out. We don't get to see how the two men fall in love. One moment they are having sex for the first time, the next thing we know, they are living together and behaving like a couple who's been together for 20 years. It doesn't work that way. It took 43 minutes for the movie to get to the part where they cross that bridge. It shouldn't have.

But these are all pacing and storytelling issues. Can't expect perfection from a small team. I'm just glad that movies like this one are being made, for people like me, who want those kind of stories. And I'm here for it! Considering what they had to work with, I'd say they did a fantastic job.

I am a hopeless romantic.... I was born (1972) nto a family of 14 and 8-boys and 5- -girls , I was the 3rd from the youngest...So many movies have won and broke my heart and it's it's for once in my life fulfilling after so much adversity and opposition regardless of what has been opposed either by family... Society and Religion. This movie transcends History documented and not before History was recorded...Know this. My Mother and Dad had a hard time as most do.. Dad born in in 1929 and Mom in 1933 was my greatest fear of losing.. They told me I was still their son and they would always love me.

When I first read the synopsis of 'Eismayer', I thought "god, is it going to be another 'The Sergent (1968)' or 'Reflections in a Golden Eye (1967)'?". But thank god, time's changed.

I've been living in West Europe as an immigrant for barely about 15 years, and couldn't know it first hand like the locals - but I've seen how much has changed within those decade and and a half alone regarding gay rights and overall acceptance of different sexualities. In that context, older Charlie's fear and self-hate about his sexuality is just as real as younger Mario's 'I'm here, I'm queer' attitude. But in the end, we see it's the Mario's generation and their attitude that is the future. Their happy ending feels dearer because it is not any more a secret in the closet or a lonely fight against the world. Come out and embrace your love, and people will be be happy for you.

'Eismayer' is pretty much a conventional drama, not an artistic marvel. But it's well made, well acted and down-to-earth. Recommended.

I appreciate the honest perspective about a profound sensitive theme. The good performances, to. And, not the last, the message. A simple story of a seargent, tough, correct, brutal, in many occasions, good father and reasonable husband and the root of his behavior. A young, Yougoslavian man, recruit in Austrian Army Forces.

Their conflicts, connection, secret.

Few admitrable to touching scenes.

And beautiful way to not become victim of cliches.

Not the best film about this theme, but great for correct manner to use each detail as piece placed, in precise manner, to the fair place.

A virtue - the well use of suggestions as explanations for behavior of characters. And the ruined building in winter, remindig Andrei Tarkovski universe.

So, I like it can sounds strange. The respect for just a well crafted film is more normal. And for inspired acting.

The once-controversial topic of gays in the military has settled down somewhat from its flashpoint status years ago (even if it's not yet everything that members of the LGBTQ+ community would like it to be). But, in the not-too-distant past, it was still a hot button topic, one that made life difficult for those in the military, especially for those in relationships who served together, despite guaranteed provisions against discrimination based on sexual orientation. Those are among the challenges addressed in writer-director David Wagner's third feature outing, a fact-based tale about a closeted (and married) tough-as-nails Austrian military drill sergeant (Gerhard Liebmann) who clandestinely falls for an out-and-proud recruit (Luka Dimic). While the story and sentiments are truly touching, the overall execution, unfortunately, leaves much to be desired. Perhaps the biggest problem here is the screenplay, which is loaded with developments that unfold at an unrealistically fast pace, creating awkward transitions and, consequently, diminishing the picture's credibility. The effect of that is pacing that comes across as needlessly rushed, something that could have been resolved by simply taking a little more time to allow the narrative to develop, especially given the film's comparatively short 1:27:00 runtime. The character development feels exaggerated at times, too, with the sergeant vacillating wildly between over-the-top beast and tender loving partner and with the recruit appearing as a little too defiant and flamboyant to be convincing. And then there's the cinematography, which at times is so dark that it's virtually impossible for viewers to discern what's going on, particularly in an initial intimate sequence that's about as murky as the ocean floor. It's regrettable that this offering gets so much wrong, because it's a heartfelt story that deserves a more effective telling. There's a lot to be said for sharing a touching tale such as this, but the least its creators can do is tell it with earnest believability, something that's largely absent here.