Tom Jones

The 1963 Tom Jones was a deserved classic, perfectly cast and well nigh perfectly adapted. But most of all it was fantastically high spirited, with wit and energy from the first frame. It caused me to read Fielding's novel, one of the great comic romps in English literature.

The inevitable concessions to the spirit of these times don't bother me in this version. But the utter lifelessness, the joylessness, the absence of humor and wit - that does. And making Sophie the narrator and center of wisdom is just absurd. Fielding's Sophie, wonderfully portrayed by Susannah York on the movie, is a smart, but youthful ingenue, beginning her own life's journey (to be sure, with many fewer options than a young man of that v era). Giving her preternatural insight doesn't work.

In short, another BBC disaster. You'd think one of these days the writers and directors who do these things will figure out that you can't slip a little sermon into these classics and have them survive. Not yet, evidently.

It's really hard to believe that 60 years after original Tom Jones things couldn't have been done better. It is sterile, without any real emotions or life of its own.

I am old enough to remember the original Tom Jones with Albert Finney & Susannah York. Now that was funny & raucous! . This pales in comparison, but it's what one comes to expect from PBS....nothing to offend viewers. It's like it's made not to offend ANYONE!

Although we still watch PBS from Canada for some other fine shows with some more depth and substance and, dare I say, swearing. This must have been quite costly to produce....too bad there is no real life substance to it.

If you are a fan of Masterpiece Classic series just be warned that this one pushes the envelope of what we're familiar with and feels comparable to other historical dramas (?) romances (?) on other platforms. I wanted something warm and fuzzy and I feel that's how this show was marketed, but isn't making me feel this way.

Episode 3 made me write this review (and you can find a similar one in that episode review). It's my least favorite episode of the series so far. Going into watching this show I did not know the source material and have been learning about it while watching this series. I feel the tone of the book and the tone of the show are two different things, which I understand happens when adapting a novel. However, the show has two different tones going on. A comedic, rompy one with Tom's storyline and a tragic, and dramatic love story with Sophia (So-phi-a). I really felt that in the third episode it made it difficult for me to understand Tom's lackadaisical actions and I felt like I fast forwarded in time from the last episode and yet there was no indication that was the case.

I do like what they're exploring with Sophia's story and race. I just wish that tone was carried through to Tom's plot so it didn't feel so unbalanced.

I can't say I'm familiar with the original or the book, but certainly heard of it. I have to say the characters were pretty unlikeable... Maybe that's what the book portrays. Males and females alike were snippy, immature, unrealistic ... Far too modern for the story. I would have to say it felt like watching a Disney adaptation, and not a good one.

I'm sad. Time of year to go hunting a good little series to fill network voids. Uh-uh, give this a miss. And 600 character mandatory responses here just make us inane and stupid at times. I didn't like it much. I didn't like it much. Not my cup of tea, so they say, definitely not worthy of my time. There ya go.

I've looked forward to this one for a while as I'm a big fan of the original novel by Henry Fielding. Unfortunately this new adaptation was a dull version of a rip-roaring and very funny book.

For me the two leads were both underwhelming and didn't really have any great chemistry between them. The supporting cast with such great character actors as Alan Armstrong and Felicity Montague frequently outshone them.

Direction and script were both a bit below par, the scenes felt curiously disjointed, it lacked dynamism and to be honest it was a bit dull.

I liked the cheery score by Mathew Slater but nothing else about it grabbed me. It falls far short of the late 90's TV Series and the wonderful Albert Finney film version. A miss.