AVALIAÇÃO DA IMDb
4,4/10
1,9 mil
SUA AVALIAÇÃO
Connor, um homem cuja vida monótona é transformada em um emocionante mundo de fantasia graças à sedutora Marilyn.Connor, um homem cuja vida monótona é transformada em um emocionante mundo de fantasia graças à sedutora Marilyn.Connor, um homem cuja vida monótona é transformada em um emocionante mundo de fantasia graças à sedutora Marilyn.
- Direção
- Roteirista
- Artistas
Jeff Bouffard
- Sheriff
- (não creditado)
Sheila Consiglia
- Sheriff
- (não creditado)
Marilyn Swick
- Connor's workmate
- (não creditado)
Avaliações em destaque
I blame Neil LaBute for writing and directing this awful picture which should have been so much better. It probably would've been had an a more talented screenwriter created it. I want to commend the actors, especially Ray Nicholson who gave as good a performance as this limited screenplay allowed. I hope he's not discouraged. It's regrettable that he and the others, including Diane Kruger and Hank Azria, two excellent actors, hitched their professional stars to this terrible project. Hopefully they'll be more selective in what they do going froward.
There is nothing novel about the script. It's far fetched in addition to its numerous other problems. I recommend skipping it, as you'll never retrieve the hour and forty four minutes you'll lose.
There is nothing novel about the script. It's far fetched in addition to its numerous other problems. I recommend skipping it, as you'll never retrieve the hour and forty four minutes you'll lose.
Sorry to say, I am not a very astute, in-depth, insightful movie watcher, but I figured out this plot in the first 3 minutes; & I do mean three minutes. The movie went downhill from there with its predictability. Every scene, following those three minutes, unfortunately, just proved my hunch to be more & more correct. The movie actually became painful to watch because of its trite, predictably. I continued to watch out of humorous curiosity to see how correct I was. Humour soon became anger. I wanted to yell at the characters, telling them how ridiculous they were being. "Stop, think, don't fall for it, the way every movie guy does!" But, I knew it was too late to tell them, I was watching a movie so the deed was all ready done & "in the can" as I've heard movie people say. What a shame. That's 90, or so minutes I'll never get back.
I wanted to see this since I love neo-noir films and I usually love Neil Labute films, but this was just a Lifetime movie with some sex scenes thrown in, and the acting is about par with a Lifetime movie as well, except for Hank Azaria, who overacts erratically from scene to scene.
Everything that is going to happen is telegraphed in every scene, so the viewer can predict everything that's going to happen including the twist ending, which wasn't much of a twist because that was telegraphed also. I would have had more fun with this if the movie hadn't forced all its cards so deliberately out into the open, but as it is, I just kept watching to see if I was right. And I was, so there's that..
Everything that is going to happen is telegraphed in every scene, so the viewer can predict everything that's going to happen including the twist ending, which wasn't much of a twist because that was telegraphed also. I would have had more fun with this if the movie hadn't forced all its cards so deliberately out into the open, but as it is, I just kept watching to see if I was right. And I was, so there's that..
Follows similar story of 1981's Body Heat.
Could tell the director's decisions were aiming to have some sort of artistic value added but were questionable and fell short of the desired effect - odd transitions, meaningless scenes, forced music, and long scenes with dialogue that felt redundant failing to move the story forward.
Hard to root for or get attached to any of the characters - none of them felt real, all kind of forced stereotypes. Each of the main characters (Diane Kruger and Ray Nicholson) were equally mysterious, but didn't feel like any substance between them, just physical attraction. The dialogue and decisions they made felt more like a Hollywood creation than anything based on reality or logical thinking.
Side characters were pretty good. The boyfriend (Yousef Abu-Taleb) at the end stole the movie for me and felt like the only real character in entire story. Parole officer (Hank Azaria) was good, his intro scene playing the role of a no non-sense tough cop was over the top. The deputy (Fred Weller) was even more over the top, but felt more in-line with the spiteful, I am the law, kinda persona a cop on a power-trip gives off.
Entire time watching, felt like a different take on Body Heat. Want to again mention weird transitions - if the director.(Neil. LaBute) reads this, what are you doing??
Could tell the director's decisions were aiming to have some sort of artistic value added but were questionable and fell short of the desired effect - odd transitions, meaningless scenes, forced music, and long scenes with dialogue that felt redundant failing to move the story forward.
Hard to root for or get attached to any of the characters - none of them felt real, all kind of forced stereotypes. Each of the main characters (Diane Kruger and Ray Nicholson) were equally mysterious, but didn't feel like any substance between them, just physical attraction. The dialogue and decisions they made felt more like a Hollywood creation than anything based on reality or logical thinking.
Side characters were pretty good. The boyfriend (Yousef Abu-Taleb) at the end stole the movie for me and felt like the only real character in entire story. Parole officer (Hank Azaria) was good, his intro scene playing the role of a no non-sense tough cop was over the top. The deputy (Fred Weller) was even more over the top, but felt more in-line with the spiteful, I am the law, kinda persona a cop on a power-trip gives off.
Entire time watching, felt like a different take on Body Heat. Want to again mention weird transitions - if the director.(Neil. LaBute) reads this, what are you doing??
I cannot believe I just got sucked in and watched this entire movie. The main reason for its low rating is the acting. Krueger and Azaria were the only decent actors. I felt like I was watching a Nickelodeon teen soap. Well, with a little more spice and violence. The story itself wasn't too bad but it started spiraling near the end. The very ending was the WORST. Please...with all the creative people in Hollywood I am sure they can do a better job than this! The only thing this movie had going for it was the scenery. Looks like it takes place in the northeast and it's just gorgeous! That's the only way it got its 1 star.
Você sabia?
- CuriosidadesThe film explicitly references "The Postman Always Rings Twice" by James M. Cain several times. Lead actor Ray Nicholson is the son of Jack Nicholson, who starred in O Destino Bate à sua Porta (1981).
- Erros de gravaçãoThe police car says South County Sherrif. South County is just a nickname, the actual county in Rhode Island is Washington County. The movie was filmed in Newport County, Rhode Island.
- ConexõesReferences O Destino Bate à Porta (1946)
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- How long is Out of the Blue?Fornecido pela Alexa
Detalhes
- Tempo de duração
- 1 h 44 min(104 min)
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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