Filip

I was totally absorbed watching this movie. It was beautifully produced, very well cast, and kept me guessing. I liked that fact that the moral issues weren't presented as black and white and people on both sides are shown exploiting situations for personal gain or revenge. I've watched dozens of movies about WWII, but none quite like this: none which seemed so real and yet so artistic, so full of surprises and yet so believable, and most of all, one with such a complex central character for whom I felt so much empathy in spite of his moments of cruelty. And I agree with one of the other reviewers that the climax of the movie is tremendous.

Well, well, well, what a wonderful surprise!

This movie was a journey into wartime survival. More than survival, being alive! Living. At great cost, at great risk, and with great "reward?". Beautiful at times, not "pretty". To the contrary. There's just enough joy, humanity, friendship, sex, laughter and perhaps love on the screen, to keep you from loosing all faith in mankind. At a time of such inhumanity.

Then and now.

The perfect time to see this movie?

Great performances by the way, especially Eryk Kulm. Deliciously sexy, angry, savage at times. Emotional, satisfying and powerful. Victor Meutelet and Caroline Hartig, really the entire ensemble did an incredible job. So glad we're able to see wonderful European movies on Netflix.

No. It's not going to be everyone's cup of tea. However for those who can appreciate other "perspectives" in life, cinema, storytelling, art and yes, history. Drink up! Loved it.

To know the history and/or have attended at least two films about the Second War, analyze the description and just wait for the moment when everything worse begins to happen, in the case of Jews, Poles and strangers and it is certain that everything will end in smoke. . Meanwhile, the tragic takes a different path, focused on the individual and shared with the dreams, desires, motivations of those who share why to survive in a vision of a singular life portrayed in the sympathetic figure of Filip. The characters limit me as well as the spoilers. I enjoyed it and recommend it! Aos brasileiros, bom filme!!

The portrait of a surviver. A young Pole man, losting his family, working, grace to help of a friend, in great hotel, hidding his identity , having sex, succes and terrible cynism about life.

Discovering true love and true friendship. And understanding, after lost of best friend, after revenge , than he can survive only being alone.

Beautiful locations, nice story, interesting performances . A testimony , in other manner than ordinary one, about life under totalitarian regime. Not original idea but Eryk kulm has the precious science to offer to his Filip the right traits to be more than another Jew in terrible circumstances. A nice work of Victor Meutelet as Pierre.

A film about what real matters. Not impressive but honest at whole.

Unusual angle for a WW2 story with a specific refugee situation I have never seen evoked in a WW2 movie. The Polish young man at the center of this story is a difficult "hero" to like in spite of his obvious plight, because of his brutally hard shell and the death wish at time that seems to motivate his acts against his survival skills. But his moral evolution can be understood well enough, and the unknowns in his trajectory can be easily imagined. Meanwhile life in the Stuttgart hotel where he works in 1943 as a presumed French waiter is a microcosm of what happens to Germany as despair, decay, food scarcity, army defeats and survival needs vs morality sketch the end in sight for the crumbling nazi empire. I liked how the movie mixed German, Polish, French, Italian and (maybe?) yiddish dialogues seamlessly. Subtitles in my eyes are not a problem but an enhancement to a story like that. It is a story of survival in a foreign land under brutal circumstances: varied languages are a necessary part of the hostile landscape. The actor who plays the main role is perfect in his ability to charm and scare at the same time.