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The End

  • 2024
  • R
  • 2 h 28 min
AVALIAÇÃO DA IMDb
5,4/10
2,5 mil
SUA AVALIAÇÃO
POPULARIDADE
4.469
707
Bronagh Gallagher, Lennie James, Tim McInnerny, Michael Shannon, Tilda Swinton, George MacKay, and Moses Ingram in The End (2024)
A Golden Age-style musical about the last human family.
Reproduzir trailer2:25
2 vídeos
19 fotos
DramaFantasiaFicção científicaFicção científica distópicaMusical

Adicionar um enredo no seu idiomaAfter decades alone, a wealthy family living in a salt mine encounters a stranger.After decades alone, a wealthy family living in a salt mine encounters a stranger.After decades alone, a wealthy family living in a salt mine encounters a stranger.

  • Direção
    • Joshua Oppenheimer
  • Roteiristas
    • Rasmus Heisterberg
    • Joshua Oppenheimer
    • Shusaku Harada
  • Artistas
    • Tilda Swinton
    • George MacKay
    • Moses Ingram
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    5,4/10
    2,5 mil
    SUA AVALIAÇÃO
    POPULARIDADE
    4.469
    707
    • Direção
      • Joshua Oppenheimer
    • Roteiristas
      • Rasmus Heisterberg
      • Joshua Oppenheimer
      • Shusaku Harada
    • Artistas
      • Tilda Swinton
      • George MacKay
      • Moses Ingram
    • 34Avaliações de usuários
    • 79Avaliações da crítica
    • 65Metascore
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 3 indicações no total

    Vídeos2

    Official Trailer
    Trailer 2:25
    Official Trailer
    The End
    Trailer 2:25
    The End
    The End
    Trailer 2:25
    The End

    Fotos18

    Ver pôster
    Ver pôster
    Ver pôster
    Ver pôster
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    + 14
    Ver pôster

    Elenco principal9

    Editar
    Tilda Swinton
    Tilda Swinton
    • Mother
    George MacKay
    George MacKay
    • Son
    Moses Ingram
    Moses Ingram
    • Girl
    Michael Shannon
    Michael Shannon
    • Father
    Bronagh Gallagher
    Bronagh Gallagher
    • Friend
    Tim McInnerny
    Tim McInnerny
    • Butler
    Lennie James
    Lennie James
    • Doctor
    Danielle Ryan
    Danielle Ryan
    • Mary
    Naomi O'Garro
    • Toddler
    • Direção
      • Joshua Oppenheimer
    • Roteiristas
      • Rasmus Heisterberg
      • Joshua Oppenheimer
      • Shusaku Harada
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários34

    5,42.5K
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    Avaliações em destaque

    7eve_dolluk

    Beautiful and poetic

    This film won't be for everyone and plays like a theatre musical.

    The cinematography however is quite beautiful and the tale a poignant one.

    Set in a fancy bunker after a disaster with very few survivors a wealthy family and friends gets on with living life in ignorant bliss.

    One day a stranger appears from outside who leaves them with more questions than answers who stirs up emotions.

    Its a simple telling of the human condition and however create our own reality and bubbles to help hide or mask our deepest fears and worries.

    Its a slow burn that peels away layers and gradually gives you clues into each characters background and personality. There is am eerie feel to the atmosphere which is suddenly lifted into a sweet musical stage show which is both unnerving and uplifting.

    The songs are not huge dramatic musical numbers but more emotional story telling that give you an insight into what is really going on in these peoples heads.

    7/10 very well done.
    5jon_pratt12345

    Ambitious but too long

    I went in with an open mind and the expectation that I might be about to watch something unconventional. The post apocalyptic bunker premise I found very intriguing and the cast were impressive given the film had such little publicity. Tilda Swinton has been involved in some really unique independent films over the last 5 years, and although I've not enjoyed them all, it's still a strong indication that if she's attached the film will at least be inventive

    The End certainly isn't like anything I've seen before, but unfortunately I didn't find it an enjoyable 2.5 hours. It's a small cast working in a relatively small space delivering the story through words rather than action. This makes it feel drawn out, with just not enough variety to keep me engaged.

    The singing was a surprise and is happening almost straight away once the film starts. The instrumental music was very stirring and big, but the songs were too slow paced for my taste. They didn't seem to be used to drive forward the plot or share any important new character details other than what you could otherwise pick up from dialogue and there were a lot.

    I did enjoy the acting and the setting and I also thought some of the themes and metaphor was potentially interesting but they did seem to be working with a lot of big ideas on society, inequality, human connectedness, grief, regret. The whole gambit of human experience and global issues seemed to be hinted at at some point.
    6Wernight

    Superficial fan fiction that never ends

    Satire in a bunker and Singing musical? Okay I'm puzzled but intrigued. Nice environmental background (scenery).

    At least one or two good actors (especially Tilda Swindon) however they all impersonate caricatures of snobs, helpers, working class...

    It's not a sci fi. There is no back story, no depth, no reasoning and for some reason one didn't seem to even miss a meal after barely surviving something outside even if she sings well.

    Without spoiling anything, in 3 hours you can expect something like theater with singing and discovering back stories that you probably could have written yourself for someone you hated (especially if you think the global warming should be purely blamed on a few rich people).

    The end is maybe the best part of this movie.
    5ejonconrad

    Interesting concept that doesn't work at all

    Post apocalyptic movies are probably my favorite genre, and I love Michael Shannon and Tilda Swinton, so I was really looking forward to this movie. I also like musicals, but I did have my doubts about whether the two genres could mix.

    Maybe they can, but not this time, because as a musical, it's *absolutely terrible*. The songs are so generic and bland that you forget them the minute they end. Seriously, I watched this last night and can't remember a single song. Michael Shannon does have a surprisingly good singing voice, but Tilda Swinton sounds pretty much exactly like you would expect Tilda Swinton to sound, and that's not good.

    Setting the music aside, it's a pretty mediocre story. It's about a family and a few others living an "idyllic" life underground after some sort of never specified apocalypse. Things get shaken up when a newcomer arrives, and then.... well, not much happens. Certainly not enough to fill two and a half hours.

    I'm glad I watched it on Hulu rather than wasting money at the theater.
    8TaunoP

    Art

    I only knew the premise of this film going in and felt perplexed as I exited the cinema. It took me a while to start processing what kind of story I have just been told. You can take many things from this. I will spare you any analysis but this film oddly lulled me into this hidden world with grey blue tones, anxious people, sumptuous decor and numerous paintings to, well, frame the story.

    This was my second musical I have ever seen in the cinema and the first being Dancer In The Dark I think I have found pieces that accompany each other pretty well. I want to see this film again sometime and maybe do some rabbit hole research first so that I can spot the things I definitely missed first time.

    Enjoy. It's a lovely film.

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      Joshua Oppenheimer described the film as an exploration of whether we as human beings can come to a place where our guilt is too much to recover from our pasts.
    • Conexões
      Referenced in Film Junk Podcast: Episode 973: Carry-On (2024)
    • Trilhas sonoras
      Overture
      Written by Josh Schmidt and Marius De Vries

      Performed by Josh Schmidt

    Principais escolhas

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    Perguntas frequentes17

    • How long is The End?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 20 de fevereiro de 2025 (Dinamarca)
    • Países de origem
      • Dinamarca
      • Alemanha
      • Irlanda
      • Itália
      • Reino Unido
      • Suécia
      • Estados Unidos da América
    • Idiomas
      • Inglês
      • Francês
    • Também conhecido como
      • Son
    • Locações de filme
      • Itália
    • Empresas de produção
      • Final Cut for Real
      • The Match Factory
      • Wild Atlantic Pictures
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Faturamento bruto nos EUA e Canadá
      • US$ 141.660
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 24.972
      • 8 de dez. de 2024
    • Faturamento bruto mundial
      • US$ 269.609
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 2 h 28 min(148 min)
    • Cor
      • Color
    • Mixagem de som
      • Dolby Digital
    • Proporção
      • 2.35 : 1

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