AVALIAÇÃO DA IMDb
5,7/10
1,1 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaAlma and Charlie cross paths with each other, when Charlie finds the perfect tree for the Maine Governor's Holiday Celebration right in Alma's back yard.Alma and Charlie cross paths with each other, when Charlie finds the perfect tree for the Maine Governor's Holiday Celebration right in Alma's back yard.Alma and Charlie cross paths with each other, when Charlie finds the perfect tree for the Maine Governor's Holiday Celebration right in Alma's back yard.
- Prêmios
- 1 vitória e 3 indicações no total
Avaliações em destaque
Love love the movie
Need more like it at least 1 every year.
The actors were amazing.
Plus every year continuing-action of little Christmas where they had twins, sister & hubs adopting, other sister expecting. Just a fun holesome movie.
The actors were amazing.
Plus every year continuing-action of little Christmas where they had twins, sister & hubs adopting, other sister expecting. Just a fun holesome movie.
What a waste of time. No chemistry at all, no good script, no interesting characters, weak history. Such a cliche. You'll not miss anything if you do not see it.
Substantial holiday flourishes, immediate meeting of the main characters and obvious mutual attraction, and a contrived conflict precipitating the eventual inevitable pairing: This is a Christmas movie, and a Lifetime original movie. We get all the expected themes and notions - unending charm and pleasantness, small towns, professional clashes and personal interest, cute character idiosyncrasies, and so on and so on. There aren't any major surprises here, save perhaps for one: This is, accordingly, Lifetime's first Christmas lesbian romance. Though characterized by the same ham-handed silliness as any other Lifetime production - if the sharp writing and earnest attentiveness we see here is any indication of what we might expect from future sapphic holiday TV romances, I'm totally on board for many, many more. I may be a tad biased, but I adore 'Under the Christmas tree.'
Michael J. Murray's screenplay is a true blessing, steadying the substantial kitsch of the genre with rich, clever dialogue (including no few thinly veiled slips that are all but Freudian), and robust, relatable, likable characters. Though the narrative as a whole is ultimately, expectedly predictable, it feels more balanced than what we get in other TV movies, and the scene writing is a legitimate gem - fun, funny, heartwarming, cheerful, and lovely. I lost count of how many times I squealed with joy! I appreciate Lisa Rose Snow's direction - clearly just as impassioned and heartfelt as all others' contributions, orchestrating fine scenes and guiding her cast into able performances, and capturing all available details. Why, there are some really fetching shots here, too. And, importantly, I genuinely like the acting. Again, of course everything here bears the same slant toward gauche cheese. At that, however, everyone involved leans into the campy good spirit. Elise Bauman and Tattiawna Jones are of course most noteworthy as joint protagonists Alma and Charlie, delightfully beautiful and bewitching with welcome range and nuance. But the supporting cast shouldn't be counted out either, as among others Enrico Colantoni, Wendy Crewson, and Ricki Lake give their parts great personality and warmth.
The filming locations, set design and decoration, and costume design are careful and precise, and there's strong consideration for rounding details like hair, makeup, lighting, and so on. Cinematography and sound design is crisp and clear, and like so much else here, Michael Richard Plowman's score - bent toward the same design - seems to still avoid the utmost heavy-handedness most Christmas film sounddtracks offer. In every meaningful way, I honestly think 'Under the Christmas tree' takes a familiar tack in a more dynamic, capable trajectory.
In fairness, any viewer who can't abide the type of broadly straightforward, blunt, endlessly feel-good feature this represents probably won't see anything here to change their mind. As enjoyable as it is, this picture still fits within a very particular niche genre. Yet the fact remains that especially with 'Under the Christmas tree' being a little bit of a landmark for Lifetime, obvious care went into making this the best it could be within their mold. And the effort paid off: I rather believe this might be the best movie of this style that I've seen. I get a definite sense of more stable equilibrium here between wholehearted sincerity and requisite artificiality than in almost any other TV movie, of any variety, that I've watched, and the result is a wonderful, entertaining good time. Leave it to the lesbians to handily succeed where many years of heteronormative small screen production can't: as far as I'm concerned, 'Under the Christmas tree' is a new high water mark for holiday romances, and well worth checking out if one has the opportunity!
Michael J. Murray's screenplay is a true blessing, steadying the substantial kitsch of the genre with rich, clever dialogue (including no few thinly veiled slips that are all but Freudian), and robust, relatable, likable characters. Though the narrative as a whole is ultimately, expectedly predictable, it feels more balanced than what we get in other TV movies, and the scene writing is a legitimate gem - fun, funny, heartwarming, cheerful, and lovely. I lost count of how many times I squealed with joy! I appreciate Lisa Rose Snow's direction - clearly just as impassioned and heartfelt as all others' contributions, orchestrating fine scenes and guiding her cast into able performances, and capturing all available details. Why, there are some really fetching shots here, too. And, importantly, I genuinely like the acting. Again, of course everything here bears the same slant toward gauche cheese. At that, however, everyone involved leans into the campy good spirit. Elise Bauman and Tattiawna Jones are of course most noteworthy as joint protagonists Alma and Charlie, delightfully beautiful and bewitching with welcome range and nuance. But the supporting cast shouldn't be counted out either, as among others Enrico Colantoni, Wendy Crewson, and Ricki Lake give their parts great personality and warmth.
The filming locations, set design and decoration, and costume design are careful and precise, and there's strong consideration for rounding details like hair, makeup, lighting, and so on. Cinematography and sound design is crisp and clear, and like so much else here, Michael Richard Plowman's score - bent toward the same design - seems to still avoid the utmost heavy-handedness most Christmas film sounddtracks offer. In every meaningful way, I honestly think 'Under the Christmas tree' takes a familiar tack in a more dynamic, capable trajectory.
In fairness, any viewer who can't abide the type of broadly straightforward, blunt, endlessly feel-good feature this represents probably won't see anything here to change their mind. As enjoyable as it is, this picture still fits within a very particular niche genre. Yet the fact remains that especially with 'Under the Christmas tree' being a little bit of a landmark for Lifetime, obvious care went into making this the best it could be within their mold. And the effort paid off: I rather believe this might be the best movie of this style that I've seen. I get a definite sense of more stable equilibrium here between wholehearted sincerity and requisite artificiality than in almost any other TV movie, of any variety, that I've watched, and the result is a wonderful, entertaining good time. Leave it to the lesbians to handily succeed where many years of heteronormative small screen production can't: as far as I'm concerned, 'Under the Christmas tree' is a new high water mark for holiday romances, and well worth checking out if one has the opportunity!
I don't understand the low rating for this movie at all. It is very sweet and easy to watch. I think it's a great movie to watch on a dark, cold December day. My only criticism is that it's incredibly chaste but I know that's par for the course for a Hallmark movie. Other than that I think it's a well acted and lovely Christmas movie with two leads who have great chemistry. The story is very Hallmark but I don't see an issue with that....life is serious enough, a little levity is no harm. Well done Hallmark for producing something a little different.....a change is nice and we all appreciated it in our house.
I'm giving Under the Christmas Tree a positive review. With all its faults, its still a step in the right direction in the largely ignored world of gay, or in this case lesbian romance films for the general public.
The story: Charlie is a "tree whisperer" scouting for the perfect tree for the state's holiday display. Alma is a local businesswoman running a struggling Christmas shop with her parents, who are about to retire.
Charlie finds a tree on Alma's property that would be perfect, but it has been cherished by the family and is in fact the logo for the shop.
While Alma says no, at the same time sparks fly between Charlie and her. From there, the story follows Charlie's attempt to change Alma's mind and the gentle flirtation between them.
The flaw here is there is very little romance in this rom-com. I know there were constraints. This is a TV movie after all, but there weren't even many longing looks between the two, making it a bit sterile. Apparently, this was the director's first film. Perhaps a more experienced hand might have been able to get something on screen not on the printed page.
Still, I'm giving this a great grade. I've watched it several times and enjoyed it. The ending definitely leaves open the possibility of a sequel. That would be a very good thing.
The story: Charlie is a "tree whisperer" scouting for the perfect tree for the state's holiday display. Alma is a local businesswoman running a struggling Christmas shop with her parents, who are about to retire.
Charlie finds a tree on Alma's property that would be perfect, but it has been cherished by the family and is in fact the logo for the shop.
While Alma says no, at the same time sparks fly between Charlie and her. From there, the story follows Charlie's attempt to change Alma's mind and the gentle flirtation between them.
The flaw here is there is very little romance in this rom-com. I know there were constraints. This is a TV movie after all, but there weren't even many longing looks between the two, making it a bit sterile. Apparently, this was the director's first film. Perhaps a more experienced hand might have been able to get something on screen not on the printed page.
Still, I'm giving this a great grade. I've watched it several times and enjoyed it. The ending definitely leaves open the possibility of a sequel. That would be a very good thing.
Você sabia?
- CuriosidadesEnrico Colantoni who plays Alma's father has played Elise Bauman's father before in the web series Carmilla.
- Erros de gravaçãoNone of the chickens are sleeping even though Alma says they are.
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