Geração do Futuro

The Pod Generation isn't perfect and the responses have been pretty mediocre and low from the general public and critics but personally, I thought it was decent.

The movie explores an interesting narrative concept about the futuristic world of artificial wombs or pods with some beautiful futuristic production designs and make-up throughout. The camerawork is pretty good with the colorful lightening, settings, designs and special effects helping to add the futuristic setting and environment. With an solid soundtrack and direction as well.

The narrative is interesting and does provide some strong elements about human evolution and technology together. However, some of the narrative themes does feel a little preachy and inconsistent regarding it's message and social commentaries that is is trying to explore. The performances from Emilia Clarke and Chiwetel Ejiofor are pretty great and the two of them have surprisingly pretty good chemistry between on another.

One of the weaker elements are the characters as the characters aren't as fully interesting or engaging to connect with as much. There are some decent dialogue moment as well. Some of the pacing could have been improved.

Overall, it's decent.

This concept was really interesting...for the first 15 minutes. Sadly, they decided to go the super safe, PC route and have a social commentary on things like how a man carries the baby pod. The dialogue is akin to a bad podcast that questions the validity of child rearing vs pod rearing.

This concept could have been an awesome horror movie or sci-fi thriller where pod babies go wrong. Like a black mirror episode on the wrongs of growing a human in a pod, instead it's literally nothing.

The set design was okay, but besides that there's no chemistry, no intriguing storylines and what you get is 1 hour and 50 minutes of watching paint dry. Hope someone does a horror version of this though! Because that would be watchable. 3.8/10.

In this world where mother nature is transplanted - transferred, replaced, displaced, where surrogates are grafted, you have a partner who's organic, whose whole life is quite botanic, but you take him to a place, where dreams are shafted. Incubation is the option you have chosen, allows you to pursue your work, without demotion, devolution is the way, an evolving science day, although at first, you may just lack, vital devotion. As for concerns, a trip to the all seeing eye - will resolve anxiety and clarify, that you must do as you are told, you must remain part of the fold, this is the way the human race will multiply.

Not as good as it could have been.

I can't remember the last time I watched a movie with as little conflict or drama as 'The Pod Generation'. Did they just think that their concept was so original and interesting that they didn't even need to add a hook of any sort to the script? It's really bizarre to watch. There is nothing at stake in the film. Nothing to look forward to or anticipate or even think about. The film just plods along for 100 minutes of nothingness.

The only thing that saves it from being completely unwatchable is the charisma of its two leads. About all you can really do is sit back and peacefully enjoy their interactions and screen time. If that sounds like a nice time to you, you might just enjoy this film.

'The Pod Generation' is a film completely unwilling to step out of its own comfort zone. The concept is mildly interesting (for the first 15 minutes) and that's about it. A generous 5/10.

Like others said, this film very much feels like an extended Black Mirror episode, but without a twist or something edgy to make it memorable.

This young couple want to have a baby in a world where babies can be made in artificial wombs i.e. Egg-shaped "pods". The woman (a nice portrayal by Emilia Clarke - the American accent was probably unnecessary given that there's no relevant backstory) is a highly successful professional, working for the same corporation that actually offers the pod services. She's an all around modern woman, having accepted the quirks and conveniences of this very high-tech society. Her husband, on the other hand (a warm and relatable portrayal by Chiwetel Ejiofor) is an old-school botanologist, who loves nature and is sceptical towards all of this tech taking over natural processes like pregnancy and childbirth.

You'd think that this conflict would drive the plot, but it doesn't. It somehow gets resolved very easily, without much of a takeaway and that's the problem of the whole film. No conflict, no high stakes, no twists or sinister revelations, just literally what it says on the tin: a couple having a baby in a pod.

There is no discernible stance or point that the film is making. If the point is "natural is better", it is made in a very underwhelming manner. If the point is to offer some food for thought and debate, then it also fails: there is, for example, the angle of this method of reproduction being liberating for women and an opportunity for men to bond with their unborn baby in a more meaningful way - but this gets quickly dismissed and satirized as if there isn't a deeper discussion about bodily autonomy and gender roles behind it.

One thing I will praise is the pace and aesthetic. I didn't find it slow, despite the lack of an exciting plot. And that's an achievement of the art department, which made the whole flow and visuals soothing and satisfying.

Decent effort, but ultimately powerless.