Em um remoto vilarejo irlandês, Finbar é forçado a lutar pela redenção após uma vida inteira de pecados, mas que preço ele está disposto a pagar? Na terra de santos e pecadores, alguns pecad... Ler tudoEm um remoto vilarejo irlandês, Finbar é forçado a lutar pela redenção após uma vida inteira de pecados, mas que preço ele está disposto a pagar? Na terra de santos e pecadores, alguns pecados não podem ser enterrados.Em um remoto vilarejo irlandês, Finbar é forçado a lutar pela redenção após uma vida inteira de pecados, mas que preço ele está disposto a pagar? Na terra de santos e pecadores, alguns pecados não podem ser enterrados.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 1 vitória e 7 indicações no total
Ciarán Hinds
- Vincent O'Shea
- (as Ciaràn Hinds)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
STAR RATING: ***** Brilliant **** Very Good *** Okay ** Poor * Awful
In the early 1970's, a rebel IRA faction, headed by Doiraenn McCann (Kerry Condon) plant a carbomb in a side street. Meanwhile, Finbar Murphy (Liam Neeson) is a former World War II veteran and mercenary, carrying out assignments for contractor Robert McQue (Colm Meaney.) Burnt out and cynical, he finds a personal reason to care when he sees a young girl being controlled by Curtis Jane (Desmond Eastwood), which sets in motion a shattering chain of events, involving a collision with Doiraenn and her clan.
No matter how much time passes, the western remains one of the most enduring genres, always finding new life in different variations in different styles of films, even to the point of being used in films set in the present times. Director Robert Lorenz is the latest example of this, following in the footsteps of films like 2016's Hell or High Water, with this slow burner. If you don't know it's been framed as a 'modern western', it won't immediately dawn on you, making the experience all the more of a meandering one.
Set against the backdrop of some pretty turbulent events in Ireland's history, it gives it some pretty heavy baggage to contend with, against the motivation of making some kind of modern day Clint Eastwood film. But in terms of lead star Neeson, it just feels like another notch on the post of his later life action hero trajectory, which he infuses with his usual gruff, mumbling style, to much the same effect as ever. He's propped up by a support cast, including veteran's such as Meany, and Condon, who is effectively icy and hard faced as the dogged central protagonist.
For die hard fans of the western genre who still exist in this day and age, the slower, more meandering pace and atomised plot might be more acceptable. It may even do this for those with a passing interest, and the result is something at least marginally successful. ***
In the early 1970's, a rebel IRA faction, headed by Doiraenn McCann (Kerry Condon) plant a carbomb in a side street. Meanwhile, Finbar Murphy (Liam Neeson) is a former World War II veteran and mercenary, carrying out assignments for contractor Robert McQue (Colm Meaney.) Burnt out and cynical, he finds a personal reason to care when he sees a young girl being controlled by Curtis Jane (Desmond Eastwood), which sets in motion a shattering chain of events, involving a collision with Doiraenn and her clan.
No matter how much time passes, the western remains one of the most enduring genres, always finding new life in different variations in different styles of films, even to the point of being used in films set in the present times. Director Robert Lorenz is the latest example of this, following in the footsteps of films like 2016's Hell or High Water, with this slow burner. If you don't know it's been framed as a 'modern western', it won't immediately dawn on you, making the experience all the more of a meandering one.
Set against the backdrop of some pretty turbulent events in Ireland's history, it gives it some pretty heavy baggage to contend with, against the motivation of making some kind of modern day Clint Eastwood film. But in terms of lead star Neeson, it just feels like another notch on the post of his later life action hero trajectory, which he infuses with his usual gruff, mumbling style, to much the same effect as ever. He's propped up by a support cast, including veteran's such as Meany, and Condon, who is effectively icy and hard faced as the dogged central protagonist.
For die hard fans of the western genre who still exist in this day and age, the slower, more meandering pace and atomised plot might be more acceptable. It may even do this for those with a passing interest, and the result is something at least marginally successful. ***
In the Land of Saints and Sinners is an Irish Western that prioritises its characters over any action which makes it one of the better Liam Neeson vehicles of recent memory. It covers familiar ground in an effectively old fashioned way, operating as a slow burn and all the better for it.
Liam Neeson is on top form here. He's consistently engaging even if nothing is happening and with this focusing on the character work, he gets to show off more of his dramatic chops. Jack Gleeson has a roguish charm and Kerry Condon is a pretty ruthless villain despite the odd bit of sympathy.
Robert Lorenz's direction is thoroughly old school, all the way down to playing the credits over a final extended scene. It's workmanlike in its construction with some gorgeous scenery. Diego Baldenweg's score has a mournful quality that's an ideal fit for a film that's obsessed with the emotional toll of the violence opposed to the thrill of it.
Liam Neeson is on top form here. He's consistently engaging even if nothing is happening and with this focusing on the character work, he gets to show off more of his dramatic chops. Jack Gleeson has a roguish charm and Kerry Condon is a pretty ruthless villain despite the odd bit of sympathy.
Robert Lorenz's direction is thoroughly old school, all the way down to playing the credits over a final extended scene. It's workmanlike in its construction with some gorgeous scenery. Diego Baldenweg's score has a mournful quality that's an ideal fit for a film that's obsessed with the emotional toll of the violence opposed to the thrill of it.
In the land of Saints and Sinners is one of the better offerings from Liam Neeson which have been released in the last 5 or 6 years.
Set in Ireland at the time of 'The Troubles' it's pretty clear what you're going to get as soon as the film starts. And there won't be any twists and turns. But the film still entertains.
It moves along at a good pace and despite (Liam's character) Finbar being of a very dubious disposition we soon root for him against a gang of evil IRA bombers who have been blowing kids up.
The Irish scenery is beautiful and at times bleak.
The film manages to look and feel like a 70s story and the acting is very good from everyone involved.
This one is well worth a watch.
Entertaining and satisfying.
Great for a rainy night in.
Set in Ireland at the time of 'The Troubles' it's pretty clear what you're going to get as soon as the film starts. And there won't be any twists and turns. But the film still entertains.
It moves along at a good pace and despite (Liam's character) Finbar being of a very dubious disposition we soon root for him against a gang of evil IRA bombers who have been blowing kids up.
The Irish scenery is beautiful and at times bleak.
The film manages to look and feel like a 70s story and the acting is very good from everyone involved.
This one is well worth a watch.
Entertaining and satisfying.
Great for a rainy night in.
I suppose this worked for me not because it has Liam Neeson dispensing typical Liam Neeson savior duties, but for its '70s Irish backdrop, some fine supporting performances, and a snowball-ish plot. For a change, Neeson looks and feels comfortable on his home turf, and his "good heart" becomes the reason for things spiraling out of control. An attempt to help one of the locals invites trouble, and though this is somewhat of a cliché in actioners featuring older stars, the story progression is quite interesting. Kerry Condon, in an antagonistic role, is having fun and chewing up the scenery (I can't wait to see how good she is in Night Swim). There's also the amusing sidekick character played by Jack Gleeson and the confused cop friend played by a reliable Ciarán Hinds; both commendable. Tom Stern's effort in capturing panoramic Irish imagery is probably the strongest reason, however, to watch the film.
In the Land of Saints and Sinners shows perfectly how you make a solid movie without putting billions into special effects and explosions - just tell an old tale new with the help of a superb cast. Especially the acting shines bright in this little flick and makes the story and the characters believable. No doubt, for someone just wanting lots of bum bum and computer generated gimmicks a la Fast and Furios or Tom Cruise's quests on high octane, this won't work to well, but for someone who wants a well told story, this one will do and provide plenty. Not an excellent one but a good one for sure.
Você sabia?
- CuriosidadesDespite being an American, Robert Lorenz decided to keep the film as authentically Irish as possible, not only employing an all-Irish cast, but also employing an all-Irish crew.
- Erros de gravaçãoAt 6 minutes in, when Finbar and the Garda are discussing the broken sign, two wind turbines can be seen on a hill in the distance on the right-hand side of the screen. The 1st wind turbine in Northern Ireland wasn't until around 1995. The film is set in 1974.
- Citações
Finbar Murphy: There's more to me than this. I'd like people to see it.
- Trilhas sonorasIt's All in the Game
Performed by Tommy Edwards
Words & Music by Carl Sigman & Charles Dawes
(c) Music Sales Corporation, 1951 WC music Corp.
(c) Larry Spier Music LLC
With kind permission of Bosworth Music GmbH, Intersong Musikverlag GmbH and Downtown Music Services
(p) 1958 UMG Recordings, Inc.
With kind permission of Universal Music GmbH (Switzerland)
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- How long is In the Land of Saints and Sinners?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Idioma
- Também conhecido como
- En tierra de santos y pecadores
- Locações de filme
- Kilcar, County Donegal, Irlanda(Football match and street scenes)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 2.258.795
- Fim de semana de estreia nos EUA e Canadá
- US$ 1.034.132
- 31 de mar. de 2024
- Faturamento bruto mundial
- US$ 3.629.978
- Tempo de duração
- 1 h 46 min(106 min)
- Cor
- Mixagem de som
- Proporção
- 2,39:1
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