Kolai

"Kolai" stands tall as an exemplary thriller that masterfully weaves a web of suspense, intrigue, and sheer cinematic brilliance. This film is a gripping tour de force that immerses its audience in a world of mystery, leaving us on the edge of our seats and craving more with each passing scene.

From the very first frame, "Kolai" establishes its prowess in storytelling. The plot is a labyrinthine tapestry of twists and turns, skillfully unraveled to keep the viewer guessing until the very end. The screenplay's meticulous attention to detail and its ability to keep the audience engaged, even during quieter moments, showcase the exceptional writing that drives this thriller.

What truly sets "Kolai" apart is its directorial finesse. The pacing is artfully executed, allowing tension to build gradually before reaching its crescendo. The director's use of cinematography to enhance the storytelling is noteworthy; the play of shadows, camera angles, and visual symbolism all contribute to the film's immersive experience.

In conclusion, "Kolai" isn't just a movie; it's a triumph of storytelling, a symphony of suspense, and a testament to the power of cinema to transport and captivate. This thriller pushes the boundaries of the genre, leaving a lasting impression and redefining what it means to create an enthralling cinematic experience. If you're a fan of psychological suspense and intricate narratives, "Kolai" is an absolute must-watch that will leave you craving more even after the credits roll.

I didn't mentioned any particular scene or twist, people you should experience the journey of kolai.

Wishing you all the best, Director Balaji sir, and Vijay Antony sir! Looking for more movies in your combination.

Credits to director for bringing a Hollywood pattern to Kollywood, actor Vijay Antony essayed a neat role as a seasoned detective. High points in this film were music, visuals & art direction. Short runtime with Vijay Antony screen presence makes this movie an interesting one. Rest of the cast had less scope, but they depicted a decent job on screen. Too many songs in this intense story is the short coming. Need to trim songs in this mystery tale, so it adds engagement to the storyline. Newbie Siddartha & Meenakshii are seen in very good characters, also their characters are neatly written. On the whole, this murder mystery is a decent watch mainly for the rich visuals.

The director's over-confidence shows in the first frame itself,with unnecessary VFX shots spread all over the film spoils the mood of the flick which is not upto the standards... A mono musical track and it's bgm is the soul of the movie which is well -placed into the movie...!!!

Vijay Antony is a natural performer though just a grey hair change out in makeup and his personal melancholic mood sets out a drawback to the film... Rithika Singh is just a blunt presence and does nothing to justify the role.... Camera work and bgm saves the movie from a major disaster ... Overall a one-time passable flick to run out of ur time.

Why do movie makers use so much of CGI these days? I guess if they are making a Prime or Netflix movie they resort to CGI but this was just an overkill and even funny to watch at times. The production value is as worse than a TV serial which these days are made better than movies. For a Vijay Anthony movie this was a major disappointment. This is why Malayalam movies are on top of their game these days, they are as real as they get and the acting is professional and to the point. I wish movie makers focused more on quality than quantity. A very big let down by Vijay Antony. I'm sorry but can't give this movie more than 1.

Seriously! I am still in some bewilderment after watching this film. One burning question remains: what in the actual nonsense were all those amazing set pieces for?! Did someone just win a "most elaborate waste of resources" award?

Now, don't get me wrong, I actually liked "Vidiyum Munn" (2013). It still holds up as one of the genuinely good attempt from Tamil. So, when the buzz started building around this Peter director's "Kolai," especially with those intriguing trailers, my hopes flickered. It looked pretty promising! Then came the deluge of Peter director interviews, plastered across every channel, and my expectations plummeted. This guy was spouting mainstream cinema jargon and talking about timelines, I knew right then and there that the film was going to reek of artificiality, and boy, was I tragically correct. It was so mind-numbingly bland, such an unmitigated disaster, that the very style they were trying to push - the supposed driving force - turned out to be an unsurprising and utterly nauseating overdose.

I swear, the languid expectation of the trailers was replaced by disappointment. Okay, fine, the art direction and cinematography deserve a reluctant nod. There were indeed many fascinating sets, a visual feast for the eyes, I'll give them that. Otherwise, this film would have vanished from my memory faster.

In closing, the insultingly basic, plot is too basic and the treatment was so atrocious for an whodunit. Honestly, this whole convoluted mess could have been a decent 30-minute short film. My advice? Avoid this pretentious. Go spend your precious time and money on something worthwhile, like "Oppenheimer" or even "Hostel Hudugaru Bekagiddare" this weekend. Trust me on this one.