O Olho do Mal

I hadn't heard about this 2022 Mexican horror movie titled "Mal De Ojo" (aka "Evil Eye") prior to sitting down to watch it. All I knew about it was that it was a horror movie. And that was essentially also all I needed to give it a go.

Writers Junior Rosario, Edgar San Juan and Isaac Ezban put together a rather enjoyable script for the movie. Though I had figured out the plot about 40 minutes into the movie, and it actually panned out as I had predicted it to.

The storyline and narrative in "Mal De Ojo" was good and entertaining. It was a well-written story and concept, and it provided me with genuine entertainment.

I was by no means familiar with the cast ensemble in this movie as I have next to no experience with the Mexican cinema. But the actresses and actors in the movie put on good performances.

Visually then "Mal De Ojo" was quite good. I liked the special effects in the movie.

My rating of director Isaac Ezban's "Mal De Ojo" movie lands on a six out of ten stars.

Mal de Ojo (or Evil Eye for the English title) is a Mexican horror movie. It's actually a decent movie with some creepy moments. The horror scenes are well done and worth watching, gives the story a creepy ambiance. There are not much of those scenes though (or not enough in my opinion) and that's a pity because the make-up was well done. A bit more of those scenes would have benefited the story and rating of this movie. The acting was good and that from the entire cast, from kids to adults. The cinematography was also good, certainly for Mexican standards. It's worth a watch if you're into witchcraft and urban tales.

Mal de Ojo starts with an interesting premise if you are fans of folk horror. Sisters Nala and Luna are sent to her grandmother while their mother searches for alternative healing methods for Luna's strange sickness. But Nala suspects their grandmother might be an evil witch.

Now, for once, I need to be pick about the title: Evil Eye. I really did not notice any correlation between the title and the movie's story. I wonder what was the Director thinking.

Nala is a neglected teen. Her parents only have eyes for her dying sister - understandable, but Nala's flaw is exactly this: she wants attention, she is tired of being left aside. As the story progresses, we see minor themes like parenthood neglect and submission in place, but these themes don't have a toll on the story's arc. The arc is about the folklore surrounding witchcraft and the likelihood that their grandmother is a witch.

The character Nala is a bit off with current kids, I don't know. I even asked my 11-year-old: "would you be that naïve?" She denied. I tend to believe kids nowadays are not that stupid or gullible; Nala does look like a smart kid, but she keeps struggling to act for no apparent reason other then being submissive to Josefa's demands. I doubt someone so "I do my own" as she seemed to be wouldn't try something different faster. I guess only Stephen King knows how to truly depict children.

Some facts in the movie are obvious, but what keeps the movie strong is Paola Miguel's and Ofelia Medina's acting. Their on-going clash builds momentum as the story becomes darker, building their characters and leading us to the climax.

A climax that derails the movie a bit.

Up to this point, Mal de Ojo, whatever that means, is keeping us hooked enough for the ending revelation. The story does add a bit of exposition "just because", which detracts the entertaining factor. For example, the scope of the witchcraft's influences seems to affect more than just the grandmother's house, but the story explains nothing about this situation.

To wrap up the story, a twist leaves the overall arc too dark. The final scene keeps the story with folk roots, which dissatisfies the audience, as we'd expect a stronger arc ending for Nala.

Mal de Ojo doesn't stand out as one-of-a-kind, neither reinvents the wheel. This movie keeps to its folk-horror genre, delivering a promising story that builds itself strong, but the ending might throw some people off.

What I really liked was that the movie never gets boring. It is always suspenseful and you keep focussed. The movie has a good and suitable atmosphere.

Also the music is great. It is not dominant but still noticeable and always suitable to the corresponding scene.

The scaring effects where almost always predictable but still good and still scaring - at least in the cinema.

The story was good even if I expected most of the "plot twists".

I also liked the design of the creatures and other stuff.

Overall I would say it is a quite classic movie. Don't expect too much nee stuff or things you have never Seen.

We all know the story behind The Evil Eye. Actually, many stories- and in most countries those stories are taken quite seriously. Mexico is one. It's been said that just a strong glance can cast a spell on those most vulnerable- babies and small children- resulting in illness or even death. The Aztec and Mayan Cultures date this phenomenon back as early as 1300 BC. Even today, almost all countries have bracelets designed to either repel or absorb this "negative energy".

Now, take the truly original imagination of one of Mexico's most gifted young filmmakers- and you may have something really special.

This story revolves around a family of 4 - William & Rebecca, and their two young daughters- Nala (played by promising Paola Miguel) and Luna- who is ill. The movie begins with her hospitalization. She has organ failure and there is nothing more they can do. In desperation, Rebecca turns to her estranged mother- played brilliantly by Ofelia Medina. She has not seen her mother in years, and the family have never met her. Ezban creates immediate sustained tension between all 3 women. Parents go away for a few days, leaving both kids alone with Grandma and her Maid - Abigail. Right off the bat, Nala and Grandma are at each other's throats. Their angst grows while little Luna's life hangs in the balance.

One night, Abigail tells both kids a scary tale about Triplets. In the story, an evil Witch pays them a visit at night to suck a child's blood in order to steal their youth. One girl got so sick, that the other 2 sisters in the story sought help from a Sorcerer and struck a deal- She taught the girls how to make a "Baca"- a Caribbean mythical being who grants wishes but in turn- brings evil. The stage is set.

What fascinates me with Witchcraft are the details. For example, they remove their skin - when they fly- only to "reskin" themselves later, and Salt proves deadly. Ezban creates this horrifying creature with little to no CGI. This film is a battle to the end between Grandma and Nala until reaching its shocking, conclusion.

Shout out to the amazing Production Design by Adelle Achar- Her work was brilliant in "El Incidente" as well. Her imagination and attention to detail perfectly complements Ezban's unique vision. Solid 8/10.