Como Eu Terminei Este Verão

Two men man an isolated weather station in the Arctic circle. Sergei is older and experienced with a wife and son at home. Pavel is young and bored, resentful of Sergei's dominance yet dependent on it. Into this already tense environment comes the news that Sergei's wife and son were badly injured in an accident. Pavel receives the message while Sergei is out fishing. Because of the way things play out, Pavel doesn't deliver the message right away; as the opportune moment passes him by, it becomes harder and harder to tell Sergei even while the direness of his screw up becomes more and more obvious. Eventually, hostilities boil over and Pavel's paranoia reaches such a crescendo that he takes off into the wilderness on a self-imposed cat and mouse chase, convinced that Sergei wants to kill him.

It's almost ludicrous that something that really is at heart pretty banal (failing to deliver a message, even if that message is very serious) could trigger events that reach the conclusion they do (I won't spoil it, but the end to this movie is grim, folks). But the movie is so well made and acted that everything is entirely plausible, and it's easy to see how distrust can so easily grow when given the right conditions.

My understanding is that both actors won German film prizes for their work, and no wonder. Until the final scene, not another human being appears, and it falls to the two of them to hold our attention with nothing more than a stark if beautiful landscape to act against.

Well hold it they do.

Grade: A

As some reviewers have pointed out, the title of the film is irrelevant to the story being told. That's problem number one. The other problem I have is the story based on the interaction of two men from two generations is just not very credible. Why would Pavel choose to create all the problems for himself?

Apart from these faults, it is a watchable film. You are treated to some unusual Arctic landscape, and given a taste of what life would be like living in that part of the world, in total isolation from the rest of civilization and conducting repetitive tasks. Even in summer, that part of Arctic can still be harsh and dangerous. The acting by the two actors was pretty solid and camera work good.

So don't get me wrong. This film is still a good example of contemporary Russian cinema, cinema not based on sex, killings, CGI or a fat budget. The difference between the generations - one of duty and devotion to work, and the other less so and distracted by video games and loud music - was well explored. It just could have been a much better human drama if the storyline was more credible.

"Kak ya provyol etim letom" (Russian title contains intentional misspell-pin and should be read "How I Cheated (somebody) Last Summer", not just this school-like "How I Spent Last Summer", chosen for foreign version) is a Russian psychological drama about two meteorologists, the old, Sergei, and the young, Pavel, who get stuck on an isolated polar station for a regular season work and have to deal with each other ...and the information, that arrives from the "big earth".

Visually and stylistically film is flawless. Cinematography with it's slow-pacing, static long shots and scenic wild nature shots is adorable. Atmosphere, when time seems ticking slower and cold wind awaits for you from another side of the door, is on the good level too. And as a native-speaker, I can say that dialogue-lines are also pretty decent. Polar station as a place is just a cause for examination of human communication (so-called "chemistry") in isolated space. Subject deals with responsibility, instinct of self-preservation, influence of isolated space to human psychics and importance of experience. I don't want to spoil your first-time-watching, so I won't go into plot any further...

Can't name any similarities. Maybe the closest will be: "Breaking the Waves" meets "Gerry" and "Shutter Island" (no delusions here, similarity is geographical) along with Russian "Dikoe Pole" (2008) and maybe even "Kukushka" (2002). Plus some Michael Haneke's style (like from most recently - though black and white - "Das Weisse Band" with it's distant human behavior examination). In my opinion, "Kak ya provyol etim letom" is one of the best Russian movies of the decade (2000-2010) along with Alexei Balabanov's "Gruz 200", "Morfiy" and above-mentioned Alexander Rogozhkin's "Kukushka". And yes, it is way better than Zvyagintsev's pretentious force-fed Tarkovsky-styled issues "Vozvraschenie" & "Izgnanie".

Don't know how soon those of you who don't speak Russian will be available to watch this with subtitles or voice-over...

So, if you're often bored with 2-hour non-action movies - don't bother watching this. Try something more entertaining. But if you're into slow-paced minimalistic psychological dramas, give it a try. You'll be aesthetically rewarded.

8-8,5\10.

This film is a must watch for any film enthusiast.Shows the power of camera.The near perfect acting by all the cast(even if the number is just 2) makes this one a memorable experience.

A stunning drama on human emotions,relation and communication shot with breathtaking visuals. The plot is simple and the development happens in almost seamless manner through powerful visual story telling, dialogues and voice acting.You will struggle to find any other film which captures the stunning beauty of Arctic like this film does.

Another thing to note is the awesome use of sound in this film.Whether the radio, or nature or the sound of water or boat,the sound department has done more than what many expects out of it.

Except for sexual relations, almost all human character/emotions/expression can be seen in this film- fear, lies, friendship, boss, freedom, celebration, learning, longing, tension, enmity, guilt, grief, childish, lazy, discipline, compassion, forgiveness and much more. And to imagine all these have been achieved by just 2 characters alone is a majestic achievement in itself.

One of the best films of 2010.Truly original.

Having watched this movie on a flight I am going to steer clear of commenting on what appeared to be some amazing cinematography.

With a sparse cast and a sparse setting this films works hard on the subtleties and isolation of the main characters. The monotony, the boredom, the sense of duty and the age old story of the older experienced man and the younger upstart who doesn't appreciate the ways of old.

Grigoriy Dobrygin as Pasha is incredible in delivering the essence and fundamentals of the story. What makes this movie thrilling and scary at the same time is that, in such isolation, everything that could possibly scare you in such a situation is explored or alluded to so you never know what could happen because anything could happen. Within this context an important message is received Without spoiling the movie, one could say that we cannot control how people react to things anymore than we can control nature itself. And sometimes to try and prevent bad things happening can be the worst choice but it is always the human choice.

The script is extremely tight and though the dialogue is somewhat monosyllabic and sparse it all adds to the tension, (and makes it easier if you are not watching it in Russian and dislike subtitles) I cannot imagine how a movie as good as this could ever be made in Hollywood. Where, for example, someones expressions alone could take up 5 minutes of film and still have you on the edge of your seat. Even Hitchcock would have learned a lot from the art of suspense after watching this movie.