Simplesmente Acontece

As a fan of the original book "Where Rainbows End", I had been kind of disappointed when people told me that there are many differences between the novel and its adaption on the big screen. However, I changed my prejudice when I finally saw it myself. The movie is romantic, with beautiful-filmed scenes (I love the color throughout the whole movie), and moving. The music sounds good (gotta buy the soundtrack!) too. And I love Lily and Sam Claflin as Rosie and Alex, as you can really feel the chemistry between them from the very first minutes of the film. Perfect casting :) I don't care about how unreal the plot is. It just feels good watching a slice-of-life movie like this once in a while.

Based on the 2004 romance novel 'Where Rainbows End' written by Cecilia Ahern, Love, Rosie is about a story of two people who were best friends since they were young. They've known each other for so long and they're absolutely meant for each other, but could never have the courage to admit that they have strong feelings for each other. Furthermore, life is not always how we expect or want it to be, as various unforeseen circumstances or misunderstandings continuously keeps them apart from each other.

Love, Rosie have the same typical flaws that many romantic drama comedies have: several unavoidable clichés and contrivances, a predictable ending. However, as in all romantic comedies, it's the whole journey that truly matters. The film takes the audience through the ups and downs of their relationships and how it affects their friendship over the years. Things didn't happen the way you expected them to be on some occasions, which is rather surprising and refreshing at the same time. The film is filled with occasionally nice witty jokes and heartwarming moments, combine with charming, likable performances from the lead characters. The two leads have great chemistry on screen and it gives the believable feeling that they've known each other for years.

There's a real genuine, non-manipulative, non-domineering relationship between the leads as we witness several loving, selfless acts on both sides when tragedy strikes one of them. However, I have to admit that there's a rather unrealistic depiction about this "friendship" - men and women can't be close friends because the sex part always gets in the way (A famous quote from another romantic comedy film, When Harry Meets Sally...). In reality, it's virtually impossible that a beautiful, attractive young lady can be close friends with a strikingly handsome man without hardly any sexual tension at all, especially when both of them are heterosexuals and they've never think of each other as siblings either.

Overall, the film succeeds in finding the heart and soul for its characters for the audience to relate with, despite its shortcomings. It's a lovely, heartfelt film that doesn't disappoint and it's well worth a watch.

Rating: 7.5/10 http://yjcool.blogspot.com/2014/11/movie-review-love-rosie.html

Romance novelist Cecilia Ahern made a bit of a splash in chick-lit circles when her second novel, Where Rainbows End, was published in 2004. It was a tale of two people who were clearly perfect for each other but could never seem to find their way towards being in love, told in the form of e-mails, text messages and letters. The story itself was predictable, but the format was reasonably hip and refreshing at the time. Ten years later, the book has been turned into a slight but amiable romantic comedy for the silver screen. The film isn't particularly hip or refreshing, but boasts just enough charm and emotion to entertain - even if it isn't a film that will stay with you for long afterwards.

Rosie Dunne (Lily Collins) has been best friends with Alex Stewart (Sam Claflin) since they were kids. They've always meant the world to each other, but have never become more than friends. At their high-school prom, they ask other people to the dance. Alex moves to Boston to begin his studies in medicine, and Rosie must stay behind due to an unexpected pregnancy. Over the next several years, she raises a child on her own, and he gets married. Through all of life's changes and upheavals, they still pop up on each other's radar, connected via e-mails, text messages and a bond that one suspects can never really be broken.

That's pretty much it, really - the outcome of the film is never in doubt, however long it might take to get there. Indeed, one problem with Love, Rosie is that it does take a relatively long time to get to the point, even though it's tried to simplify Ahern's novel by merging characters and removing subplots. The longer it goes on, the harder it becomes to buy into the various situations, events and misunderstandings that conspire to keep Alex and Rosie apart - whether it's his marriage or hers, the rekindling of old relationships, or plain ol' geography. Their relationship is so heavily peppered with coincidences and mishaps that it could have made a decent dark melodrama about the dangerous effects of co- dependency.

And yet, for all its plot problems, Love, Rosie is a mostly charming affair. There's some real depth to the relationship between Rosie and Alex, one which transcends both friendship and romance in unexpectedly touching ways - whether it's her decision not to ruin his future by telling him about her pregnancy, or the comfort he selflessly gives her when she's struggling to stay afloat in the wake of a family tragedy. Thrown into the mix is the sweet chemistry shared by Collins and Claflin, who are both very cute and very committed to making their roles work. (Collins never feels or looks old enough to play the mother of a teenage girl, even one who had her kid as a teenager, but that's a minor quibble.)

Considering how predictable the story is, it's something of a minor miracle that Love, Rosie works at all. But it does, for the most part, whenever it manages to find the heart and humour of its characters and their almost painfully intertwined lives amidst its many narrative contrivances. It's not great art, or even one of the great romantic comedies, but it's a surprisingly decent diversion - one that should please Ahern's fans and perhaps win her a few new ones.

It was not bad. Some of the shots were either in weird lighting or slightly too close ups. The story line was good but honestly more scenes with Katie from both Alex and especially Rosie would have improved it. I mean for the most part she just pops up like of yeah she had a kid. Which to anyone with children or has cared for children knows that's not how life with kids is. Even being the godparent you're more involved than what the movie gave time for. The only interaction between Katie and Alex was towards the end of the movie which did do not make them feel close at all.

The acting was good, definitely no complaints with the casting. The location and set details were really good. The parallel between Rosie and Alex was a great visual aid in telling about their lives. The constant will they won't they was annoying but that's only because it's been overly done in ROM COMs. In this one however it was well done.

The near misses and all the cold feet moments felt true to life. Like that one moment everyone has experienced with they didn't just go for something they wanted. That was, in my opinion, the best part of this movie. I don't think I've ever seen a movie that captured those moments so damn well!

First of all i would not judge this film to strongly, since we're dealing with a sort of coming-of-age drama (although not being a real good excuse, right? producers..?).

When the drama starts of we land in a cliché high school, teenage drama with shy kissing and flat expositions of insecureness etc... The two protagonists are portrayed in their childhood. fair enough. but flat. really flat.

The initial moment of miscommunication between the two protagonists, which is supposed to serve as a foundation for the rest of the drama, is just one single moment of 'both-are-too-shy- to-speak-out-their-love'. It's just one moment, not very dramatic and way too thin to make them be insecure to each other for the rest of their twenties and thirties. From there they loose me...

Important moments, where drama could be cooking and ambivalent moments and intentions - which are the key element for drama - could be exposed, the writer just jumps over those moments and continues the story with only the consequences of that drama... and leaving me dissatisfied. It gives the film very irrational time-leaps. It's like me looking at my girlfriend saying: ...ehh...what just happened? Did i miss something? Contributing to this feeling is the horrible make-up. At some point the story takes a jump of 5 and guess what? Nobody changed. Literally. a few scenes further the make-up must have thought: 'shit, we forgot something!!' and suddenly, out of the blue, Collins has a few gray hairs behind the ears...

Altogether, this makes the flow of the movie slow and unbelievable. It makes the actors being mere puppets then initiators.

With that comes the very dissatisfying acting of Claflin and his love-affairs, as most of the other extra's. Collins stands alone and stands. She is, as far as i can judge, ready for a strong character drama. Promising lady!!