AVALIAÇÃO DA IMDb
6,4/10
4,2 mil
SUA AVALIAÇÃO
Sam, uma comediante de stand-up que luta contra o transtorno de estresse pós-traumático, pondera se deve ou não participar da busca por uma adolescente desaparecida da qual ela foi babá.Sam, uma comediante de stand-up que luta contra o transtorno de estresse pós-traumático, pondera se deve ou não participar da busca por uma adolescente desaparecida da qual ela foi babá.Sam, uma comediante de stand-up que luta contra o transtorno de estresse pós-traumático, pondera se deve ou não participar da busca por uma adolescente desaparecida da qual ela foi babá.
- Direção
- Roteirista
- Artistas
- Prêmios
- 8 indicações no total
Avaliações em destaque
I found the description of this movie to be deceptive. The story is about a former comedian where something happened that derailed her life.
The description says PSTD but what this trauma event is it not immediately revealed. The movie spends the three quarters of the time dancing around something having happened.
The dialog tries to be hip about teenage topics but it is mostly just cringe. No cap.
Much of the story is told as flash backs interweaved into the present so such it's never really clear when anything is occurring until several beats into a scene. I found this all irritating and bad story telling.
The movie eludes to what may have happened and while it's possible to guess, it's makes it all the worse that they don't just say it.
Everyone in the movie knows what happened but we are left out of being shared the details. Conversations about the event happen over and over to the point of becoming fraying, like an inside joke that no one will explain to you until you start to wonder if the pay off will be worth it.
It won't.
This fake tension is bad story telling. There is a missing child and the description creates a narrative that this is a big part of the movie but it's simply not. Our main character spends most of the movie unconcerned about the child's whereabouts. Its only purpose is to provide an ending to an otherwise meandering mess of a movie.
The description says PSTD but what this trauma event is it not immediately revealed. The movie spends the three quarters of the time dancing around something having happened.
The dialog tries to be hip about teenage topics but it is mostly just cringe. No cap.
Much of the story is told as flash backs interweaved into the present so such it's never really clear when anything is occurring until several beats into a scene. I found this all irritating and bad story telling.
The movie eludes to what may have happened and while it's possible to guess, it's makes it all the worse that they don't just say it.
Everyone in the movie knows what happened but we are left out of being shared the details. Conversations about the event happen over and over to the point of becoming fraying, like an inside joke that no one will explain to you until you start to wonder if the pay off will be worth it.
It won't.
This fake tension is bad story telling. There is a missing child and the description creates a narrative that this is a big part of the movie but it's simply not. Our main character spends most of the movie unconcerned about the child's whereabouts. Its only purpose is to provide an ending to an otherwise meandering mess of a movie.
Comedy is inherent in calling on personal experiences for a joke. Humor is a defense mechanism and a willing tool to break the ice and even recover. Comedy is healing and is used significantly in the film I Used To Be Funny. In a somewhat dark comedy set against the backdrop of the #MeToo era, the film stars Rachel Sennott as a struggling comic battling PTSD who takes part in a search for a missing girl she used to nanny. The film tackles heavy subject matter with airy deftness, and what ties it together is Sennott's arresting performance. In an edgy and humorous film, I Used To Be Funny takes center stage as one of the year's best.
Full review @ Geek Vibes Network.
Full review @ Geek Vibes Network.
IUTBF is a tough movie to love. I guess you would have to live in the disillusioned LA Gen Z bubble to understand any of the characters or their motivations. Cinema is best defined as an empathy creating machine but this movie made me feel nothing.
The issue is mostly the awkward, stilted conversations in the screenplay. The opaque plot doesn't help. The flashback scenes provide some drama but also make the whole film seem like a Greek tragedy.
The direction is actually fairly effective, the acting, however, is not. Some of the characters will be grating to a 'normal' audience. Hence the need for the bubble.
I never thought that a movie about a stand up comic could be so laugh free.
The issue is mostly the awkward, stilted conversations in the screenplay. The opaque plot doesn't help. The flashback scenes provide some drama but also make the whole film seem like a Greek tragedy.
The direction is actually fairly effective, the acting, however, is not. Some of the characters will be grating to a 'normal' audience. Hence the need for the bubble.
I never thought that a movie about a stand up comic could be so laugh free.
"I Used to Be Funny" is a captivating Canadian film that masterfully weaves together raw, heartbreaking moments with a surprising touch of humor. Rachel Sennott's performance shines yet again, reaffirming my unwavering admiration for her talent. As both the lead and a true force on screen, Sennott's portrayal effortlessly captures the complexities of the character's journey.
Ally Pankiw's directorial debut is stellar, showcasing a deep understanding of the human experience. While not flawless, the film's imperfections only add to its authenticity. Pankiw's skillful storytelling draws viewers into the protagonist's world, offering an accurate depiction of life with PTSD. The film's ability to blend these elements in a way that's both poignant and relatable makes it a must-see for anyone seeking a moving cinematic experience.
Ally Pankiw's directorial debut is stellar, showcasing a deep understanding of the human experience. While not flawless, the film's imperfections only add to its authenticity. Pankiw's skillful storytelling draws viewers into the protagonist's world, offering an accurate depiction of life with PTSD. The film's ability to blend these elements in a way that's both poignant and relatable makes it a must-see for anyone seeking a moving cinematic experience.
Powerful message and subject in this movie but the journey its a little tiresome, there is no real history here, its a basic movie, the protagonist is amazing but the rest of the cast are not very good in this, they are rookies I guess, they are not the best actors in here tbh, the way the story is told is kinda of make no sense just like this review, it's convoluted and not easy to follow but maybe im slow i don't know, the protagonist is a very funny stand up comedy artist and she is fighting some demons in this movie, and that's a very interesting thing to follow but the way its told through flashbacks it wasn't really neccesary, its hard to understand ok guys.
Você sabia?
- CuriosidadesDirector Ally Pankiw was dating Muna member Naomi McPherson during the production of the film, but have since broken up. Naomi is still second to the top of special thanks during credits, and two Muna songs feature during the film.
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- How long is I Used to Be Funny?Fornecido pela Alexa
Detalhes
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 171.756
- Fim de semana de estreia nos EUA e Canadá
- US$ 29.499
- 9 de jun. de 2024
- Faturamento bruto mundial
- US$ 171.756
- Tempo de duração1 hora 45 minutos
- Cor
- Proporção
- 2.00 : 1
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