Stay the Night
- 2022
- 1 h 29 min
AVALIAÇÃO DA IMDb
6,7/10
1,2 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaA failed work opportunity prompts chronically single Grace to pursue a one night stand with a stranger. Turns out he's an on-the-outs professional athlete in town with a problem of his own. ... Ler tudoA failed work opportunity prompts chronically single Grace to pursue a one night stand with a stranger. Turns out he's an on-the-outs professional athlete in town with a problem of his own. Maybe they can help each other.A failed work opportunity prompts chronically single Grace to pursue a one night stand with a stranger. Turns out he's an on-the-outs professional athlete in town with a problem of his own. Maybe they can help each other.
- Direção
- Roteirista
- Artistas
- Prêmios
- 3 indicações no total
Derick Agyemang
- Tom
- (não creditado)
Joey Coleman
- Chris
- (não creditado)
Avaliações em destaque
A story of two people whose paths cross after each has had a life-changing day. They "meet cute" and spend a memorable, adventuresome night on the town (Toronto) helping each other get perspective. Seems like a setup and there's undeniable chemistry, but Stay the Night doesn't follow the path you might expect. Highly recommended!
I saw this movie via the SXSW Film Festival online, and it might have been even more interesting to see it with an audience.
I saw this movie via the SXSW Film Festival online, and it might have been even more interesting to see it with an audience.
Stay the Night," in many respects, could have fallen into the trap of indie cliches, yet it steadfastly avoids this, a testament to Renuka Jeyapalan's clear vision and competent helm as both writer and director.
Technically, the film is a standout. Conor Fisher's cinematography is not merely a vehicle for narrative but a storytelling force in itself, encapsulating the biting allure of a winter cityscape with precision. This visual storytelling is complemented by an auditory landscape that is both immersive and enhancing, a collaborative success of the sound team and musical contributions from The Wilders.
In its genre - the urban nocturnal romance - "Stay the Night" excels. It's a stripped-down, almost minimalist approach to storytelling that resonates precisely because of its simplicity and authenticity. The chemistry between the leads is palpable, bringing a genuine sense of connection that transcends the screen.
The pacing is deliberate, echoing the real-time experience of a night's wander through the city. Jeyapalan avoids rushing the narrative, allowing the audience to inhabit each scene fully, much like the characters inhabit their urban environment. There's an intentional avoidance of melodrama, which in turn grounds the film in a reality that feels both relatable and intimate.
What is particularly striking is how the film communicates the essence of its setting. The cold isn't just a backdrop; it shapes the narrative, influencing the characters' interactions and the film's tone. This atmospheric use of setting is something often attempted but rarely achieved with such efficacy.
For those contemplating whether 'Stay the Night' is worthy of their time, I argue that it is a necessary watch for those interested in the current landscape of independent film. It's a quiet yet powerful reminder of how less can indeed be more, and how the nuances of human connection can be deeply felt through the cinematic lens.
Technically, the film is a standout. Conor Fisher's cinematography is not merely a vehicle for narrative but a storytelling force in itself, encapsulating the biting allure of a winter cityscape with precision. This visual storytelling is complemented by an auditory landscape that is both immersive and enhancing, a collaborative success of the sound team and musical contributions from The Wilders.
In its genre - the urban nocturnal romance - "Stay the Night" excels. It's a stripped-down, almost minimalist approach to storytelling that resonates precisely because of its simplicity and authenticity. The chemistry between the leads is palpable, bringing a genuine sense of connection that transcends the screen.
The pacing is deliberate, echoing the real-time experience of a night's wander through the city. Jeyapalan avoids rushing the narrative, allowing the audience to inhabit each scene fully, much like the characters inhabit their urban environment. There's an intentional avoidance of melodrama, which in turn grounds the film in a reality that feels both relatable and intimate.
What is particularly striking is how the film communicates the essence of its setting. The cold isn't just a backdrop; it shapes the narrative, influencing the characters' interactions and the film's tone. This atmospheric use of setting is something often attempted but rarely achieved with such efficacy.
For those contemplating whether 'Stay the Night' is worthy of their time, I argue that it is a necessary watch for those interested in the current landscape of independent film. It's a quiet yet powerful reminder of how less can indeed be more, and how the nuances of human connection can be deeply felt through the cinematic lens.
This is my first review ever and I'm dedicating it to Stay The Night hoping it will add some boost to this cute Canadian film. I stumbled upon it on Crave while flipping channels. I'm glad I'm one of the few who still has cable because I don't think I would have found it otherwise lol. I just couldn't stop watching and am now low key obsessed with it!
It's a film about 2 "damaged" people (aren't we all?) who met at the lowest points in their lives. It was definitely kismet since they were people who probably would never have met otherwise. The actors did a phenomenal job with the roles. Everything just felt real - from the conversations to the progression of the relationship. The actions/reactions were relatable. The chemistry between Grace & Carter was palpable. The actors, Andrea & Joe, became the characters they were portraying.
Of course the director/writer, Reynuka Jeyapalan, is the main reason this movie is great. The story wasn't complicated yet meaningful. The script had a natural flow. As a Torontonian, I knew right away that it was set in the city and I loved trying to figure out the locations. She highlighted all the things I love about Toronto - the diverse people, unpretentious places, and deep love for hockey (well not me but my husband is a die hard fan of the sport).
I haven't felt this way about a movie in a while. I highly recommend! Critics compare it to Before Sunrise but I actually enjoyed this way more since the characters felt more relatable to me. Yes, it's a romantic movie but it's also just about connecting with another person and taking that leap.
It's a film about 2 "damaged" people (aren't we all?) who met at the lowest points in their lives. It was definitely kismet since they were people who probably would never have met otherwise. The actors did a phenomenal job with the roles. Everything just felt real - from the conversations to the progression of the relationship. The actions/reactions were relatable. The chemistry between Grace & Carter was palpable. The actors, Andrea & Joe, became the characters they were portraying.
Of course the director/writer, Reynuka Jeyapalan, is the main reason this movie is great. The story wasn't complicated yet meaningful. The script had a natural flow. As a Torontonian, I knew right away that it was set in the city and I loved trying to figure out the locations. She highlighted all the things I love about Toronto - the diverse people, unpretentious places, and deep love for hockey (well not me but my husband is a die hard fan of the sport).
I haven't felt this way about a movie in a while. I highly recommend! Critics compare it to Before Sunrise but I actually enjoyed this way more since the characters felt more relatable to me. Yes, it's a romantic movie but it's also just about connecting with another person and taking that leap.
I saw a clip from this movie on tiktok actually and it reminded me a lot of Before Sunrise!! So i thought i'd give it a shot and i really liked it the music choices were great really captured the mood of the movie and chemistry was well it's out there you have to be blind to not see it. And you can clearly see their development throughout the movie step by step not rushed. Clips of Toronto running behind as the two just walk and talk👌🏻.
The ending was unexpected but probably should've guessed because it's not a regular romance movie you see everyday but a part of me wished it to be. Though if they wanted to make a sequel it would be great!!
The ending was unexpected but probably should've guessed because it's not a regular romance movie you see everyday but a part of me wished it to be. Though if they wanted to make a sequel it would be great!!
... as many romantic-dramas there are every year... few are this good any one year... it really comes unexpectedly, unfolding in a manner very true to the genre, yet in a way seeming fresh and unique... also reminding of another romance-drama from 2015 of an Asian girl and a western guy titled 'Already Tomorrow in Hong Kong' (both Andrea Bung and Jamie Chung being born to Korean immigrant parents)... search and watch, it is another very good romdram
... there's an exceptionally good review of STN from Sarah Manvel at Critic's Notebook hitting all major points of the movie... a good honest well-written-review, centering on the film-story not that of the reviewer's writing as many times happens.. "Their conversation in the bar, where Grace explains herself and Carter listens closely instead of making it all about him, is a charming masterclass in character development and interpersonal chemistry. Turns out Carter and Grace are equally intelligent and curious about the world, which is completely unexpected to both of them. That means the script's maneuvers to keep them out of bed but still together don't feel forced."
... as said in the beginning there are many romance films, most all just watched once and never again... this is not the case with this wonderful-little Canadian film.. it will go in-the-library for future viewings.
... there's an exceptionally good review of STN from Sarah Manvel at Critic's Notebook hitting all major points of the movie... a good honest well-written-review, centering on the film-story not that of the reviewer's writing as many times happens.. "Their conversation in the bar, where Grace explains herself and Carter listens closely instead of making it all about him, is a charming masterclass in character development and interpersonal chemistry. Turns out Carter and Grace are equally intelligent and curious about the world, which is completely unexpected to both of them. That means the script's maneuvers to keep them out of bed but still together don't feel forced."
... as said in the beginning there are many romance films, most all just watched once and never again... this is not the case with this wonderful-little Canadian film.. it will go in-the-library for future viewings.
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- Tempo de duração1 hora 29 minutos
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