Sugar

It seems like some people here should expose themselves to classic noir films and books this series finds its inspiration in. Folks criticizing the internal dialogue, that's a time-honored device of the genre as is, a slow burn pace and flashbacks. Maybe people these days are too accustomed to explosions and car chases to appreciate a little mystery. Read some Raymond Chandler, Dashiell Hammett or watch a Robert Mitchum or Humphrey Bogart movie in the genre. Farrell is definitely well cast and the cinematography is sumptuous. I'm excited to see where this series takes us. We were glued to the screen and can't wait for me.

"Sugar" is a commendable series that skillfully incorporates elements of classic hardboiled detective stories into a contemporary setting. The show strikes a balance between paying homage to the genre's traditions and adapting them for today's audience.

The lead character, reminiscent of the archetypal private eye, brings a certain charm and authenticity to the role, making the series engaging for both aficionados of the genre and new viewers. The dialogue is sharp, and the plot is well-crafted, with enough twists to maintain interest without being overly complex.

The modern take on the genre is evident in the show's approach to character diversity and social issues, which adds depth and relevance to the narrative. The visual style nods to the noir roots while maintaining a current aesthetic that suits the show's tone.

Overall, "Sugar" is a solid series that offers a fresh take on the detective genre, and it's worth watching for its clever writing, strong performances, and thoughtful update of classic tropes.

I admit I have a soft spot for private detective drama's whatever the time frame and this looks to be a good one. The genre relies on a strong male lead with some kind of vulnerability and Colin Farrell as Sugar completely embodies the requirement. All the cool you expect from the genre is on display, the car, the suits, the neon, every box ticked. The plot conforms to all the requirements, wealthy man hires private eye to find granddaughter, money is no object, all is not as it seems, dark secrets, etc. The directorial style and cinematography really lift this piece and the referencing to classic noir enhances the look. We're only two episodes in so it could go badly off the rails but as I say, if the reviewer at The Guardian hates it then it is going to be good.

Interesting to see Colin Farrell so slimmed down. He looks and acts like a 1940s private eye. He really portrays the character like he was born for this role. His accent is perfect, even when speaking Arabic, French Spanish, Japanese or Swahili.

The story is good right from the start and never gets predictable. I like the black and white scenes, the spliced in scenes from old movies, the realistic characters, the quirky story line that keeps you on your toes. The photography is interesting for a TV show. Adam Arkin does a great job directing. Only three episodes in and I'm hooked. One of the best shows on TV today.

This show caught me totally by surprise. I am not typically overly impressed by pseudo-noir style shows, but I'm hooked. Only reason it's not a 9 or 10 is due to the cliffhanger-esque ending of episode 6 without 7 being immediately available. :p

The acting is superb, casting is perfect, and I'm eager to see exactly wth is going on. I'm usually very good at seeing things coming in shows/movies (to the point where during certain films *coughNun2cough* I am legit saying what's going to happen before it does), and several times already I've had to "wait, what?" and back up a few scenes.

Really interested to see where this show goes. Don't eff it up, Apple.