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7,4/10
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A notável história de seis décadas de música de James Bond, indo por trás das lentes em uma das maiores franquias de filmes e do icônico tema musical de 007.A notável história de seis décadas de música de James Bond, indo por trás das lentes em uma das maiores franquias de filmes e do icônico tema musical de 007.A notável história de seis décadas de música de James Bond, indo por trás das lentes em uma das maiores franquias de filmes e do icônico tema musical de 007.
- Indicado para 1 Primetime Emmy
- 1 vitória e 1 indicação no total
Amy Winehouse
- Self
- (cenas de arquivo)
Avaliações em destaque
It's a nice summary of the history of the music in the James Bond films. Surprisingly, they left out the John Barry instrumental theme to On Her Majesty's Secret Service. I always found that to be a compelling piece of music.
To me, that intro was much better than the James Bond theme used through the films of the franchise. It was used throughout the action segments of the film and aligned so well with the character. You'll know it when you hear it.
Otherwise, this is a nice walk through the films of the franchise and touch upon almost all of the instantly recognizable musical pieces and motifs of the series.
To me, that intro was much better than the James Bond theme used through the films of the franchise. It was used throughout the action segments of the film and aligned so well with the character. You'll know it when you hear it.
Otherwise, this is a nice walk through the films of the franchise and touch upon almost all of the instantly recognizable musical pieces and motifs of the series.
This is an interesting watch as it tells you much of the inside story of the music of James Bond, but I am disappointed that the two songs of the franchise that have stayed with me the most are hardly mentioned.
1: "Tomorrow never dies" by Sheryl Crow. Being the wife/girlfriend of a government assassin would not be a comfortable place to be, and nothing captures the pathos of this situation more than this song. So it would relate to the plight of the Teri Hatcher character, and does so eloquently.
2: "You know my name" by Chris Cornell. Unmistakably Bond, but, also unmistakably new, like the film itself. Sets up the first appearance of Daniel Craig very nicely.
1: "Tomorrow never dies" by Sheryl Crow. Being the wife/girlfriend of a government assassin would not be a comfortable place to be, and nothing captures the pathos of this situation more than this song. So it would relate to the plight of the Teri Hatcher character, and does so eloquently.
2: "You know my name" by Chris Cornell. Unmistakably Bond, but, also unmistakably new, like the film itself. Sets up the first appearance of Daniel Craig very nicely.
This was a great way to commemorate 60 years of Bond. Besides mostly being about the music, it really ties the plot and deeper meaning of the Bond films. Really thoughtful. For better or for worse, but it was interesting that they would talk about one movie's music, than immediately jump back to No Time To Die. It felt like they were just covering the movies they had the cast from and just skipping over some pretty big parts if they didn't have the singer of the song. However, it told the story of Bond in a more poetic. I just feel like they just waved the cast in your face and you are like "ya, I get it".
This and it's accompanying 007 Live at what I think was the Albert Hall have just appeared this weekend on Amazon Prime. The documentary is good however there's a bit too much Billie Eilish for my liking. Why she has so much screen time is beyond me, unless it's to try and appeal to the young. The focus tends to be on the themes of the Bond movies, less so on the scores which I would argue is more important. There is probably more time spent on the newer Bond movies as well which I wasn't keen on. It was interesting that LTJ Bukem appeared as he was one of the dance music artists involved with a remix project, which was never even mentioned. There are a few surprises straight out if the mouths of some of the biggest names associated with the franchise in terms of artist choice for theme songs etc. There are even sizable contributions from artist I either didn't know did a Bond song or had completely forgotten about. Jack White anybody? I certainly didn't know Lulu was ever involved. It's certainly worth watching and isn't too trainspotter-ish in terms of the musical discussions.
There is an accompanying live concert which was shot I believe on the 4th of October with a mix of new and older artists. Also on Prime. The newcomers struggled with the songs, Celeste who appears in the documentary seems to sing out of key while Paloma Faith sounds like she's doing a bad Tina Turner impression for karaoke. Also no Adele in this show. After watching the documentary you will likely find yourself clicking on the link for the live show, not a bad way to round off the evening but you won't miss much if you give the concert a miss.
There is an accompanying live concert which was shot I believe on the 4th of October with a mix of new and older artists. Also on Prime. The newcomers struggled with the songs, Celeste who appears in the documentary seems to sing out of key while Paloma Faith sounds like she's doing a bad Tina Turner impression for karaoke. Also no Adele in this show. After watching the documentary you will likely find yourself clicking on the link for the live show, not a bad way to round off the evening but you won't miss much if you give the concert a miss.
John Barry wrote the most iconic music score in film history. Film and music have had an important integration that predates "talkies" when the only sound that came out were the musical scores played to fill the silence. Music sets the tone of films and amplifies the emotion of the scene, and has done so forever in movies. Try watching a film where the music score is eliminated and the difference is often startling.
No score is more identifiable than that composed and orchestrated by John Barry, who penned the immediately identifiable James Bond 007 theme. All one has to hear are the first handful of bass string electric guitar notes played to recognize it's the James Bond 007 movie theme. No other song is more connected to film.
'The Sound of 007" is the story behind how it all happened, and the amazing journey of artists and other composers, songs and performances involved over 60 YEARS!
Truly a worthwhile film to see, this is by a wide margin the best documentary on the subject, and a must-see for everyone interested in film and music arts.
👍👍
No score is more identifiable than that composed and orchestrated by John Barry, who penned the immediately identifiable James Bond 007 theme. All one has to hear are the first handful of bass string electric guitar notes played to recognize it's the James Bond 007 movie theme. No other song is more connected to film.
'The Sound of 007" is the story behind how it all happened, and the amazing journey of artists and other composers, songs and performances involved over 60 YEARS!
Truly a worthwhile film to see, this is by a wide margin the best documentary on the subject, and a must-see for everyone interested in film and music arts.
👍👍
Você sabia?
- CuriosidadesFor whatever reasons, the contributions of Bill Conti (007 - Somente para Seus Olhos (1981)), Michael Kamen (007 - Permissão para Matar (1989)), Éric Serra (007 Contra GoldenEye (1995)) and Sheryl Crow (007 - O Amanhã Nunca Morre (1997)) are ignored.
- Erros de gravaçãoAt the beginning of the film, the audio description track states, "Black-and-white footage shows Billie Eilish in a recording studio." However, the footage is in color.
- ConexõesReferenced in The Sound of 007: Live from the Royal Albert Hall (2022)
- Trilhas sonorasNo Time to Die
Music by Finneas O'Connell
Lyrics by Billie Eilish
Performed by Billie Eilish
Courtesy of Interscope Records
Under license from Universal Music Operations Ltd.
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- How long is The Sound of 007?Fornecido pela Alexa
Detalhes
- Tempo de duração1 hora 28 minutos
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