A Incrível História de Adaline

This is a standard love story drama. It could have been so much more, but the actors could only take what they're given so far.

The writers/etc could have turned the age element of the movie into something truly unique, and explored the interesting angles it offers (is it possible to have many 'true loves'? How would a wizened woman of many years express herself whilst encased in the body of a late twenties young woman? How would she act in critical situations which faze less experienced people? How would she keep up with the times? What jobs or knowledge would she focus on? How would she nurture the legacy she leaves behind in the form of her sons and daughters?).

Instead, the movie went for the superficial, flimsy, easy options (examples: she's great at navigating traffic because she's had decades to learn the city's shortcuts, she wears a lot of old-cut clothing), and turned the main protagonist into a ditsy ditherer at key moments that needed a more delicate and refined touch (her attitude when being chatted up at parties, her car breaking down, meeting her lover's family for the first time). Even the jobs she has and the skills she's acquired are just sort of padding and not really explored despite being a key choice she's made.

Basically, the whole movie focuses on the love story between this protagonist and her new boyfriend despite already having a potentially very interesting female lead character that could have been developed so much more elegantly; a new boyfriend might be a part of that, that makes sense... but it took up far too much of the film's focus when there were other topics that needed some development too. It felt like a feast of potentially interesting avenues were hinted at in the writing, and yet the main route taken was the typical stereotype love story. Why bother kicking off the story with such an interesting twist if it just becomes part of the backdrop and doesn't influence the characters' behaviour?

That leads me onto a final point which made me increasingly uncomfortable when watching the film – the way the male lead character pressures and pushes the lead protagonist into going out with him is a bit unnerving. He publicly pressures her into having a photo taken in front of her colleagues when she's clearly unsettled by it, and then offers her a way out: go on a date with him. Hm. They part ways. Then later on he finds out her address (via her workplace?!) which she wanted to keep private, and just pops up to stalk her a bit more. The first half of their dynamic is her pushing him away, placating him, etc. and him being far too full on – it's not romantic, it's really creepy to see, and it's another point where I think a woman of over 100 wouldn't behave in the "no doesn't really mean no" ditsy schoolgirl manner, which quite frankly was a bit weird. It made me uncomfortable watching it when supposedly the movie's main intention was to make me think this new relationship was "cute". It wasn't. It was just stalker-ish!

If you can have Harrison Ford in your movie and you just introduce him almost an hour into the movie and it still works: You know you have a winner. Generally speaking the actors involved are phenomenal. It's a joy to watch them. Even if some situations seem a bit sugar coated (not too much though) and there is the occasional cliché in it, the science fiction element of it, still makes this very interesting.

You have a lot of things that are being "told" by looks. Which again is a big part of the acting talent at hand. You may be able to see where this is going (a few indicators early on, but even without them), but it's still a fun ride to have

I have been looking forward to this film because of the story line. There are so many things to like about it - the flashbacks are well done and so believable. The costumes are so fun to watch. I do not think I have seen Blake Lively act before and I was clearly entranced by her performance. She carries the film so well and is so quiet and well done. I liked the actors - Michaeil Haisman is gorgeous and believable. Harrison Ford - so happy to see him in a movie again - and he is also believable as the father of Ellis. Elen Burnstyn is delightful. This story could have been presented in such a different manner - director Lee Toland Kreiger got it, and it is beautiful story-telling. I love the last scene.

As I'm the romantic type, it would be hard for me to keep being objective. I will also avoid peeling some onions to not make this any harder.

Of course it's not the first time a movie is focused on the forever young theme. It's actually becoming redundant and to be frank not always beautifully used as it should be.

But Adaline is a good exception and this beautiful story will let you shed some tears and give you a warm feeling that life has many beautiful things to offer so we have to enjoy every opportunity given to our eyes. Of course it's not as powerful as Titanic or Gone with the Wind but it is without a doubt one of the best movies I've seen this year.

The main reason is probably Blake Lively. She is illuminating in this movie and we could feel that she owns Adaline throughout the story. She's always in the right tone, the right emotion and she transported me throughout the movie. The rest of the cast is doing great too especially Harrison Ford who I was surprised to see in that kind of movie. This is proving me how great and talented this actor is. He gave to this old man haunted by his past a real deal of emotions.

So here it is. Now let me empty that brand new tissue box next to me and wish you a nice ride in Adaline Land.

Lee Toland Kriger's The Age of Adaline is a superb romantic thanks to its lead duo. Blake Lively is Adaline, the fair immortal who hasn't aged for several decades due to a severe car crash. She goes from relationship to relationship, from town to town, never settling down. A risky chance comes in the form of Ellis (Huisman), a stylish man whose intellect almost matches Adaline's own. Their encounters are warm, humorous and touching. Great support comes from Harrison Ford and Kathy Baker as Ellis' parents. Nudges of surrealism make TAoA vary from the usual romantic stories. Its voice-over, telling Adaline's 'miraculous' tale, is its only downfall. The unknown storyteller attempts to justify Adaline's conditions, but it comes across as a magnificent coincidence instead.