Sala de Espionagem

A full six months after announcing his retirement the final movie of Bruce Willis career is released. Like most of his dozen or so low budget movies released post pandemic this is another very disappointing effort. Like most of the others you have Willis as the big name to draw in audiences with another known actor playing the lead role. Throw in a poorly written script and neither Bruce or Kevin Dillon have much to work with but even then both look very old for these roles and their delivery is tired and almost comically bad. I actually think Kevin is trying to deliver some comic relief because he knows how bad the plot and script are.

Anyway the plot, Kevin is a new agent in a wire room - I must admit I has never heard of this until this movie. He's listening in to taped recordings amd largely just sat around bored in a room alone until he realises someone is about to be killed and he needs to decide whether to break strict protocols to save them. The story then unravels with corruption and betrayal which is all quite predictable.

It's such a shame to have seen Bruce go out like this rather than with one of the semi watchable low budget movies that have come out recently.

While on wire room duty, a federal agent helps out the target he's monitoring when they are attacked.

Director Matt Eskandari offers a bland, flawed fizzled-out film littered with continuity errors and editing issues.

Thankfully reliable Kevin Dillon breathes life into Brandon Stiefer screenplay, along with Rhyan D'Errico's music. Bruce Willis does his hardest to lift the stilted low budget offering above the likes of Anna Nicole Smiths' Die Hard rip off Skyscraper (1996).

What could have been in the vein of The Phone Booth, Enemy of the State, Rear Window is so hack-handled and budget tied that it offers nothing of merit aside from CGI blood, smoke and gunshots.

Sadly, only worth viewing for Dillion and Willis.

As I sat down to watch the 2022 action thriller "Wire Room", I must admit that I wasn't really expecting this movie to be a particular blast of a movie. Why? Well, given the recent years string of direct-to-video releases from Bruce Willis, then I didn't keep any hopes up.

However, I still opted to watch what writer Brandon Stiefer and director Matt Eskandari had to offer, on the account of "Wire Room" being a movie that I hadn't already seen. And with "Wire Room" also being the last movie to be made by Bruce Willis, of course there was an interest to see what manner of style he would wrap up his career with.

The storyline in "Wire Room", as written by Brandon Stiefer, was actually adequate enough. I mean, it wasn't the most exciting of action thrillers, but it was adequate enough for a single viewing. The storyline was pretty straight forward, if not actually generic, actually.

The acting in "Wire Room" was adequate, and especially Oliver Trevena (playing Eddie Flynn) stole the attention on the screen with his performance.

All in all, then "Wire Room" was an adequate enough movie, though you shouldn't be expecting anything over-the-top or grand here. A sort of bland farewell to acting from Bruce Willis.

My rating of "Wire Room" lands on a five out of ten stars.

The script is so bad, Bruce doesn't even bother to get off the couch for his scenes. He just reads his lines, collects his check, and walks away in shame.

This entire movie was filmed in a single afternoon, and they didn't even need a wardrobe...everyone just showed up in whatever they were already wearing. They even used a back-alley vagrant to play the part of the villian.

The crux of the story revolves around a swiveling office chair. They spent weeks trying to find the perfect fit for Mr. Dillon's behind. Kevin is still waiting for his entourage to show up and save him from this atrocity.

I've seen better writing and directing from a fifth grade drama class. There were more holes in the writing than a wheel of Swiss cheese, and just as much nonsense dialogue. The same lame ariel buildings shot was used over and over, the shotgun shells were in a box of Co2 cartridges, and all these bad guys can't find one guy yelling an screaming in a small house... just some of the lazy writing and sloppy directing on display in this mess. I actually feel bad for Dillon and Willis taking these roles produced by the "another failed production" duo Emmett and Furla, who must need one huge heck of a tax write-off or involved in a pyramid scheme to get funding for all their flop productions. It's a generous 2/10 from me.