Intocáveis

wow, what a wonderful movie!! full of love, friendship and laughs. just like i always said, when a french movie is good, it's not just good, it's great! and this movie simply explains it. no wonder this movie would have won some international awards, it really deserved it. with these two great actors of two generation, the performances of both is just a perfect casting job. this is an absolutely feeling-good movie, warm up your heart without any intention. in this movie, you will see how it's like day and night that the extreme poverty of the immigrant families and the extreme prosperity of the french rich people. by contrast, this movie used it to prove that oil and water could have mixed together and evolved into a very heartfelt social structure.

i enjoyed it 100%.

It has been 9 weeks now since Intoucblaes has come to the movie theaters. I did not give it much thought at first, but the universal acclaim I have heard convinced me to go see it. I don't over-stating the universality of the acclaim, people of various races, classes, colors & countries told me it was a must see. I had no expectations, and I was floored.

Intouchables, directed by Eric Toledano and Olivier Nakache, starring Francois Cluzet and Omar Sy is possibly the best French movie of the year. This is not because of a lack of worthy contenders, but truly because Intouchables is that profound. It touches on themes of presumptions, social class difference, health, and as naïve as it may sound, the universality of humanity.

The story is not as important as is the relationship that is displayed between the two protagonists. Philippe (played by Cluzet) a rich aristocrat that loves adrenaline rushes finds himself a paraplegic after a paragliding incident. Driss (played by Sy) is, in appearance a typical hoodlum from the ghetto. The two are brought together and wonders happen.

The audience then sees how the men affect one another as they engage in a truly honest relationship. Driss is charismatic, lighthearted and funny, helping make Philippe's life enjoyable again. In the process the traditionally cold French aristocracy around Philippe warms up and lightens. He is like a hot knife through cold butter.

Again, it is not so much the story that is important as is the social commentary. The commentary is not judgmental and is very subtle, revealed only in the contrasts the director chose in the story and its contexts. His method reminded me of a sort of Zen approach to comedy. One example you can catch from the trailer alone is the contrast between the able bodied black Driss and t the crippled white man, etc.

The audience is also given wonderful sights of Paris and France as we go through the Pyrenees, Cabourg and the various streets of Paris.

On paper the review does not make the movie justice. It is hilarious in a way that is true, honest and by which anyone can relate to. Most importantly it is revealing and comforting in its reminder of the essential in life : love. It's approach is simple, pure and honest and that makes it worthy of the title of "best movie of the year".

I cannot say more; the film must be experienced. My friends tried, they failed, so I trusted them and I saw it. It floored me. Go and be floored.

PS - I heard American studios have purchased the rights for the film. They will need a brilliant director, screenwriters and perfect actors to make the original justice in the way "The Departed" did for "Infernal Affairs".

Well, I've just got out of the theater and i must say that all the reviews are right. this is an amazing film! The actors are simply the best, Omar is not only a great comic but also a great actor.

The filming has a certain touch that brings to mind "What's Eating Gilbert Grape" in the way the director was able to capture not only the suffering of Phillip but also the joy.

Not wanting to spoil the film for others, i highly recommend seeing this in the theaters and with a loved one.

It is also a good film for teenagers as it holds a few wonderful life lessons.

Enjoy.

Being french and a film maker myself, I have high standards for ratings, and this one definitely deserves in 10/10. I've not seen a film showing our world with such humour in a long time. The jokes are absurd and possibly, with a touch of British humour to them. The directing is beautiful, the acting is incredible, the shots are somehow truthful, if I can say that about a shot. It may be Omar Sy's first time in a leading role, for a major production, but he really delivered, and not just in the funny parts, the delivery of emotions was just spotless. Francois Cluzet was also just as brilliant, as he usually is. I will be recommending this film to everyone, and seriously hoping it will be released in the UK soon enough for me to see it again! Only negative aspect... the Americans are thinking of doing a remake... why do they always have to? I mean would you reconsider remaking the "Joconde" or the Sixtine Chapel to American standards? Film is an art like any other, it travels the world as it is... no need for remakes...

Do not look at this through the prism of "Foreign Films". You'd be wasting your time and miss something far too important.

Hollywood does scale like nobody else, leaving the competition gasping in its wake. France does intimacy, and brutality. Nothing is sacred. And rather than try to revive the New Wave or emulate Hollywood like most widely seen French films of late, "Intouchables" harnesses its core strengths - ease with intimacy, willingness to ridicule anything and brutal honesty - and delivers one of the funniest, most honest and touching films I have ever seen.

Sy is a failed robber, going through the motions and playing the stereotypical jobless émigré. Cluzet is a romantic and melancholy mind trapped in a useless body. The circumstances that bring them together are too funny to spoil here, but meet they do, and an awkward relationship quickly blossoms as they bring out the best in each other.

The film's simplicity is delightfully misleading: the script is a masterpiece of comedy writing, and however good the rest of the cast is, the central duo is magical. Sy's comic timing will have you in stitches, but it is his honesty and vulnerability that make you fall in love with the character. Cluzet isn't your typical sad-sack, instead, much of the finest pleasures in the film consist in watching him use his keen mind to mess with the world around him (a subplot about an abstract painting really takes the biscuit, you'll know it when you see it).

This is one of the most unique, beautiful and honest friendships ever committed to film. It will make you laugh, it will make you cry... a delightful celebration of everything in life that makes it worthwhile.