AVALIAÇÃO DA IMDb
6,3/10
10 mil
SUA AVALIAÇÃO
Ty Warner era um vendedor de brinquedos frustrado até que sua parceria com três mulheres transformou sua ideia na maior febre de brinquedos da história.Ty Warner era um vendedor de brinquedos frustrado até que sua parceria com três mulheres transformou sua ideia na maior febre de brinquedos da história.Ty Warner era um vendedor de brinquedos frustrado até que sua parceria com três mulheres transformou sua ideia na maior febre de brinquedos da história.
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- 2 indicações no total
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Avaliações em destaque
When thinking about this review and the movie, I kept getting drawn back to how flamboyant the characters were and then it struck me. I was watching characters apparently 'borrowed' from The Righteous Gemstones. I know it was the 80's but it was a little cartoonish.
The characters are also presented in such a way that shows most of them in a pretty poor light. Except for the Maya character who was presented in the film as the great underbelly of the company.
Has some entertaining moments and is often interesting but lacks any depth perhaps as its presented more as a comedy than a drama or bio film :)
The characters are also presented in such a way that shows most of them in a pretty poor light. Except for the Maya character who was presented in the film as the great underbelly of the company.
Has some entertaining moments and is often interesting but lacks any depth perhaps as its presented more as a comedy than a drama or bio film :)
Another production clearly seeking to capitalize on nostalgia for a particular time, appealing to a large & wealthy demographic. None of this is inherently a problem or complaint.
The execution belies a tight production schedule to just get this movie out there. Acting, writing and directing are all just slightly better than 'going through the motions' or checking the box. The young sales person/ assistant/ college intern is the most egregious: like a cartoon, no sense of pacing, no sense that characters listen to each other. The acting is painfully obvious as ACTING - saying the lines, showing the assigned emotion, etc.
It's likely that some - not all - of the cast could be better, but no one asked them to be, here.
Maybe the story could be interesting enough.... It's hard to say, from watching this. Unfortunately, it seems that all the competition among streaming providers is lowering the bar for quality, and driving production more for for quantity. So, viewer costs go up because production costs for content are the same for poor quality as it is for better quality.
The execution belies a tight production schedule to just get this movie out there. Acting, writing and directing are all just slightly better than 'going through the motions' or checking the box. The young sales person/ assistant/ college intern is the most egregious: like a cartoon, no sense of pacing, no sense that characters listen to each other. The acting is painfully obvious as ACTING - saying the lines, showing the assigned emotion, etc.
It's likely that some - not all - of the cast could be better, but no one asked them to be, here.
Maybe the story could be interesting enough.... It's hard to say, from watching this. Unfortunately, it seems that all the competition among streaming providers is lowering the bar for quality, and driving production more for for quantity. So, viewer costs go up because production costs for content are the same for poor quality as it is for better quality.
This is a hell of a story. Great costume design and cinematography. Good acting. Nicely developed characters. Colors play a huge role and are on point. The way the story told is really annoying. While I don't mind the jumping back and forth through the years as long as I know when we're at, there were a few occasions they didn't put the year on and that caused a little timeline confusion. It's a story about a downfall of a vain man-child who couldn't grow up. It's also a story about investing in the dumbest of things. It's a solid 4 star piece that I'll gladly watch again only for the beautiful colors and the great makeup on Zack Galifianakis' face.
In 1983, Ty Warner (Zach Galifianakis) and his friend Robbie (Elizabeth Banks) start a plush toy business. His big idea is to under-stuffed them and make them softer. In 1993, medical student Maya (Geraldine Viswanathan) starts working as a receptionist at the company. Sheila (Sarah Snook) meets Ty as she sets up his home lighting.
This type of movies is fast becoming a genre of its own. Some call it corporate biopics. I'm calling it product-bio. First, they need a recognizable product that will generate nostalgia. Then they need some drama for the bio and they should make one up if it doesn't exist. They are good on the first part. Beanie Babies are definite 90's nostalgia-fuel. As for the drama, it exists here. The movie tries to present it in an interesting way by combining three women's stories. I do have an issue with Zach Galifianakis.
I thought he's gay at first even after dating Sheila. He needs to not put his spin on the character. At his heart, he's a slick salesman. He needs to set up his narcissism. The guy has real daddy issues with some juicy sexual aspects. Zach is playing it like an absent-minded professor. He may be the wrong guy to play this role.
The time jumping is fine, but it may be better to simplify it. After all, both Maya and Sheila come into the story at the same time. Maya is probably the most compelling story. I don't see the chemistry between Sheila and Ty. He has more chemistry with her daughters. Robbie's story is standard wronged woman. They really need to show the sexual tension a lot more and earlier. As far as this new genre goes, this entry is an average affair.
This type of movies is fast becoming a genre of its own. Some call it corporate biopics. I'm calling it product-bio. First, they need a recognizable product that will generate nostalgia. Then they need some drama for the bio and they should make one up if it doesn't exist. They are good on the first part. Beanie Babies are definite 90's nostalgia-fuel. As for the drama, it exists here. The movie tries to present it in an interesting way by combining three women's stories. I do have an issue with Zach Galifianakis.
I thought he's gay at first even after dating Sheila. He needs to not put his spin on the character. At his heart, he's a slick salesman. He needs to set up his narcissism. The guy has real daddy issues with some juicy sexual aspects. Zach is playing it like an absent-minded professor. He may be the wrong guy to play this role.
The time jumping is fine, but it may be better to simplify it. After all, both Maya and Sheila come into the story at the same time. Maya is probably the most compelling story. I don't see the chemistry between Sheila and Ty. He has more chemistry with her daughters. Robbie's story is standard wronged woman. They really need to show the sexual tension a lot more and earlier. As far as this new genre goes, this entry is an average affair.
A very interesting movie about the back story behind the craziness of the Beanie plush toy ...I remember the beanie babies ...who crazy people where getting with them...it depict rather well how crazy the last part of the 80's, the 90's. The social trend of the day, the arrival of the WWW/internet. All this with a very good rhythm.
How this young woman daughter of immigrant saw that the net could be used to measure demand, increase sale etc she was year ahead of the rest. It also depict the founder of the Ty Toy Corp. How this man-child could manipulate people while maintaining his child like creativity. This emotionally abused man was generous only to outsider, to insider he was repeating the pattern he learn from his father.
Based on some of the truth behind the crave that was the beanie babies ...fetching price on the after market that parallel the tulip bulb in the Renaissance Holland...(the first but not the last case study of crazy speculation cause by imbalance between desirability & limited supply).
The choice of going back & forth could be an issue for some. But it does finally make a circle on itself.
How this young woman daughter of immigrant saw that the net could be used to measure demand, increase sale etc she was year ahead of the rest. It also depict the founder of the Ty Toy Corp. How this man-child could manipulate people while maintaining his child like creativity. This emotionally abused man was generous only to outsider, to insider he was repeating the pattern he learn from his father.
Based on some of the truth behind the crave that was the beanie babies ...fetching price on the after market that parallel the tulip bulb in the Renaissance Holland...(the first but not the last case study of crazy speculation cause by imbalance between desirability & limited supply).
The choice of going back & forth could be an issue for some. But it does finally make a circle on itself.
Você sabia?
- CuriosidadesMaya Kumar's character (Geraldine Viswanathan) is based on the real life person Lina Trivedi.
- Erros de gravaçãoIn one scene that takes place in 1983, Ty and Robbie are in the toy aisle of a department store examining stuffed animals as they figure out how to make better ones. On the shelf behind them is the board game, "Ticket to Ride", which wasn't published until 2004.
- ConexõesReferenced in Film Junk Podcast: Episode 905: Talk to Me + Extra Terrestrial Visitors (2023)
- Trilhas sonorasOh Sheila
Written by Melvin Riley (as Melvin C. Riley Jr.), Gordon Strozier (as Gordon P. Strozier), Gerald Valentine
Performed by Ready for the World
Vocals performed by Melvin Riley (as Melvin Riley Jr.)
Courtesy of Cleopatra Records, Inc.
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- How long is The Beanie Bubble?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- La fiebre de los peluches Beanie
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração1 hora 50 minutos
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1
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What is the Hindi language plot outline for The Beanie Bubble - O Fenômeno das Pelúcias (2023)?
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