Anatomia de uma Queda

It's a great movie, without a doubt. Excellently directed with the best handling of the shots and the cameras of the year. The acting of Sandra Huller and the boy (whose name I'm forgetting) are impressive, worthy of award nominations. Not in vain the actress was in two of the best movies of the year. Her handling of languages and how she makes each dialogue credible is fascinating.

It's a hard and pure trial movie, in my opinion it has 2-25 minutes left over and I lack a soundtrack. In the end it leaves me wanting more because I was expecting a plot twist that would surprise. For the rest, highly recommended.

Courtroom-based dramas aren't all created equal. Chances are you can think of a few timeless ones that stand the test of time (perhaps 'To Kill a Mockingbird,' 'A Few Good Men,' 'The Pelican Brief'). In Justine Triet's 'Anatomy of a Fall,' we can get to see the French judicial system on display in a tale of the struggle to decide when it's difficult to see the truth through a forest of hearsay.

There are a few aspects of 'Fall' that hold the audience's attention more so than other films in this genre. The way the story unfolds from the initial events to the verdict and aftermath is riveting, which makes it easy to understand how it earned an Oscar for best original screenplay. The performance of Sandra Hüller is exceptional, as she convincingly plays a conflicted writer who loves her half-blind son, Daniel (Milo Machado-Graner), yet must defend herself against an accusation of murder.

There are a few scenes in 'Fall' that are masterclass, including the recreation of an argument between Hüller and her onscreen husband, Samuel Maleski (Samuel Theis). This scene is intense, agonizing and feels completely authentic, and both actors deliver A+ work. Machado-Graner also does a superb job across the board, including an emotional testimony as a witness in the trial. Oh, and anyone who watches this movie will never be able to think of 50 Cent's "P. I. M. P." the same way again.

For such a simple premise, 'Anatomy of a Fall' manages to showcase the complexity of human nature and the importance of seeing both sides of a situation.

Anatomy of a Fall is a French film that explores the ambiguity of how we create notions of the truth through complexity of a criminal case. The film refuses to answer the question of guilt or innocence, but rather examines how people construct their own narratives based on partial and biased information. The film shows how gender, media, and personal motives influence the interpretation of the facts. The son of the accused, who is the only witness, admits that he does not know what really happened, and that he has to make a choice about what to believe. The prosecutor, who seems to have a personal vendetta against the accused, also relies on assumptions and speculations rather than solid evidence. The film is a compelling and nuanced study of human psychology and social dynamics. The film is well-acted and directed, but it could have been shorter. Some scenes in the courtroom are repetitive and drag on for too long.

Did she do it? That's the question that kept my eyes wide open and made me so hyped throughout this entire enthralling courtroom drama. In fact, I was challenged to do the work along with the jury and perceive exactly what Daniel felt. This film's realism really connected with me. It was so accurate and stressful that I forgot I was watching a film. I felt like I was watching a true story or the news or something. That is why it was very skillfully executed and well acted, as we have seen a brilliant performance from the leading actress, Sandra Hüller, who convincingly conveyed a dynamic variety of emotions.

And the Oscar goes to... Messi (the dog's real name). Feels ironic, right? Haha.

A lonely chalet in the French Alps. A dead man laying in the snow in front of it. Apparently he fell out of the third floor window under the roof.

Was it an accident? Suicide? Or a murderess attack? Whoever expects a conventional crime thriller with a final simple solution will be badly disappointed by this complex psychological drama about a female author fighting for her independence, dignity and her own truth in the courtroom, where she stands under suspicion to have killed her husband. But beware: truth has different aspects and different sides, depending on whoever tries to catch it. It comes in disguises, often invisible, always subjective.

In the end it's up to the viewer to make up his own mind about the case. While the investigation is unfolded Triets movie proudly walks in the footsteps of Ingmar Bergman, a classic analyst of complicated couple relationships and she truly succeeds in doing so.