Bem Vindo à Vida

Now this is a movie that I thoroughly enjoyed watching. Movies like these proves that you don't need crude and obnoxious jokes with nudity and swearing for it to be good. This is an adult movie that approaches things in a touching and yet mature manner. The story in this is about Sam(Chris Pine) getting $150,000 dollars in cash after his fathers death who he loathed. But in his will he wants that money to go to Frankie(Elizabeth Banks) who is his half-sister that he didn't know about until he got his father's will. So he decides to go stalking Frankie and her son and soon chemistry starts to form between them, I guess it's awkward chemistry. Now Sam already has a girlfriend played by Olivia Wilde but the chemistry between Sam and Frankie is just so well written in this to the point I wanted to see more of it. And the fact that they are half-sibling makes things awkward and yet interesting to watch. Elizabeth Banks is still very hot and attractive, random but wanted to throw that in. This movie is mostly about understanding one another since everyone comes from different background no matter how close you are with them. This is a well written emotional drama that maybe predictable in some cases but it's well worth the watch for sure.

8.5/10

My wife and I saw this film without having any idea of what it is a about. All we knew was some guy's father died and he went through a life decision change. For all we knew that meant he could have become gay (he didn't, and it had nothing to do with that).

This is an adult family film. It's PG-13 rating is not for nudity, swearing, or violence. It is rated that because it is a mature look at dysfunctional family problems. So while little of that is shown, they are referred to through the dialog, thus making it a mature film for teens and up.

From the opening credits of Dreamworks, the artistry of the film was evident. Instead of the usual music for the kid fishing from the moon, we hear conversations in a recording studio. In our opinion, every actor and actress gave outstanding performances. While the topic could have had a heavy handed approach, it did not. It was deftly edited and paced.

In summation, this movie was art because the content was all heart. I have deliberately avoided talking about specifics because I want all viewers to be as surprised as we were in the viewing. I give it a ten, and intend to watch it again.

"People Like Us" has a fine cast, a fairly stimulating (yet safe) plot, and some heartfelt life lessons thrown in for good measure. The next paragraph contains a gentle spoiler about this films' themes.

A man (Pine) receives some bad news about his family. He needs to do the right thing, grow up, and bust through the defenses he has spent years hiding under. As he makes a reunion of sorts with family members, the plot unfolds. Each character deals with their own personal set of challenges.

I'll confess that I had hesitations about the casting. Pine is cute as-a-button, and I tend to be drawn to actors who are a bit rough around the edges. But I was wrong to doubt his abilities. He layered his role with some interesting nuances. His interactions with the Elizabeth Banks character were entertaining and fairly genuine. The young actor Michael Hall D'Addario was absolutely wonderful. Banks and Pfeiffer each turned in very sturdy performances. Wilde was also effective, but she needed more screen time.

Kudos to the director Alex Kurtzman for his reasonably light touch. It seems like he allowed the actors a long leash in developing their characterizations. This is no easy task, because Kurtzman also co-wrote the script.

The musical score had some strong moments, particularly when they highlighted classic rock tunes from decades ago. There were periodic sentimental tunes, which seemed a bit manipulative. And there was a beach scene which was a bit deflated, because it was so typically pretty. I wish this film would have taken more risks, and navigated through an even murkier emotional landscape.

At the end of the day, I would recommend this, and I look forward to seeing more films from Kurtzman. If you're still with me at this point, I beg your pardon. Uh, bartender... I'll have an extra dry martini with 2 olives, please.

This has to be under everyone's radar and that's a true shame. I can't recommend it enough if you're looking for a truly moving film about fractured families and fractured souls.

I was completely blown away by this movie and by every single performance. If I were an Academy member and I saw this film I would immediately place the names Chris Pine, Elizabeth Banks and Michelle Pfeiffer at the very top of my Oscar nominations lists. Honestly, everyone is just that good in these roles especially Banks. Hers is the best performance I've seen this year bar none. The movie itself is so wonderfully written and packs true emotional resonance. The plot may sound cliché but nothing is handled in a predictable or unreal fashion. Secrets are revealed and it sheds new life on family and the meaning of love. To paraphrase: what seems important now really isn't and what's may seem not important now really is… there's a lot to digest about this film. One thing's for sure, if you "lean in to it" and give this movie your time and undivided attention you will not be sorry that you saw it.

I really enjoyed seeing this latest movie with Chris Pine. The acting is great, the storyline is well written with adequate character development to let you get emotionally invested. Michelle Pfeiffer gives the level of performance you typically expect from Diane Keaton with empathy and sincerity. Chris Pine as Sam shows he's much more than just a pretty face, but the true scene stealer is Michael Hall D'Addario who plays Josh, the bad-boy son of Elizabeth Banks' character, Frankie. I really enjoyed that it isn't your typical romantic comedy between a man and woman who end up either together or not. Frankie and Sam being sister and brother as the primary love interests give it a very interesting twist but there's also the mother-son sub-plot as well as Sam and Hannah, played by Olivia Wilde. We clapped when the credits rolled, which is rare for a romantic comedy movie.