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Ela

Título original: Her
  • 2013
  • 14
  • 2 h 6 min
AVALIAÇÃO DA IMDb
8,0/10
717 mil
SUA AVALIAÇÃO
POPULARIDADE
464
130
Joaquin Phoenix in Ela (2013)
 A lonely writer develops an unlikely relationship with his newly purchased operating system that's designed to meet his every need.
Reproduzir trailer2:33
16 vídeos
99+ fotos
Drama psicológicoInteligência artificialDramaFicção científicaRomance

Num futuro próximo, um solitário escritor tem uma relação pouco comum com um sistema operacional destinado a atender todas as suas necessidades.Num futuro próximo, um solitário escritor tem uma relação pouco comum com um sistema operacional destinado a atender todas as suas necessidades.Num futuro próximo, um solitário escritor tem uma relação pouco comum com um sistema operacional destinado a atender todas as suas necessidades.

  • Direção
    • Spike Jonze
  • Roteirista
    • Spike Jonze
  • Estrelas
    • Joaquin Phoenix
    • Amy Adams
    • Scarlett Johansson
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    8,0/10
    717 mil
    SUA AVALIAÇÃO
    POPULARIDADE
    464
    130
    • Direção
      • Spike Jonze
    • Roteirista
      • Spike Jonze
    • Estrelas
      • Joaquin Phoenix
      • Amy Adams
      • Scarlett Johansson
    • 1.4KAvaliações de usuários
    • 652Avaliações da crítica
    • 91Metascore
  • Veja as informações de produção no IMDbPro
    • Ganhou 1 Oscar
      • 83 vitórias e 187 indicações no total

    Vídeos16

    Trailer #2
    Trailer 2:33
    Trailer #2
    Trailer #1
    Trailer 2:32
    Trailer #1
    Trailer #1
    Trailer 2:32
    Trailer #1
    5 A.I. Movies We Humans Love to Watch
    Clip 1:01
    5 A.I. Movies We Humans Love to Watch
    Unconventional Romances to Stream Now
    Clip 2:41
    Unconventional Romances to Stream Now
    Her
    Clip 1:03
    Her
    Her
    Clip 1:12
    Her

    Fotos177

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    + 173
    Ver pôster

    Elenco Principal91

    Editar
    Joaquin Phoenix
    Joaquin Phoenix
    • Theodore
    Amy Adams
    Amy Adams
    • Amy
    Scarlett Johansson
    Scarlett Johansson
    • Samantha
    • (narração)
    Lynn Adrianna Freedman
    Lynn Adrianna Freedman
    • Letter Writer #1
    • (as Lynn Adrianna)
    Lisa Renee Pitts
    Lisa Renee Pitts
    • Letter Writer #2
    Gabe Gomez
    Gabe Gomez
    • Letter Writer #3
    Chris Pratt
    Chris Pratt
    • Paul
    Artt Butler
    Artt Butler
    • Text Voice
    May Lindstrom
    May Lindstrom
    • Sexy Pregnant TV Star
    Rooney Mara
    Rooney Mara
    • Catherine
    Bill Hader
    Bill Hader
    • Chat Room Friend #2
    • (narração)
    Kristen Wiig
    Kristen Wiig
    • SexyKitten
    • (narração)
    Brian Johnson
    Brian Johnson
    • OS1 Commercial Lead
    Matt Letscher
    Matt Letscher
    • Charles
    Spike Jonze
    Spike Jonze
    • Alien Child
    • (narração)
    • (as Adam Spiegel)
    Olivia Wilde
    Olivia Wilde
    • Blind Date
    David Azar
    • Theodore's Divorce Attorney
    Guy Lewis
    • Marriage Counselor
    • (as Dr. Guy Lewis)
    • Direção
      • Spike Jonze
    • Roteirista
      • Spike Jonze
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários1.4K

    8,0716.6K
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    Avaliações em destaque

    8momoca_k

    The Movie Her Predicted Life in 2025. It Feels Haunting to Watch Today.

    Her no longer feels like a distant futuristic fantasy but more like a reflection of the AI-driven world we're beginning to inhabit. Spike Jonze imagined a lonely man forming a profound emotional bond with Samantha, an AI operating system full of charm, wit, and empathy. Today, chatbots and voice assistants echo that vision: AI like ChatGPT can converse naturally, offer guidance, and even mimic human emotion, creating connections that feel surprisingly real. This blurs the line between companionship and simulation, showing that Jonze's imagined world is closer than we might think - though we're still in the early stages.

    Yet, unlike Samantha, modern AI lacks true self-awareness and genuine emotional growth. Tools like ChatGPT, with expressive voices, can charm and engage users, but they respond to prompts rather than forming authentic relationships. Her functions as both a mirror and a warning: AI can ease loneliness and simulate intimacy, but the film reminds us that the most meaningful connections remain human - messy, imperfect, and irreplaceable. Watching it today is both eerie and prescient, highlighting how the future Jonze envisioned is unfolding faster than expected.

    Her remains one of the most essential "tech romance" films of the past decade, not just for its storytelling but for its philosophical and emotional foresight. With modern AI like ChatGPT, we're not merely imagining Jonze's world; parts of it are happening in real time. This isn't just entertainment - it's a living experiment, and its implications for society, identity, and human connection are only beginning to emerge.
    7deanocware

    This is not a love story

    While I enjoy this movie for what it is, I simply have to disagree with all of those who portray this movie as some beautiful love story. This movie is about love, but it is not a love story. Without giving away any spoilers, if you want to understand the movie pay attention to the very last act of the main character when the movie ends. The movie is about relationships and how difficult human relationships especially can be. However in the end because we are human those are the only relationships we can truly have - are with each other - and the hurt and vulnerability and sometimes pain that come with them is simply something we have to accept. And no matter how much you love or care for a person sometimes it just doesn't work out. However that does not mean that you did not love or care for that person and to a certain extent will always. This is what the main character realizes and comes to understand at the end of the movie.
    JohnDeSando

    Cyber romance with hearty humanity.

    "It has become appallingly obvious that our technology has exceeded our humanity." Albert Einstein

    No better romance is on the screen in 2013 than Spike Jonze's insightful Her. It's about a writer in the future, Theodore, who falls in love with his new operating system (gravelly, sexy voice of Scarlett Johansson), just as he is reluctantly divorcing Catherine (Rooney Mara). The always complicated paths of love make sense as we witness the Platonic relationship develop, sans flesh and sans insanity that usually comes with that flesh.

    Her is a simple film that offers a view of love I never thought could come from a machine and its software. Although critics will cite the theme as a screed against the distancing of technology and our growing isolation from each other, and they will be right, I offer the sub theme that only when we strip ourselves of sensual bonds can we see the purity of emotional love, an essence of which Plato would have approved. Yes, although technology is mediating our lives at a rapid pace, we fall back to a personal drive to love and be loved that is physical in its best form but understood best if we can distance ourselves from that physicality.

    This delightfully intimate and non-violent film from acclaimed absurdist director Spike Jonze is more emotionally involving than even Enough Said (one of 2013's best romances) because the interaction between the software and the man is all verbal, no glimpse of the gorgeous Johansson allowed. Although this intuitive OS does allow mind sex, even that activity is abstract, allowing us to realize how connecting with a live human is in the mind still and one of life's great gifts, orgasm or not.

    Her allows us to witness the evolution of love separate from the encumbrances of physicality. Released from the bonds of appearance, voice is the seducer, not in rude sexual nuance but rather in the care that comes from love of the mind, not the body.

    K.K. Barrett's production design, Austin Gorg's art direction, and Gene Serdena's set decoration are memorable: full of comfortable light, much glass overlooking the city, and modern but warm furniture both in LA and Singapore. These artists understand that the fusion of technology and art is not a battle but a collaboration that further helps us understand the intricate workings of human emotion.

    "Any sufficiently advanced technology is indistinguishable from magic." Arthur C. Clarke
    10Frank-E-Hickey

    I love everything about Her

    This is the best film I have seen all year, and I saw just about every good film to hit theaters in 2013. I think it's because it is so representational of what it's like to be human.

    There are so many things that make this movie special, but I'll just mention a few.

    1. The score is INCREDIBLE. The music paired with the beautiful sound design make you FEEL the movie. Sure, you see everything on the screen, which is already beautiful, but then that music hits you and the emotions just start to run. I laughed, I cried, my brain got all tingly. It was an emotional roller coaster, and the score assisted in that so well.

    2. The script. I knew how this movie was going to end 30 minutes in. And unlike most who would then say that it's predictable and not worth watching, I consider that awesome, because it means that the script is tight enough to tell a good story with a believable arc. Every scene in this movie is straight up powerful! Like it will fill your heart with sadness and happiness and pain and guilt and confusion. And then rinse and repeat. For 2 hours. It moves through all of the most complex and interesting questions that we should be asking ourselves about what it means to be a human being. About what it means to be alive. This film is about all that life is. And after the screening, as well as during, I found myself questioning things in my own life that either don't make sense or don't have to make sense. Like love and thoughts and emotions. They're all so natural and yet none of us truly understand how they work. In my opinion, moreso than any other film this year, Her has the perfect mix of complex ideas, story, and character development. One of the best scripts ever written.

    3. Cinematography. My personal favorite shot to see and use is the extreme close up. And that shot was all over this movie. The reason I love it so much and believe it works so well is because it allows you to see the emotions of the character so plainly. Like their face is right in your face, so you just have to look at it. And that's where Joaquin shines. He delivers such a powerful and emotional performance and the close ups are there to capture it all. They also make great use of the natural backlighting of Shanghai, and the colors all fuse to make it a really pretty movie. I'd say the cinematography is on par with Drive and/or Lost in Translation in terms of the style. It looks like every shot was photographed with the intent to make it the most beautiful shot in the film. And I admire the DP's work. He did a really great job.

    More than anything though, this film just made me feel. Everything about it was so beautiful. I didn't want it to end. I felt like the film was controlling me - playing with my mind as if it were a joystick. And that's just something you don't get every day. Very rarely am I awe- stricken by a movie, and this film made my jaw drop. It is without a doubt the best film of the year, and upon just one viewing, one of my top 5 favorite movies of all time.
    Kirpianuscus

    poetic

    A great film about loneliness. Splendid performance of Joaquin Phoenix. And pure poetry. Admirable poem about isolation, need of other, social surogate and , off course, freedom. Its basic virtue - the proposed questions creating perfect atmosphere , becoming inspired challenges to discover new perspectives.

    Iconic On-Screen Romances

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    Interesses relacionados

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    Drama psicológico
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    Ficção científica
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    Romance

    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      Samantha Morton was originally the voice of Samantha. She was present on the set with Joaquin Phoenix every day. After the filming wrapped and Spike Jonze started editing the movie, he felt like something was not right. With Morton's blessing, he decided to recast the role and Scarlett Johansson was brought and replaced Morton, re-recording all the dialogue.
    • Erros de gravação
      When Theodore is lying in the couch at Amy's house there is a crew member behind Amy in the shadow.
    • Citações

      Theodore: Sometimes I think I have felt everything I'm ever gonna feel. And from here on out, I'm not gonna feel anything new. Just lesser versions of what I've already felt.

    • Cenas durante ou pós-créditos
      "Leanne Shapton...... Armpit Sex Drawing"
    • Conexões
      Featured in The Tonight Show with Jay Leno: Episode #22.51 (2013)
    • Trilhas sonoras
      Off You
      Written by Kim Deal

      Performed by The Breeders

      Courtesy of Elektra Entertainment Group and 4AD

      By arrangement with Warner Music Group Film & TV Licensing and Beggars Group Media Limited

    Principais escolhas

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    Perguntas frequentes21

    • How long is Her?Fornecido pela Alexa
    • Why did Theodore get so upset when he heard Samantha let out a sigh?

    Detalhes

    Editar
    • Data de lançamento
      • 14 de fevereiro de 2014 (Brasil)
    • País de origem
      • Estados Unidos da América
    • Centrais de atendimento oficiais
      • Official Facebook
      • Official site
    • Idioma
      • Inglês
    • Também conhecido como
      • Ella
    • Locações de filme
      • Xangai, China
    • Empresas de produção
      • Annapurna Pictures
      • Stage 6 Films
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • US$ 23.000.000 (estimativa)
    • Faturamento bruto nos EUA e Canadá
      • US$ 25.568.251
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 260.382
      • 22 de dez. de 2013
    • Faturamento bruto mundial
      • US$ 48.274.727
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 2 h 6 min(126 min)
    • Cor
      • Color
    • Mixagem de som
      • SDDS
      • Datasat
      • Dolby Digital
    • Proporção
      • 1.85 : 1

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