Pesadelos Profundos

Got recommended this through a friend who watched it this year. I am passing along the recommendation to others.

I honestly thought it was a horror, just based on some of the articles I found on the project, but was pleasantly surprised to find it ride a sweet line of family themed thriller/drama.

The story is complex, the characters nuanced. For a film buff like me, I loved having to follow along and piece this story (dare I almost say - mystery?) together.

I think my largest takeaways were that, yes, we all have secrets and a past- and yes, we can all make amends with such things with hope of a brighter future. We are not slaves to our minds or weakest selves.

I think this film is a great production, well-directed, with authentic choices on the actors' parts (I especially enjoyed Victoria Baldesarra as Jen and SarahLydia Sophia as the lead, Mary, when seen together), and a nice choice for a night in.

I enjoyed this film overall but especially Victoria Baldesarra's portrayal of "Jen", the lead character Mary's best friend.

Her nuanced supporting performance brought depth and authenticity to the character, elevating the overall quality of the film. Baldesarra's ability to convey the complexities of Jen's emotions showcased her talent and commitment to the role.

Her performance was not only compelling but also added a layer of richness to the narrative, making Jen a memorable and impactful part of the story. Throughout the development of the storyline as we see Mary's character unraveled, Jen remains steadfast as an ally prepared to support and assist her best friend in the good and the bad, although we can see even she is beginning to question Mary's sanity. I liked the scene at the bridge where she is strong yet supportive.

Baldesarra's work in "Dying to Sleep" is undoubtedly worthy of recognition and stands as a testament to her skill as an actress, deserving of awards and acclaim.

I will definitely be on the lookout for this rising actress!

I really enjoyed this film, that I found at the recommendation from a friend.

"Dying to Sleep" not only delves into the complexities of familial relationships (especially mother/daughter and brother/sister) but also intertwines elements of a psychological thriller, adding an extra layer of intrigue to the narrative.

Maria Pinsent's performance as the mother is a standout in this genre-bending film, as she navigates who she has always been with adjusting to new information in her life that requires flexibility.

The film's ability to seamlessly blend the psychological thriller elements with the harrowing reality of her daughter's mental health is what initially drew me to it, and Pinsent's portrayal only adds to its allure. Her compelling performance anchors the film, making it a captivating and emotionally resonant viewing experience for anyone intrigued by both psychological thrillers and poignant family dramas.

If you like Lifetime/TVMovies with more bite and depth, this film is for you.

My mom loved this movie (it has a mother/daughter theme) and she watches that lifetime stuff. I'd say it's better than most of those types of flicks though, cuz the acting in Dying to Sleep is actually good and isn't all cheesy, and the story is more gritty/interesting suspense that you can build clues with, but I'd say it's still in the same vein.

It has that mystery element/woman in peril/female gaze/relationship angle that a lot of those Lifetime movies have. But the Writing is way more engaging cuz it's funny at times, scary some times, and heartfelt also, but doesn't take you out of the movie, like those other writing can do. I'd say the Writing is the best part of this one.

This is a greatly paced story with a fantastic ensemble, and a strong, grounded performance from SarahLydia Sophia. The film manages to maintain an eerie atmosphere, all while Mary and her family continue to be the heart at the center and drive the story forward. Director Paris Dylan's very strong sense of visual language and Muneed Rehmans's sharp cinematography gives the audience a sense of closeness, particularly to Mary's near constant state of terror. The story effectively balances Mary's ongoing troubled relationship with her family and the nightmarish journey she continues to experience, contributing overall to her journey coming back to herself.