Uma história de amor, amizade, luto e cura sobre uma escritora que adota um dogue alemão que pertencia a um amigo e mentor já falecido.Uma história de amor, amizade, luto e cura sobre uma escritora que adota um dogue alemão que pertencia a um amigo e mentor já falecido.Uma história de amor, amizade, luto e cura sobre uma escritora que adota um dogue alemão que pertencia a um amigo e mentor já falecido.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 1 vitória no total
Cloé Xhauflaire
- Camille
- (as Chloé Xhauflaire)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
This film really should have been a slam dunk, but somehow it manages to be overly long, barely sentimental or emotional, and lacking in any real connection with the characters.
The basic premise is that Naomi Watts inherits a giant great dane from her friend and mentor, and struggles to connect with the dog and look after it. What follows should be a sad and poignant yet heartwarming journey as owner and dog open up to each other and learn things along the way. Instead, the characters remain at a distance. The journey just isn't there for any of them really. What transformations and revelation Watts' character has are so surface level and sparsely explored, that they really don't make much of an impact.
As a result, the film feels very repetitive, static, and just overly long. There really is no real reason why this film had to be 2 hours long. It's a reasonable runtime if it was used effectively, but it just didn't deliver what it should have done emotionally.
It's a shame because the performances are all good, and the dog is lovely (even if he does have an oppressively sad face), so the foundations are all here. Unfortunately it just fails to capitalise on any of this, resulting in a rather drab and dare I say boring film.
The basic premise is that Naomi Watts inherits a giant great dane from her friend and mentor, and struggles to connect with the dog and look after it. What follows should be a sad and poignant yet heartwarming journey as owner and dog open up to each other and learn things along the way. Instead, the characters remain at a distance. The journey just isn't there for any of them really. What transformations and revelation Watts' character has are so surface level and sparsely explored, that they really don't make much of an impact.
As a result, the film feels very repetitive, static, and just overly long. There really is no real reason why this film had to be 2 hours long. It's a reasonable runtime if it was used effectively, but it just didn't deliver what it should have done emotionally.
It's a shame because the performances are all good, and the dog is lovely (even if he does have an oppressively sad face), so the foundations are all here. Unfortunately it just fails to capitalise on any of this, resulting in a rather drab and dare I say boring film.
- Watched at the Toronto International Film Festival (TIFF) on Sep. 11th, 2024 (First Watch)
- Format: Regular theatre
The story doesn't know what direction it's taking, which is why at most times it just keeps going on and on which feels like it's never ending and here comes the part where the watcher will feel the long and heaviness of its runtime which is not even long but it seems like that because of the slow and sometimes boring rhythm that the story has.
The dog is for sure the best part of the film. The way it was trained to showcase these emotions and use its body language to tell something is very impressive. I really didn't like the way the story approached Bill Murray's character as it felt very useless. The film to me is more like a story between a dog and a grieving person and not about a suicidal writer who died and left out a dog. It felt very chaotic in this aspect and it could've easily gotten more in depth in terms of this topic or showed a flashback that will support Bill Murray's character. Other than that, nothing more special but overall, a cute and warm film to watch!
Watched the Friend at NYFF among an appreciative and applauding crowd. It is a multi dimensional story of grief where we don't know whether the human is supporting the animal ot is it vice versa.
We try to understand Walter's character thru interactions of his near and dear ones. Iris is a complicated character poignantly played by Naomi Watts.
But at the end it is Apollo who helps everyone find their way in life.
The backdrop of NYC where the story is based also shot was amazing. It has its own character as Iris and Apollo go thru their daily life among the teeming millions.
Finally a great shoutout to the dog playing Apollo. One of the beat animal acted movies.
We try to understand Walter's character thru interactions of his near and dear ones. Iris is a complicated character poignantly played by Naomi Watts.
But at the end it is Apollo who helps everyone find their way in life.
The backdrop of NYC where the story is based also shot was amazing. It has its own character as Iris and Apollo go thru their daily life among the teeming millions.
Finally a great shoutout to the dog playing Apollo. One of the beat animal acted movies.
I really enjoy Noma Dumezweni in everything I've seen her in, and she was just as great here. The cast overall was surprisingly stacked-so many recognizable faces, and I kept having those "Oh hey, it's that person from..." moments. Everyone delivered strong performances, even the Great Dane.
We learn a lot about Bill Murray's character through the dog. Choosing a Great Dane was a smart move, there's something about that breed's presence that made the conversations around Walter and who he left the dog to feel more substantial. I don't think those same scenes would've hit as hard if it had been, say, a small poodle.
I'm not a huge dog person, so I imagine dog lovers might connect with this more. That said, I liked that the film didn't lean too heavily into sadness, despite being about grief it didn't feel too mopey. Still, I didn't feel particularly moved by it. Emotionally, it didn't hit me, but I thought it was fine overall. It's not just a story about a dog; it's also a quiet reflection on friendship, loss, and how people cope. The first half has some genuinely funny moments too.
The pacing is slow, and it doesn't really build to a traditional climax. It just sort of ends in a way that feels... fine. Not underwhelming, just gently satisfying.
During the Q&A, it was fun hearing the director talk about what it was like working with a Great Dane. I wish I had gotten to see the dog myself, but apparently, it's still adjusting. Maybe the folks attending tonight's or the Saturday Q&A will get lucky, would've been cool to see just how big it really is in person.
We learn a lot about Bill Murray's character through the dog. Choosing a Great Dane was a smart move, there's something about that breed's presence that made the conversations around Walter and who he left the dog to feel more substantial. I don't think those same scenes would've hit as hard if it had been, say, a small poodle.
I'm not a huge dog person, so I imagine dog lovers might connect with this more. That said, I liked that the film didn't lean too heavily into sadness, despite being about grief it didn't feel too mopey. Still, I didn't feel particularly moved by it. Emotionally, it didn't hit me, but I thought it was fine overall. It's not just a story about a dog; it's also a quiet reflection on friendship, loss, and how people cope. The first half has some genuinely funny moments too.
The pacing is slow, and it doesn't really build to a traditional climax. It just sort of ends in a way that feels... fine. Not underwhelming, just gently satisfying.
During the Q&A, it was fun hearing the director talk about what it was like working with a Great Dane. I wish I had gotten to see the dog myself, but apparently, it's still adjusting. Maybe the folks attending tonight's or the Saturday Q&A will get lucky, would've been cool to see just how big it really is in person.
Reuniting St Vincent (2014) stars, Bill Murray and Naomi Watts, The Friend is a heavy, emotional tale that deals with death, suicide, and perseverance.
Positives +Naomi Watts knocks it out of the park!
+Apollo the Great Dane is a cute pup actor.
+Scene voiceovers switch between characters +Thorough plot that examines all aspects of the story +A bit of creative fantasy
Negatives -Multiple "False endings" scenes. You think the movie is over, but then another scene appears. Again. And again.
-Felt too long with the above endings.
-A lot of characters thrown in at once, but not explained until later.
This movie had me crying in my seat. The connections of suicide, survivors guilt, regrets, and family were heavy. But your connections to these topics could increase or decrease your enjoyment. Buckle in for a long, but fulfilling journey.
-GremlinLord615 -Full Reviews on my YT.
Positives +Naomi Watts knocks it out of the park!
+Apollo the Great Dane is a cute pup actor.
+Scene voiceovers switch between characters +Thorough plot that examines all aspects of the story +A bit of creative fantasy
Negatives -Multiple "False endings" scenes. You think the movie is over, but then another scene appears. Again. And again.
-Felt too long with the above endings.
-A lot of characters thrown in at once, but not explained until later.
This movie had me crying in my seat. The connections of suicide, survivors guilt, regrets, and family were heavy. But your connections to these topics could increase or decrease your enjoyment. Buckle in for a long, but fulfilling journey.
-GremlinLord615 -Full Reviews on my YT.
Você sabia?
- CuriosidadesSigrid Nunez has stated that she is pleased with how her book is presented in this film adaptation.
- ConexõesReferences A Felicidade Não se Compra (1946)
- Trilhas sonorasDie Zauberflöte, K. 620, Act 2: 'Pa-pa-pa' (Papageno, Papagena)
Written by Wolfgang Amadeus Mozart
Performed by Catherine Pierard
Courtesy of Parlophone Records Limited
By arrangement with Warner Music Group Film & TV Licensing
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Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Meu Companheiro Fiel
- Locações de filme
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- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 3.941.217
- Fim de semana de estreia nos EUA e Canadá
- US$ 67.629
- 30 de mar. de 2025
- Faturamento bruto mundial
- US$ 4.922.132
- Tempo de duração
- 1 h 59 min(119 min)
- Cor
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