Era uma Vez na Anatolia

Nuir Bilge Ceylon's "Once Upon a Time in Anatolia" is the complete antithesis to the conventional American crime drama, which routinely features detectives with matinée-idol looks, an assortment of plot twists and red herrings, and a series of breath-bating car chases to keep the masses from bolting for the exits.

"Once Upon a Time in Anatolia" has none of these. In fact, it features a cast of balding, sagging, middle-aged men - a police chief, a prosecutor, a doctor and two murder suspects - who have gone on a night- long search, through the dour planes of Turkey, in search of a buried body. As the night drags on, the men engage in a series of long, angst- ridden conversations that reveal how their constant exposure to and intimate involvement with the sordid and depraved aspects of the human condition have made them pessimistic and cynical about life. Yet, in the end, at least one of the characters finds a way, through a bit of professional compromise, to bring a little less darkness into the world.

Meanwhile, at every step in the drama, the movie drains the process of crime detection of all its "glamour."

It's a long - 157-minutes long, in fact - methodical, and frequently ponderous journey into the heart of darkness, but fine performances and a complete lack of conventionality make it a trip worth taking.

Ceylan's films always get criticized for being too slow, and yes, they are slower, sometimes much slower, than what the flickering-advertisement generation is used to today. In Turkey, he is heavily criticized for being "too artsy," inaccessible, and boring. I, on the other hand, marvel at how non-Turkish audiences can actually watch and like his films; it speaks volumes for his brilliant talent in making something so foreign and different a universal piece for everyone to appreciate. The untranslatable colloquial language, the lives of people in remote parts of Turkey with petty worries, a murder investigation that happen in snail pace, the local politics of small, mud-brick villages all become accessible. Combined with his impeccable sense of cinematography and some stellar performances, especially from Yilmaz Erdogan, whom we are more used to seeing in comedic roles, the film shines.

Why a 7/10, then? Well, I have seen all of Ceylan's films. They all execute the story arc well. They do not have Hollywood endings where everything is neatly resolved, of course, but they usually have some progress and movement through the arc. Somehow, this film lacked that. I felt like the main story arc was not fulfilled. I cannot really explain it; perhaps it was that too many things were left untold, or some "hints" were too vague and just when you thought they will lead somewhere, they didn't? Nevertheless, Once Upon a Time in Anatolia is another cinematic gem from the Turkish master. Highly recommended for those who do not have to have action packed scenes and formula-bound stories to enjoy a film.

I just watched this at the Melbourne Film Festival, I found it quite good. It terms of narrative it was quite a mysterious journey for the audience, the audience as the picture began were in the dark and begun discovery the means of the story non-overtly. This sometimes works and sometimes doesn't, But that of course applies to all forms of narrative may it be Barry Lyndon where you know the fate of Barry but are still enthralled with the story or a movie such as this, some of the audience (Many people left the theatre through the course of the film) can feel tedious with this approach accompanied with various long Tarkovsky-esque takes, however I think it was quite interesting, it's as if a camera just accompanied this search of the everyday case of a local Turkish law enforcement. I had some preconceptions about the film, I thought it was going to be quite stark and gloomy, in the likes of No Country For Old Men (Which is a brilliant film), however it proved to have a myriad of scenes with humour and it acted like a beacon of light for the sombre setting the movie is placed in. This movie had some amazing cinematography, great lighting of the night scenes, only lit by the headlights of the cars and some great shots really capturing the audience. I think the film lacked a score, if I were the director I would have put in a very ambiance oriented score like in Tarkovsky's Solaris, to really unsettle the viewer because it really would strengthen the ambiguity experienced by the characters and audience alike. This film was quite good, yes it is a slow burner, but I think the strangeness of the story and it's concealed nature manages to outweigh it's tediosity. 8/10 from me.

Anatolia, simply the rest of Turkey other than Istanbul. It is a place where the hospitality is served as the only gift with respect and honor. The fascinating thing is to see such sort of story which takes place in this land of world where hundreds of nations have existed and vanished throughout the history, by a magnificent director, Nuri Bilge Ceylan. I can understand people who have harsh criticism about these kind of arts so called as ''film-noir''. It may seem too slow or simply lack of action or someone can even question how other people can enjoy by watching so called cliché ' a man looking beyond the horizons all along the movie'. The point is no body has to like this sort of art. For instance it is like reading a book. Consider some pages of a book when there is no action but the author speaks instead of the hero of the book. So by watching ' a man looking beyond the horizons' makes me question what he could think or makes me put myself in the middle of the situation. And I really feel like I am that guy in the movie. But I really really and really feel like I am that guy, when the movie is so perfectly directed and so perfectly portrayed.

We can call this movie as a bridge or as a milestone in Ceylan's career. It is as simple as that, there is a very obvious change in Ceylan's directing and writing after seeing that movie. Having seen that, we can make this comparison like Before or After Once upon a Time in Anatolia. It is not 'three monkeys' or 'the climates' or 'the distant', it is obviously another one that carries Nuri Bilge Ceylan's way of directing to the next level.

Another must see...

This is a terrific film. The cinematography is brilliant, fabulous. The acting is excellent. The dialogue is very natural, sometimes very funny (as in the subtitle quote in the heading of this review) sometimes philosophical, but always drawing us into the story and the lives of the characters.

There is a mystery within a mystery., one I understood in the end, the other I am not so sure about - but being left in doubt did not leave me disappointed but rather it left me liking the film even more.

This is an incredibly rich viewing experience even though it depicts relatively impoverished living standards.

It can hardly be called action packed but it is extremely engaging because of how beautifully it is filmed and how well it is written.