A Feiticeira da Guerra

This is not, by any means, a sophisticated film. It is slightly above amateur. There are two noteworthy exception first the acting of the lead actress and second a compelling story. It is the story of an African girl whose village is overrun by Rebels and then is forced to kill her parents and fight for these self same rebels. She is haunted by her dead parents throughout the film. First they warn her about the "government" soldiers who are laying in wait in the forest and then they begin to haunt her for not paying proper respect to their remains. This is the interesting part of the story, it mirrors Henry James's Turn of the Screw (in a simpler manner) and it is dynamically acted by the lead actress. The conflict runs throughout the film until she is ready to confront her burned out village and her parents remains.

The rest of the story is unsatisfying. There is a War Lord named Tiger who the script builds up to be important, but his character is never fleshed out. The same is true for all the other characters.

I watched it in its original language and then with the captions in English and much is missed in the translation. In other words the translation is really poor. I give it three points for effort.

¨We are rebels. Respect your guns. They're your new mother and father.¨

War Witch, also known as Rebelle, is a Canadian film directed by Kim Nguyen that has been nominated for this year's Academy Awards for best foreign picture. It is an enlightening film about the horrors that some children have to face in Africa when kidnapped by rebel forces. Nguyen, who also wrote the screenplay, did it in a very sensitive manner without relying on melodramatic or shocking moments. This is more of a sensitive drama focusing on a character study of a young girl's life when forced to kill her parents and join a rebel army. The harsh and violent reality of her life is softened by her innocence and supernatural mystic powers. The film combines these two elements in such a way that it makes the movie a much lighter and pleasant viewing experience. The addition of a sweet love story between her and one of the kids in the rebel army is what balances out the ultra realistic violence in her world with a touch of magical romantic moments, such as the search for the white rooster which gives the movie a much more lighter touch in midst of all the drama. The performance from Rachel Mwanza feels so real and authentic that it makes the film work as we see how this innocent girl's life changes as she becomes a woman in the midst of war. War Witch wouldn't have worked if it weren't for her unique portrayal of this character. This is a powerful film because there is no denying these things are happening in real life, and we need to put an end to this senseless brutality. Kim Nguyen does a great job with the direction of this film by adding some unique touches in the sound department, and the cinematography works really well.

The movie takes place in an undisclosed country in Africa where Komona (Rachel Mwanza), a young 14 year old pregnant girl, decides to tell her unborn child the story of her life. When she was 12, rebel forces raided her village and forced her and other children to murder their parents and join them. They were all given guns and prepared to fight for the Grand Tigre Royal (Mizinga Mwinga). She was the only child from her village to survive an early encounter against government army forces, after being warned by the ghosts of her parents to run. After this, she was considered to be a War Witch due to her mystical powers. She befriends another boy from the rebel army, who is also considered to have some sort of mystical powers and is known as the Magician (Serge Kanyinda). Together they decide to run away and hide at the Magician's uncle's home. He is known as the butcher (Ralph Prosper) and is very kind to the young kids who fall in love with each other. The Magician asks Komona to marry him, and she says that she can only marry him if he finds her a white rooster, which is extremely rare to find in that country. Despite the pleasant life she seems to be living, the ghosts still torment her, and after a brief moment of peace the rebels are back again to haunt her. Will Komona ever find peace in this senseless and brutal society she's living in?

War Witch is only about 90 minutes long, which was perfect because it could have gotten heavy handed if Nguyen had decided to expand the screenplay more. I really enjoyed that he decided to include this world of superstition in the midst of all the violence because it is a great part of the African culture which is left out sometimes. Despite the violent world in which Komona was introduced too, she also was able to find love although it was short lived. Nguyen found a perfect balance between this horrific world and the magical romantic one that Komona lived in. This will not win the Oscar, because Amour is a lock at this point, but it still is a unique film that is worth checking out if you 're into foreign films. I really enjoyed this film, although I wouldn't call it a masterpiece. It isn't groundbreaking, but is worth seeing for the story and performances alone.

http://estebueno10.blogspot.com/

I expected much more from "War Witch". After all, it was nominated for the Best Foreign Language Oscar and is about a very important topic, children who are kidnapped and forced to serve in evil rebel forces in Africa. I've seen several documentaries about this (especially in the Democratic Republic of the Congo and Uganda) and the films have been absolutely heartbreaking to watch due to the evil being perpetrated by these groups (such as the Lord's Army). Yet, inexplicably, "War Witch" seemed far less hard-hitting and interesting.

When the film begins, the main character (later dubbed the 'War Witch') is narrating about her life two years earlier. An unnamed rebel group in an unnamed African nation comes on a small village and they kidnap the children (who looked about ages 10-14) and they forced these victims to murder their own parents! Then, they are taken to a rag- tag rebel camp and indoctrinated. The rest of the film follows this girl's adventures--such as her strange ability to see dead people as well as her ill-fated marriage.

Considering how tough the film began, I was really surprised that over time the film just seemed to fizzle and seemed to lack direction. The film SHOULD have been a strong indictment of the evil forces on the continent that rob children of their childhoods but it got lost, a bit, with the ghosts, white chicken, marriage and other distractions. My advice--see one of the documentaries instead, such as "Sewing Hope".

During African civil war, Komona, a 14-year old African rural girl, gets abducted by some brutal rebellious chaps and bears unbearable woes, along with an unborn war child in her miserable fate. Kim Nguyen, in his path of direction, seems brilliant with the treatment of children psychology in that inhuman environment. He beautifully represents the war-witch, Komona's romance with the Magician who was also believed to have some spiritual ability just like her. The way how Komona is forced to be mature in the cruel world at her early days and her mental conflicts during her pregnancy would play with our sentiments and emotions a lot. A deep melancholy tone flows throughout the film with narratives. Definitely an applauding pick of Oscar board (Y)___

I learned about this film "War Witch" because it was nominated for the Oscar in Best Foreign Language Film. It is in French and was submitted by Canada. It is not an easy movie to watch. It chronicles two years in the life of a female child warrior in civil war-torn Africa.

Set in an unspecified African village and country, Komona is a 12 year old girl who was forcibly abducted by rebels to be a child warrior among many other children in her village. She had a unique talent of seeing spirits of the dead, which gave her the distinction of being a "War Witch" and thus a sacred member of their band of rebels. Despite this, she would still live a harrowing life of constant violence and anguish. This would be interrupted by an interlude of love, but sadly it would not last too long.

We hear the story in Komona's point of view so we can share in her very thoughts through her narrations. Young Rachel Mwanza bravely and compellingly played Komona. We literally see her face age from the first time we see her on screen to her final scene. We see a child forced to mature beyond her years in the most brutal ways possible. As you watch this, you will be thankful you do not lead Komona's tortured existence.

The direction, screenplay, cinematography and make-up of this film are outstanding. The depiction of the dead spirits Komona sees are very effective in its simplicity. This film succeeds to bring the heretofore unknown hell as experienced by children in war-ravaged Africa into the consciousness of the rest of the world. Are you ready to see this hell?